No matter where you run, no matter where you hide...you can't cheat death.
Or can you? In "Final Destination 5," Death is just as omnipresent as ever, first revealing its menacing reality to a group of coworkers headed for a corporate retreat. During the bus ride, Sam has a premonition in which he and most of his friends, as well as numerous others, die in a horrific bridge collapse. When his vision ends, events begin to mirror what he had seen, and he frantically ushers as many of his colleagues - including his friend, Peter, and girlfriend, Molly - away from the disaster before Death can claim them.
But these unsuspecting souls were never supposed to survive and, in a terrifying race against time, the ill-fated group tries to discover a way to escape Death's sinister agenda.
||August 12th, 2011 (Wide) by Warner Bros.|
August 12th, 2011 (IMAX) by Warner Bros.
||December 27th, 2011 by Warner Home Video|
||R for strong violent/gruesome accidents, and some language.|
(Rating bulletin 2179, 7/6/2011)
||Surprise Twist, Prequel, Fate or Destiny, Teenage Slasher, 3-D, IMAX: DMR|
|Production Method:||Live Action|
||New Line Cinema, Practical Pictures, Zide Pictures|
Rise of the Planet of the Apes returned to the top of the Blu-ray sales chart with 390,000 units / $5.84 million over the week for totals of 1.59 million units / $33.76 million after three.
There wasn't a lot of activity on this week's DVD sales chart. There were just two new releases that reached the top 30, neither of them reached the top five. In fact, there was only one film in the top five this week that was wasn't in the top five last week. The Hangover II remained in first place with 298,000 units / $2.96 million for the week giving it total sales of 2.91 million units / $38.35 million, after a month of release.
It's the week after Christmas, so it should come as no surprise that there's not a lot to talk about on the home market. Granted, there are a few releases that are noteworthy, but it is a very shallow list. That said, we didn't have to lower the standard for Pick of the Week, as Archer: Season Two came out on DVD and Blu-ray. Either format is worth the money, while the latter is the better deal.
The Smurfs were finally knocked off the top spot on the international chart, falling prey to The Sorcerer And The White Snake. This Chinese film opened in a trio of markets earning $15.88 million, but no other details were released.
The Smurfs were the only film to top $10 million on the international chart this past weekend earning $12.61 million on 5,931 screens in 61 markets. This lifted its totals to $364.47 million internationally and $502.83 million worldwide after two months of release. The film has no major markets left to open in, but it remained in first place in Italy with $3.03 million on 559 screens over the weekend for a total of $8.26 million after two. It also remained in top spot in Australia with $2.55 million on 458 screens over the weekend for a total of $6.97 million after two.
The Smurfs have taken top spot on the international chart for the fifth weekend in a row, this time earning $14.78 million on 6,425 screens in 80 markets for a total of $321.17 million internationally and $457.18 million worldwide. The film opened in Japan over the weekend, but was a non-entity placing fifth with $857,000 on 235 screens over the weekend and $994,000 in total. It opens in Australia and Italy this weekend and if it can do well in those two markets, it should reach $500 million worldwide before long.
The Smurfs started September the same way they ended August, on top of the international chart. Over the weekend the film earned $25.09 million on 8,318 screens in 78 markets for totals of $297.72 million internationally and $429.77 million worldwide. The film opened in first place in the United Arab Emirates with $1.9 million on 37 screens, which was the second best opening in the market this year, behind only Pirates of Caribbean on Stranger Tides. It also earned first place in Sweden with $1.11 million on 128 screens and second place in Norway with $1.05 million on 132. Given its surprising strength over the weekend, getting to $500 million worldwide has become more of a reality.
For the third weekend in a row, The Smurfs earned first place on the international chart. This time they pulled in $26.82 million on 9,023 screens in 48 markets for a total of $258.27 million internationally and $384.22 million worldwide. It was a pretty slow weekend in terms of new releases (it earned $739,000 on 137 screens in Denmark) but that changes next weekend with an opening in Japan, while Australia and Italy are also just around the corner. Even if the film had no markets left to open in, it would still get to $300 million internationally and $400 million worldwide, but even with these three major markets, it probably won't hit any other major milestones.
Yuck. That's really all that needs to be said about the weekend box office. Outside of The Help, there are practically no positive stories to report. All four wide releases that opened this week missed expectations, some by significant margins, which led to a 20% collapse from last weekend. There was also a decline from last year, albeit by just 3%, which is actually an improvement on 2011's average. Year-to-date, 2011 is behind 2010 by just over 4% at $7.13 billion to $7.43 billion. There's little hope things will turn around next weekend.
The winners of our Pick Your Destination contest were determined and they are...
While three of the four wide releases that opened this week missed expectations, the one that beat expectations did so by enough that we can still say the box office was a success pulling in $155 million. That was off by 7% when compared to last weekend, but more importantly it was 8% higher than the same weekend last year. The year-over-year winning streak has hit five weeks, while 2010's lead over 2011 has shrunk to just a hair over $300 million at $7.23 billion to $6.93 billion. Should 2011 continue its recent winning ways, the total box office should reach $10 billion for the year and perhaps show a little growth over 2010 in the end.
Final Destination 5 missed expectations overall and so it comes are no surprise that it is not re-writing the record books on IMAX. It pulled in $1.4 million domestically over the weekend. In comparison, Harry Potter and the Deathly Hallows, Part II added $1.1 million domestically and $1.1 million internationally during its fifth weekend of release.
Four wide releases open this week, but unless one of them is a surprise hit, I think it's safe to say that summer unofficially ends this weekend. That's not to say the films opening this weekend are all destined to bomb and most should at least become solid midlevel hits, but odds are Rise of the Planet of the Apes will retain top spot on the chart. Unfortunately, this weekend last year we did have a surprise hit and there's almost no chance any film this year will match The Expendables' opening and that could mean 2011's winning streak will come to an end. On the other hand, there's a lot more depth this time around and since the four wide releases share very little crossover appeal, they might all reach their potential and that might be enough to eek out a win.
There are four films opening wide or semi-wide and while not all four of them has a shot at top spot, none are the obvious front-runner. (In fact, there's a chance none of them will top the chart.) This makes picking the target film for this week's box office prediction contest a little more difficult. The easiest choice is to go with the film with the highest estimated theater count, which is Final Destination 5. In order to win, one must simply predict the opening weekend box office number for Final Destination 5.
Whoever comes the closest to predicting the film's opening 3-day weekend box office (Friday to Sunday), without going over, will win a copy of Bodyguards and Assassins on DVD.
Whoever comes the closest to predicting the film's opening 3-day weekend box office (Friday to Sunday), without going under, will also win a copy of Bodyguards and Assassins on DVD.
Entries must be received by 10 a.m., Pacific Time on Friday to be eligible, so don't delay!
It's that time of year again, the time where we try to guess when Summer ends. According to the real world, Summer ends on the 22nd of September, but in the movie business, summer ends suddenly one weekend in August, and it's never really predictable which weekend that will be. There is some reason to be optimistic, as July ended on a relatively strong note. Both films that were predicted to be monster hits, Transformers: Dark of the Moon and Harry Potter and the Deathly Hallows, Part 2, were monster hits. And for every potential $100 million hit that missed expectations, there was another film that topped them. If this momentum can carry forward, then perhaps summer can be extended for for one or two more weeks. August of 2010 was a good end to the Summer with two $100 million movies and a few mid-level hits. I'm not sure if 2011 will be able to replicate that performance, but Summer could end on a high note.
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