| Theatrical Performance (US$) | ||
| South Korea Box Office | $669,127 | Details |
| Worldwide Box Office | $15,689,127 | Details |
| Further financial details... | ||
| South Korea Releases: | July 8th, 2023 (Wide), released as Eiga Doraemon: Nobita to Sora no Utopia (극장판 도라에몽-진구와 하늘의 유토피아) |
| Source: | Original Screenplay |
| Genre: | Drama |
| Production Method: | Digital Animation |
| Creative Type: | Contemporary Fiction |
| Production Countries: | Japan |
| Languages: | Japanese |
Because some of our sources provide box office data in their local currency, while we use USD in the graph above and table below, exchange rate fluctuations can have effect on the data causing stronger increases or even decreases of the cumulative box office.
| Date | Rank | Gross | % Change | Screens | Per Screen | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| 2023/07/07 | 8 | $229,002 | 283 | $809 | $230,631 | 1 | |
| 2023/07/14 | 6 | $150,040 | -34% | 249 | $603 | $440,398 | 2 |
| 2023/07/21 | 11 | $46,376 | -69% | 115 | $403 | $514,128 | 3 |
| 2023/07/28 | 11 | $41,187 | -11% | 64 | $644 | $574,812 | 4 |
| 2023/08/04 | 13 | $24,253 | -41% | 44 | $551 | $625,927 | 5 |
| 2023/08/11 | 17 | $13,157 | -46% | 34 | $387 | $639,419 | 6 |
| 2023/08/18 | - | $5,526 | -58% | 18 | $307 | $655,461 | 7 |
| 2023/08/25 | - | $2,570 | -53% | 10 | $257 | $669,127 | 8 |
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens |
Maximum Screens |
Theatrical Engagements |
Total Box Office |
Report Date |
|---|---|---|---|---|---|---|---|
| China | 6/1/2023 | $4,340,000 | 62587 | 62587 | 97475 | $15,020,000 | 7/10/2023 |
| Japan | 3/3/2023 | $0 | 0 | 0 | 0 | $0 | |
| South Africa | 8/18/2023 | $0 | 0 | 0 | 0 | $0 | |
| South Korea | 7/8/2023 | $229,002 | 283 | 283 | 817 | $669,127 | 8/30/2023 |
| Worldwide Total | $15,689,127 | 8/30/2023 | |||||
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
| Takumi Doyama | Director |
