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Bridget Jones’s Baby (2016)

Bridget Jones’s Baby
Theatrical Performance
Domestic Box Office $24,139,805Details
International Box Office $185,266,076Details
Worldwide Box Office $209,405,881
Further financial details...

  1. Summary
  2. News
  3. Box Office
  4. International
  5. Video Sales
  6. Full Financials
  7. Cast & Crew
  8. Trailer

Synopsis

After breaking up with Mark Darcy, Bridget Jones's “happily ever after” hasn't quite gone according to plan. Fortysomething and single again, she decides to focus on her job as top news producer and surround herself with old friends and new. For once, Bridget has everything completely under control. What could possibly go wrong? Then her love life takes a turn and Bridget meets a dashing American named Jack, the suitor who is everything Mr. Darcy is not. In an unlikely twist she finds herself pregnant, but with one hitch…she can only be fifty percent sure of the identity of her baby's father.

Metrics

Latest Ranking on Cumulative Box Office Lists


Movie Details

Production Budget:$35,000,000
Domestic Releases: September 16th, 2016 (Wide) by Universal
International Releases: September 6th, 2016 (Wide), released as Bridget Jones's Baby (South Korea)
September 9th, 2016 (Wide), released as Bridget Jones's Baby (Australia)
September 14th, 2016 (Wide) (Philippines)
September 15th, 2016 (Wide), released as Бриджит Джоунс: Бебе на хоризонта (Bulgaria)
September 15th, 2016 (Wide) (Croatia)
... Show all releases
Video Release: November 29th, 2016 by Miramax Video
MPAA Rating: R for language, sex references and some nudity.
(Rating bulletin 2429 (Cert #50510), 6/15/2016)
Running Time: 122 minutes
Franchise: Bridget Jones
Comparisons: vs. Bad Moms
Create your own comparison chart…
Keywords: Delayed Sequel, Sequels Without Their Original Stars, London, Relationships Gone Wrong, Unexpected Pregnancy, Romance
Source:Based on Fiction Book/Short Story
Genre:Romantic Comedy
Production Method:Live Action
Creative Type:Contemporary Fiction
Production Companies: Perfect World Pictures, Universal Pictures, Miramax Films, StudioCanal, Working Title Films
Production Countries: United Kingdom,
United States

Ranking on other Records and Milestones

RecordRankRevenueChart
Date
Days In
Release
Biggest 7th Weekend at the Domestic Box Office 3,333 $89,260 Oct 28, 2016 45
Biggest 6th Weekend at the Domestic Box Office 3,376 $153,710 Oct 21, 2016 38
Biggest 5th Weekend at the Domestic Box Office 3,194 $359,260 Oct 14, 2016 31
Biggest 4th Weekend at the Domestic Box Office 3,094 $843,880 Oct 7, 2016 24
Biggest 3rd Weekend at the Domestic Box Office 2,660 $2,335,320 Sep 30, 2016 17
Biggest 2nd Weekend at the Domestic Box Office 2,284 $4,656,690 Sep 23, 2016 10
Biggest Opening Weekend at the Domestic Box Office 2,060 $8,571,785 Sep 16, 2016 3
Widest Opening Weekend 950 2,927 Sep 16, 2016 3

Cast

   Bridget Jones
   Mark
   Jack
Jim Broadbent    Dad
Gemma Jones    Mum
Emma Thompson    Dr. Rawlings
Sally Phillips    Shazzer
Julian Rhind-Tutt    Fergus
Shirley Henderson    Jude
Ben Willbond    Giles
Paul Bentall    Minister
Agni Scott    Camilla
Katia Elizarova    Glamorous Looking Woman
Tom Rosenthal    Josh - Researcher
Beattie Edmondson    Laura (Young Assistant)
Laura Checkley    Susan - Floor Manager
Sarah Solemani    Miranda
Joanna Scanlan    Cathy - Makeup Lady
Neil Pearson    Richard Finch
Erron Gordon    Hard News Studio Director
Laura Pearce    Hard News Studio PA
John Webb    Hard News Studio Vision Mixer
Patrick Malahide    George Wilkins
Kate O'Flynn    Alice
James Callis    Tom
Will Firth    Dreadlocked Guy
Ed Sheeran    Himself
Rafferty Railton    Spike
Abigail Kimber    Ruby
Amy Jayne    Poppy
Adam Leese    Photographer
Darren Boyd    Jeremy
Jessica Hynes    Magda
Dolly Wells    Woney
Alana Hood    Ginny
George Barnden    Boy One
Freddie Barnden    Boy Two
Cameron Lane    Boy Three
Harmon Joseph    Milo
Enzo Cilenti    Gianni
Ben Ashenden    Pierce
Kasia Koleczek    Girl Band Member 2
Aiste Gramantaite    Girl Band Member 1
Maria Alexe    Girl Band Member 3
Souad Faress    Judge
Nick Mohammed    Ariyaratna
David Forest    Graham
Maitland Chandler    Edward
Dominic Coleman    Village Hall Photographer
Celia Imrie    Una
Debra Gillett    Daisy
Chooye Bay    Studio Guest
Bruce Wang    General Lu Tong
Cathy Murphy    Cashier
Ashley McGuire    Midwife
Janet Henfrey    Mavis Enderbury
Richard Rycroft    Election Official
David Crow    Wedding Minister
Shirley Dixon    Mrs. Darcy
Donald Douglas    Admiral Darcy
James Faulkner    Uncle Geoffrey

Production and Technical Credits

Director   
Screenwriter    Emma Thompson
Screenwriter    Helen Fielding
Screenwriter    Dan Mazer
Based of the Characters and Story by    Helen Fielding
Producer    Tim Bevan
Producer    Eric Fellner
Producer    Debra Hayward
Executive Producer    Amelia Granger
Executive Producer    Liza Chasin
Executive Producer    Helen Fielding
Co-Producer    Jane Robertson
Director of Photography    Andrew Dunn
Production Designer    John Paul Kelly
Editor    Melanie Ann Oliver
Make-up and Hair Designer    Jan Sewell
Costume Designer    Steven Noble
Casting Director    Nina Gold
Music Supervisor    Nick Angel
Composer    Craig Armstrong
Associate Producer    Harriet Spencer
Sound Designer    Glenn Freemantle
Supervising Sound Editor    Glenn Freemantle
First Assistant Director    Matthew Penry-Davey
Production Manager    Richard May
Sound Mixer    Rashad Omar
Supervising Location Manager    Camilla Stephenson
Script Supervisor    Sue Hills
Supervising Art Director    David Hindle
Post-Production Supervisor    Ann Lynch
First Assistant Editor    Alex Anstey
Music Editor    John Warhurst
Re-recording Mixer    Brendan Nicholson
Re-recording Mixer    Adam Scrivener
Location Manager    Finlay Bradbury
Location Manager    Cat Ho
Location Manager    Helene Lenszner
Location Manager    Alex Gladstone
Art Director    Jonathan Houlding
Art Director    Emma MacDevitt
Set Decorator    Sara Wan
Additional Editor    Nick Moore
Additional Editor    David Freeman
Costume Supervisor    Tania Chant
Special Effects Supervisor    Chris Reynolds
Additional Casting-Casting Associate    Lauren Evans
Sound Effects Editor    Mark Heslop
Sound Effects Editor    Niv Adiri
Sound Effects Editor    Eilam Hoffman
Sound Effects Editor    Rob Malone
Sound Effects Editor    Alistair Hawkins
Sound Effects Editor    Patch Morrison
Supervising Dialogue/ADR Editor    Emilie O'Connor
Dialogue Editor    Nina Hartstone
Foley Mixer    Glen Gathard
Visual Effects Executive Producer    Tim Caplan
Visual Effects Executive Producer    Adam Gascoyne
Visual Effects Supervisor    Simon Hughes
Visual Effects Producer    Noga Alon Stein
Score Supervisor    Emma Ford

Home Market Releases for November 29th, 2016

November 28th, 2016

Don’t Breathe

Last week was the week of Black Friday / Cyber Monday, so the massive sales scared away top-notch releases. This week is the week after Black Friday / Cyber Monday and the new releases are even worse. There are a few midlevel releases, like Don’t Breathe or Pete’s Dragon, but the the size of the release quickly drops from there. Fortunately, both of those releases are very good and on even really busy weeks would be contenders for Pick of the Week. It was a close pick between the two, but in the end, I went with Don’t Breathe as Pick of the Week. More...

International Box Office: Peregrine Takes Down its Prey with $42.5 million

October 12th, 2016

Miss Peregrine’s Home for Peculiar Children

Miss Peregrine’s Home for Peculiar Children remained the top draw internationally with $42.5 million in 75 markets for totals of $94.0 million internationally and $145.2 million worldwide. The film took top spot in Russia with an opening weekend of $6.63 million on 1,185 screens. It also earned first place in France with $5.5 million. Its biggest market overall is South Korea, where it as pulled in $14.38 million, including $4.94 million on 899 screens this past weekend. More...

International Box Office: Peculiar Powers Its Way to the Top with $37.4 million

October 5th, 2016

Miss Peregrine’s Home for Peculiar Children

Miss Peregrine’s Home for Peculiar Children debuted in first place internationally with $37.4 million in 59 markets. The film’s biggest market was South Korea, where it earned second place with $4.43 million on 810 screens over the weekend for a total of $5.30 million. It also earned $4.43 million in 558 theaters in the U.K., which was also enough for second place in that market. The film had nearly identical results in both Mexico ($3.61 million) and in Australia ($3.07 million). The film cost $110 million to make, so it will need to make about $250 million internationally to have any real chance of breaking even in the short term. It is too soon to tell if that will happen. We will need to see more results from other markets, and more importantly, we will need to see the film’s legs as well. More...

International Box Office: Bridget Jones Celebrates Second Weekend on Top with $22.1 million

September 29th, 2016

Bridget Jones’s Baby

Bridget Jones’s Baby remained in first place with $22.1 million on 5,092 screens in 47 markets for totals of $67.42 million internationally and $84.01 million worldwide. At this pace, the film will have no trouble getting to $100 million internationally and perhaps $150 million worldwide. That's enough to pay for its $35 million production budget and perhaps all of its advertising budget as well. The film’s best new opening of the week was Italy, where it managed second place with $1.9 million on 421 screens. Its biggest market overall was the U.K. where it remained in first place with $8.39 million in 648 theaters for a two-week total of $27.59 million. It is now the biggest September release of all time in that market, topping Calendar Girls’ 13-year old record. More...

Weekend Wrap-Up: Magnificent Wins Weekend with $34.70 million, but Box Office Slump Continues

September 27th, 2016

The Magnificent Seven

Is it time to panic? Not yet, but we are definitely getting concerned. The overall box office was soft due to the weaker than expected openings of The Magnificent Seven and Storks. Neither bombed exactly, but they weren’t particular strong either. The overall box office rose 16% from last weekend, but was down 25% from this weekend last year. Ouch. You usually only see that large a change in the year-over-year comparison when there is a misalignment in holidays. Year-to-date, 2016’s lead over 2015 dropped to 6.3% or $490 million at $8.35 billion to $7.86 billion. More...

Weekend Predictions: Will the New Releases be Magnificent?

September 22nd, 2016

The Magnificent Seven

It is a perfect weekend at the box office, as there are only two wide releases and there are almost no crossover audiences between them. The Magnificent Seven is a remake of a remake and its solid, but not spectacular. Storks is a digitally animated kids movie that is earning mixed reviews, but that’s fine for a kids movie. Those two movies will likely earn more than the rest of the box office combined pulls in. This is both good news and bad news, as it is a combination of their strength and the rest of the box office’s weakness that is the cause. This weekend last year, Hotel Transylvania 2 debuted with $48 million, which is the record for a September weekend. I think The Magnificent Seven will top that, while Storks will double the second place film, The Intern. Unfortunately, last year there were three other films that earned more than $10 million, while this year there will be only one. 2016 is better on top, but 2015 had better depth. Perhaps 2016 will still come out ahead in the year-over-year comparison, but I don't think it will quite make it. More...

International Box Office: Bridget Jones’s Baby Bounces its way to Top Spot with $29.00 million

September 22nd, 2016

Bridget Jones’s Baby

Bridget Jones’s Baby struggled when it opened in theaters here, but it earned first place internationally with $29.00 million on 4,866 screens in 39 markets. It opened in its native U.K. with $10.53 million. This is a record opening in the U.K. for its production company, genre, and for the month of September. It is also more than it made here during its opening weekend, despite the U.K. market being five or six times smaller than the domestic market. The film also earned first place in Australia with $2.76 million on 483 screens over the weekend for a total opening of $3.68 million. This is also much better than its debut here, albeit not by as large a margin. The film cost $35 million to make and it has already made more than that worldwide. If it has legs, it will top $100 million internationally, which will be enough to cover its production budget, while it should ensure profitability, eventually. More...

Weekend Estimates: Sully Beats Trio of New Releases

September 18th, 2016

Sully

As expected, this weekend’s three new wide releases couldn’t budge Sully from the top of the chart with the Tom Hanks/Clint Eastwood drama down a very respectable 37% in its second weekend to $22 million, for a total of $70.5 million to date. Two films, Blair Witch and Bridget Jones’s Baby both had aspirations to challenge Sully for the title, but had to settle for second and third place. More...

Thursday Night Previews: Blair Witch Spooks the Box Office with $765,000

September 16th, 2016

Blair Witch

Blair Witch led the way during Thursday’s previews with $765,000. This is well short of the horror films we had during the summer, including The Shallows at $1.33 million and Lights Out at $1.8 million. Then again, it isn’t really fair to compare previews during summer when a lot of the target audience doesn’t have to go to school the next day. Unfortunately, there are not a lot of horror films that come out in September and previews like this have only been ubiquitous for the past few years. I think it is a good sign, but I’m not sure. Maybe if moviegoers like it more than critics do, the film will be a hit. More...

Weekend Predictions: Baby vs. Witch

September 15th, 2016

Bridget Jones’s Baby

There are three wide releases this week, plus another that could sneak into the top ten. Two of the three new releases, Blair Witch and Bridget Jones’s Baby, are expected to do well. On the other hand, Snowden is only going to reach the top five due to the lack of competition. Meanwhile, Hillsong: Let Hope Rise is a faith-based concert film. It could reach the top five, or it could miss the Mendoza Line. There’s no way to predict its box office potential. Despite the number of new releases, Sully is expected to remain in top spot thanks to its reviews and target demographic. This weekend last year, Maze Runner: The Scorch Trials led the way with just over $30 million. It is likely no film will make that this year, while the depth is a mixed bag, so it looks like 2016 will lose in the year-over-year comparison. More...

Contest: Bewitching Prizes

September 9th, 2016

Blair Witch

Like this week, there are four wide releases coming out next week, but not all are expected to open truly wide. Of these film, Blair Witch is the only one that is expected to do well during the weekend, although Bridget Jones’s Baby should have better legs. Since we care about opening weekends more than end results, Blair Witch is clearly the better choice for the target film in this week's Box Office Prediction contest. In order to win, one must simply predict the opening weekend box office number for Blair Witch.

Whoever comes the closest to predicting the film's opening 3-day weekend box office (Friday to Sunday), without going over, will win a Frankenprize consisting of a previously reviewed full-season TV on DVD release, two previously reviewed movies, or three single-disc kids DVDs. Whoever comes the closest to predicting the film's opening 3-day weekend box office (Friday to Sunday), without going under, will also win a Frankenprize consisting of a previously reviewed full-season TV on DVD release, two previously reviewed movies, or three single-disc kids DVDs. Finally, we will be choosing an entrant from the group of people who haven't won, or haven't won recently, and they will win the final Frankenprize, as described above.

Entries must be received by 10 a.m., Pacific Time on Friday to be eligible, so don't delay! More...

2016 Preview: September

September 1st, 2016

The Magnificent Seven

August continued to pad 2016’s lead over 2015 in the year-over-year comparison. It managed this feat almost entirely due to Suicide Squad, which is on pace to hit $300 million. The next best film was Sausage Party, which might make $100 million, if it gets a push over the top. September won’t be as strong as that. This is no surprise, as the month is one of the biggest dumping grounds on the calendar. That said, studios have been working to make the end of the month a lot more productive and there are a few potential hits. The biggest of these is The Magnificent Seven, which is expected to crack $100 million, maybe even $150 million. Meanwhile, Sully and Storks both have a limited chance at $100 million. Last September, the biggest release of the month was Hotel Transylvania 2 with pulled in $169.70 million. I don’t think The Magnificent Seven will match that, so we might need a surprise $100 million hit for 2016 to come out on top. More...

The shaded area represents the expected performance range for a film, based on its opening weekend box office. 95% of films fall within the shaded area. If a film trends towards the top end of the shaded area, it has good legs compared to the average film; if it trends towards the bottom end of the shaded area, it has poor legs. The predictive area is based on movies from the past 5 years.

Compare this performance with other movies…

Weekend Box Office Performance

DateRankGross% ChangeTheatersPer TheaterTotal GrossDays
2016/09/16 3 $8,571,785   2,927 $2,929   $8,571,785 3
2016/09/23 4 $4,656,690 -46% 2,930 $1,589   $16,594,365 10
2016/09/30 9 $2,335,320 -50% 2,055 $1,136   $20,987,055 17
2016/10/07 13 $843,880 -64% 915 $922   $22,804,575 24
2016/10/14 21 $359,260 -57% 390 $921   $23,609,845 31
2016/10/21 30 $153,710 -57% 172 $894   $23,928,850 38
2016/10/28 37 $89,260 -42% 132 $676   $24,089,465 45

Daily Box Office Performance

DateRankGross% ChangeTheatersPer TheaterTotal GrossDays
2016/09/16 3 $3,109,180   2,927 $1,062   $3,109,180 1
2016/09/17 3 $3,347,670 +8% 2,927 $1,144   $6,456,850 2
2016/09/18 2 $2,114,935 -37% 2,927 $723   $8,571,785 3
2016/09/19 2 $734,440 -65% 2,927 $251   $9,306,225 4
2016/09/20 2 $1,138,850 +55% 2,927 $389   $10,445,075 5
2016/09/21 2 $780,940 -31% 2,927 $267   $11,226,015 6
2016/09/22 2 $711,660 -9% 2,927 $243   $11,937,675 7
2016/09/23 4 $1,479,205 +108% 2,930 $505   $13,416,880 8
2016/09/24 4 $1,981,985 +34% 2,930 $676   $15,398,865 9
2016/09/25 4 $1,195,500 -40% 2,930 $408   $16,594,365 10
2016/09/26 4 $390,545 -67% 2,930 $133   $16,984,910 11
2016/09/27 4 $694,270 +78% 2,930 $237   $17,679,180 12
2016/09/28 4 $512,035 -26% 2,930 $175   $18,191,215 13
2016/09/29 4 $460,520 -10% 2,930 $157   $18,651,735 14
2016/09/30 8 $703,600 +53% 2,055 $342   $19,355,335 15
2016/10/01 9 $1,024,985 +46% 2,055 $499   $20,380,320 16
2016/10/02 8 $606,735 -41% 2,055 $295   $20,987,055 17
2016/10/03 8 $223,205 -63% 2,055 $109   $21,210,260 18
2016/10/04 7 $314,025 +41% 2,055 $153   $21,524,285 19
2016/10/05 7 $239,605 -24% 2,055 $117   $21,763,890 20
2016/10/06 7 $196,805 -18% 2,055 $96   $21,960,695 21
2016/10/07 13 $248,180 +26% 915 $271   $22,208,875 22
2016/10/08 13 $361,210 +46% 915 $395   $22,570,085 23
2016/10/09 13 $234,490 -35% 915 $256   $22,804,575 24
2016/10/10 13 $140,490 -40% 915 $154   $22,945,065 25
2016/10/11 13 $119,575 -15% 915 $131   $23,064,640 26
2016/10/12 13 $99,615 -17% 915 $109   $23,164,255 27
2016/10/13 13 $86,330 -13% 915 $94   $23,250,585 28
2016/10/14 - $103,195 +20% 390 $265   $23,353,780 29
2016/10/15 - $155,340 +51% 390 $398   $23,509,120 30
2016/10/16 - $100,725 -35% 390 $258   $23,609,845 31
2016/10/17 - $35,990 -64% 390 $92   $23,645,835 32
2016/10/18 - $55,010 +53% 390 $141   $23,700,845 33
2016/10/19 - $37,805 -31% 390 $97   $23,738,650 34
2016/10/20 - $36,490 -3% 390 $94   $23,775,140 35
2016/10/21 - $47,705 +31% 172 $277   $23,822,845 36
2016/10/22 - $68,040 +43% 172 $396   $23,890,885 37
2016/10/23 - $37,965 -44% 172 $221   $23,928,850 38
2016/10/24 - $14,180 -63% 172 $82   $23,943,030 39
2016/10/25 - $24,010 +69% 172 $140   $23,967,040 40
2016/10/26 - $16,915 -30% 172 $98   $23,983,955 41
2016/10/27 - $16,250 -4% 172 $94   $24,000,205 42
2016/10/28 - $27,780 +71% 132 $210   $24,027,985 43
2016/10/29 - $38,405 +38% 132 $291   $24,066,390 44
2016/10/30 - $23,075 -40% 132 $175   $24,089,465 45
2016/10/31 - $10,015 -57% 132 $76   $24,099,480 46
2016/11/01 - $15,070 +50% 132 $114   $24,114,550 47
2016/11/02 - $13,460 -11% 132 $102   $24,128,010 48
2016/11/03 - $11,795 -12% 132 $89   $24,139,805 49

Weekly Box Office Performance

DateRankGross% ChangeTheatersPer TheaterTotal GrossDays
2016/09/16 3 $11,937,675   2,927 $4,078   $11,937,675 7
2016/09/23 4 $6,714,060 -44% 2,930 $2,291   $18,651,735 14
2016/09/30 8 $3,308,960 -51% 2,055 $1,610   $21,960,695 21
2016/10/07 13 $1,289,890 -61% 915 $1,410   $23,250,585 28
2016/10/14 21 $524,555 -59% 390 $1,345   $23,775,140 35
2016/10/21 30 $225,065 -57% 172 $1,309   $24,000,205 42
2016/10/28 35 $139,600 -38% 132 $1,058   $24,139,805 49

Box Office Summary Per Territory

Territory Release
Date
Opening
Weekend
Opening
Weekend
Theaters
Maximum
Theaters
Theatrical
Engagements
Total
Box Office
Report
Date
Argentina 11/4/2016 $206,815 115 163 348 $543,818 12/6/2016
Australia 9/9/2016 $926,727 288 483 2460 $12,170,027 12/5/2016
Austria 10/21/2016 $400,000 78 78 78 $1,200,000 11/7/2016
Belgium 10/14/2016 $575,106 82 82 524 $2,201,641 12/6/2016
Brazil 9/29/2016 $574,013 238 238 694 $1,723,850 11/15/2016
Bulgaria 9/15/2016 $27,015 0 0 0 $163,644 11/18/2016
Chile 10/6/2016 $17,099 37 44 158 $504,879 11/29/2016
Colombia 10/28/2016 $74,425 65 65 76 $115,300 12/6/2016
Croatia 9/15/2016 $84,864 32 32 108 $254,453 11/15/2016
Czech Republic 9/15/2016 $420,263 117 117 597 $2,264,191 12/7/2016
Denmark 9/15/2016 $747,935 103 103 536 $3,255,268 12/6/2016
Finland 9/16/2016 $446,332 109 109 664 $2,538,690 12/6/2016
France 10/7/2016 $0 0 559 559 $13,200,000 11/7/2016
Germany 10/21/2016 $3,500,000 603 603 603 $8,700,000 11/7/2016
Greece 9/15/2016 $133,047 78 78 180 $337,100 10/25/2016
Hong Kong 9/15/2016 $444,319 43 43 125 $1,043,506 11/1/2016
Hungary 9/15/2016 $315,274 64 72 407 $1,576,303 12/6/2016
Indonesia 10/21/2016 $106,000 80 80 80 $106,000 10/24/2016
Israel 9/15/2016 $149,302 31 31 151 $611,006 11/29/2016
Italy 9/22/2016 $1,836,256 421 527 1410 $6,399,602 11/1/2016
Japan 10/28/2016 $687,219 0 0 0 $3,890,252 11/22/2016
Lithuania 9/16/2016 $43,494 131 131 410 $227,516 11/23/2016
Malaysia 9/29/2016 $34,771 20 20 62 $91,946 10/25/2016
Mexico 9/16/2016 $785,475 349 349 855 $2,175,539 11/15/2016
Netherlands 9/15/2016 $1,162,841 135 136 1554 $11,029,525 12/7/2016
New Zealand 9/16/2016 $269,610 71 114 837 $2,484,326 12/6/2016
Norway 9/16/2016 $1,013,949 157 157 585 $4,227,231 12/6/2016
Panama 9/15/2016 $231,872 21 21 49 $579,860 10/25/2016
Paraguay 11/18/2016 $9,000 10 10 10 $9,000 11/21/2016
Peru 9/15/2016 $243,040 69 69 167 $767,080 11/1/2016
Philippines 9/14/2016 $123,633 95 95 109 $172,266 9/27/2016
Poland 9/16/2016 $1,143,116 152 180 1162 $6,077,146 11/29/2016
Portugal 9/15/2016 $170,025 69 78 287 $583,848 11/17/2016
Russia (CIS) 9/15/2016 $1,360,309 900 900 2791 $3,531,783 11/22/2016
Singapore 9/15/2016 $177,319 34 34 102 $489,315 11/15/2016
Slovakia 9/16/2016 $166,606 70 70 272 $609,952 12/1/2016
Slovenia 9/15/2016 $70,156 12 12 120 $311,344 12/6/2016
South Africa 9/16/2016 $153,603 83 83 391 $719,234 11/15/2016
South Korea 9/6/2016 $0 0 509 1509 $5,696,058 11/28/2016
Spain 9/16/2016 $1,607,265 409 460 2038 $5,910,419 11/29/2016
Sweden 9/16/2016 $839,130 194 194 806 $4,962,972 12/6/2016
Switzerland 9/22/2016 $19,327 4 87 462 $2,584,344 12/6/2016
Switzerland (German Speaking) 10/21/2016 $389,000 55 55 55 $389,000 10/24/2016
Taiwan 9/16/2016 $339,558 85 85 225 $684,627 10/18/2016
Thailand 9/22/2016 $126,780 43 43 99 $309,830 10/18/2016
Turkey 9/16/2016 $94,777 175 175 424 $417,804 10/25/2016
United Kingdom 9/16/2016 $10,617,983 641 648 5014 $60,691,653 12/7/2016
Venezuela 10/7/2016 $0 0 39 68 $52,173 11/15/2016
 
Rest of World $6,680,755
 
International Total$185,266,076 12/7/2016

Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.