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Megan Leavey (2017)

Megan Leavey
Theatrical Performance
Domestic Box Office $8,378,502Details
Further financial details...

  1. Summary
  2. News
  3. Box Office
  4. International
  5. Video Sales
  6. Full Financials
  7. Cast & Crew
  8. Trailer

Synopsis

The true life story of a young marine corporal whose unique discipline and bond with her military combat dog saved many lives during their deployment in Iraq. When she is assigned to clean up the K9 unit after a disciplinary hearing, Leavey identifies with a particularly aggressive dog, Rex, and is given the chance to train him. Over the course of their service, Megan and Rex completed more than 100 missions until an IED explosion injures them, putting their fate in jeopardy.

Metrics

Latest Ranking on Cumulative Box Office Lists

RecordRankAmount
All Time Domestic Box Office (Rank 5,001-5,100) 5,037 $8,378,502
All Time Worldwide Box Office (Rank 6,301-6,400) 6,347 $8,378,502

See the Box Office tab (Domestic) and International tab (International and Worldwide) for more Cumulative Box Office Records.


Movie Details

Domestic Releases: June 9th, 2017 (Wide) by Bleecker Street
MPAA Rating: PG-13 for war violence, language, suggestive material, and thematic elements.
(Rating bulletin 2446 (Cert #50716), 10/12/2016)
Running Time: 116 minutes
Comparisons: vs. Max
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Keywords: Iraq War, Animal Lead, Returning Soldiers, Biography, 2000s
Source:Based on Real Life Events
Genre:Drama
Production Method:Live Action
Creative Type:Dramatization
Production Companies: LD Entertainment, Liddell Entertainment
Production Countries: United States

Cast

   Megan Leavey
Ramon Rodriguez    Corporal Matt Morales
Tom Felton    Andrew Dean
Bradley Whitford    Bob
Will Patton    Jim
Sam Keeley    Sills
Common    Gunny Martin
Edie Falco    Jackie Leavey
Alisa Harris    Barbie
Nick Madrick    Receiving Marine #1
Jason Turner    Receiving Marine #2
Sasha Morfaw    Female Drill Instructor #1
Jennifer Duke    Female Drill Instructor #2
Megan Leavey    Female Drill Instructor #3
Corey Johnson    Master Sergeant
Andrew Moon    Jones
Alicia Lobo    Timmins
Melina Matthews    Lopez
Luka Peros    Drunk Guy in Bar
Nils Holst    Duty Patrol Marine
Mish Boyko    Bennet
Phil Dunster    Coletta
Jonathan Howard    Walters
Rudy Dobrev    Mason
Geraldine James    Dr. Turbeville
Frank Von Loh    Loadmaster
Tony Lopez    Staff Sergeant
Luke Neal    Jarvis
Nicholas Schodel    Bandini
William Miller    Recon Guy #1
Ali El Aziz    Iraqi Man in Car
Abderrahim Daoudi    Iraqi Child in Car
Benjamin Nathan-Serio    Recon Guy #2
Jacob Yacob    Arabic Recon Interpreter
Khaled Kouka    Iraqi Rug Man
Mark Schardan    Brown
Miguel Gomez    Gomez
Mohammed Kasmi    Iraqi Car Driver
Parker Sawyers    Navy Corpsman
David Chevers    O’Connor
Matthew W. Morgan    Turret Gunner
Michael Strelow    Doctor in Baghdad
Jeremy Jones    Reynolds
Damson Idris    Lt. Michael Forman
Josh Ventura    Dog Owner
Nancy Crane    Therapist
Andrew Masset    Senator Schumer
Tyler Buckingham    Finn
Jacob Lovett    Ricky
Angela Bennett    Kind Woman
Christine Jones    News Anchor
Lilliana Cabal    Deanna Russo—News Anchor
James D. Dever    Marine Captain

Production and Technical Credits

Director   
Screenwriter    Pamela Gray
Screenwriter    Annie Mumolo
Screenwriter    Tim Lovestedt
Producer    Mickey Liddell
Producer    Jennifer Monroe
Producer    Pete Shilaimon
Executive Producer    Robert Huberman
Executive Producer    Scott Holroyd
Executive Producer    Jose Luis Escolar
Executive Producer    Nicole Stojkovich
Director of Photography    Lorenzo Senatore
Production Designer    Ed Verreaux
Editor    Peter McNulty
Costume Designer    David Tabbert
Composer    Mark Isham
Music Supervisor    Julianne Jordan
Casting Director    Kerry Barden
Casting Director    Paul Schnee
Casting Director—Spain    Camilla Valentine Isola
Unit Production Manager    Robert Huberman
Unit Production Manager    Carlos Ruiz Boceta
First Assistant Director    Martin Krauka
Unit Production Manager    Alison Semenza King
First Assistant Director    Urs Hirschbiegel
Second Assistant Director    Keegan Sacko
Stunt Coordinator    G. Peter King
Underwater Director of Photography    Pete Romano
Art Director    Stephen Cooper
Set Decorator    Chuck Potter
Visual Effects Supervisor    Chris Dedoux
Stills Photographer    Mike Tackett
Script Supervisor    Kara Stills McGee
Sound Mixer    Carl Rudisill
Costume Supervisor    Stev Taylor
Make up    Lindsay Irish Desarno
Hairstylist    Patricia Glasser
Special Effects Coordinator    Dustin Miller
Location Manager    Stephen Yetman
Casting Associate/New York    Joey Monternarello
Casting Associate/LA    Adam Richards
Casting Assistant/New York    Matthew Glasner
Casting Assistant/Los Angeles    Roya Semnanian
Casting Associate-South Carolina    Matthew Sefick
Special Effects Supervisor    Stefano Corridori
Post-Production Supervisor    Douglas Wilkinson
Additional Editor    Christopher Patterson
Supervising Sound Editor    Karen Baker Landers
Co-Supervising Sound Editor    Martyn Zub
Sound Designer    Jon Title
Sound Designer    D. Chris Smith
Dialogue Editor    Daniel Saxlid
Dialogue Editor    Frederick H. Stahly
Foley Mixer    Ron Mellegers
Foley Mixer    Randy Wilson
Re-recording Mixer    Christian Cooke
Re-recording Mixer    Brad Zoern
Visual Effects Supervisor    Rafa Solorzano
Visual Effects Producer    Antonio Miravalls
Visual Effects Producer    Elena Gonzalez
Additional Music    Simon Michael
Music Editor    Dane Leon
Music Editor    Kevin Banks

Weekend Wrap-Up: Cars 3 Crosses the Finish Line with $53.69 million

June 20th, 2017

Cars 3

As expected, Cars 3 earned first place over the weekend, but it did so with just $53.69 million, which is lower than anticipated. On the other hand, Wonder Woman remains one of the most impressive wide releases of 2017 when it comes to legs. Even if it didn’t earn another dollar, it would still have above average legs. All Eyez on Me went off to a fast start, but has a troubling internal multiplier, which doesn’t bode well for its future. Overall, the box office rose 31% from last weekend to $189 million. Unfortunately, it fell 19% from the same weekend last year and that’s more important. Fortunately, 2017 still has a sizable lead over 2016 at $5.16 billion to $5.00 billion. More...

Weekend Wrap-Up: Wonder Woman is the Spider-Man of Super Heroes

June 13th, 2017

Wonder Woman

The weekend box office had a few surprises, some positive and some negative. On the positive side, Wonder Woman had the best hold for a major super hero movie since Spider-Man and is on pace for $340 million to $375 million. On the negative side were all three new releases. The Mummy finished on the low side of already low expectations, while It Comes At Night pleased critics, but not moviegoers. Meanwhile, Megan Leavey missed the Mendoza Line. Overall, the box office fell 22% from last weekend to $144 million. This is 5.7% lower than this weekend last year. Fortunately, since this time last week, 2017 expanded its lead over 2016 by about $20 million at $4.90 billion to $4.73 billion. We are almost halfway through the year, so a $175 million / 3.7% lead is solid. It isn’t impossible for that lead to evaporate, but it is enough to be cautiously optimistic about the final tally. More...

Weekend Estimates: Mummy’s $32 Million Debut No Match for Wonder Woman

June 11th, 2017

The Mummy

There are precious few crumbs of comfort to be found from Universal’s launch of The Mummy this weekend. The studio is projecting a $32.2 million opening this weekend from 4,035 theaters. That will be a fairly distant second to Wonder Woman, which is expected to earn about $57.1 million. Even the bright news—that this is Tom Cruise’s biggest global opening weekend—comes with an asterisk. More...

Friday Estimates: Wonder Woman Wows Again with $15.8 million

June 10th, 2017

Wonder Woman

At the beginning of the month, I assumed this weekend would be a close race between Wonder Woman and The Mummy. I assumed The Mummy would at least win on Friday, but that’s not the case, as Wonder Woman remains the number one box office draw. The film earned $15.8 million on Friday, which is 59% lower than its opening Friday. It should bounce back on Saturday and finish the weekend with $53 million, which is just a 49% sophomore stint drop-off. A super hero movie falling less than 50% during its second weekend of release is simply stunning. Granted, its reviews are among the best of the year, so having better than average legs was expect. That said, a 49% drop-off is still an amazing performance and should lead to more than a few movie executives to look for ways to copy its success. More...

Thursday Night Previews: Is The Mummy Dead on Arrival with $2.66 million?

June 9th, 2017

The Mummy

The Mummy started its domestic box office run last night earning $2.66 million in previews. This is well below expectations and it was already expected to struggle. To put this into perspective, it only earned approximately a quarter of what Wonder Woman managed last week and less than half of what Pirates of the Caribbean: Dead Men Tell No Tales earned the weekend before that. Add in reviews that are just 20% positive and there’s a chance the film’s word-of-mouth will kill the film’s legs by this evening. At this point, a $30 million opening could be asking too much. $25 million isn’t even a sure thing anymore. More...

Weekend Predictions: Can Mummy Bury the Competition?

June 8th, 2017

The Mummy

Last weekend was a great one at the box office with Wonder Woman earning over $100 million during its opening. This weekend isn’t expected to be nearly as potent. The biggest new release is The Mummy, which is supposed to be the start of the Dark Universe, but its reviews suggest this combined universe will be short-lived. It Comes At Night could become A24’s biggest hit, although that’s not a particularly high bar. Finally there’s Megan Leavey. It isn’t expected to open truly wide, but it only needs about $2 million to reach the top ten. This weekend last year was similar in terms of box office strength. The Conjuring 2: The Enfield Poltergeist led the way with barely more than $40 million, while there were two other new releases to top $20 million. This year’s crop of new films is nowhere near as good as that; however, the holdovers should make up the difference leaving 2017 ahead in the year-over-year comparison. More...

2017 Preview: June

June 1st, 2017

Despicable Me 3

May was a really soft month with only one unqualified hit, Guardians of the Galaxy, Vol. 2, which is climbing towards $375 million domestically. The second biggest hit of the month will be Pirates of the Caribbean: Dead Men Tell No Tales and I would be surprised if it tops $150 million by any serious margin. June looks a lot more profitable. There are five weeks and every week there is at least one film with a great shot at $100 million or more. In fact, there are four films with at least a decent shot at $200 million and we could double the number of $300 million hits released so far this year. Wonder Woman is widely expected to start the month with an explosive debut and pulling in more than $100 million during its opening weekend is more and more likely. That said, Despicable Me 3 will probably end up being the biggest hit overall with over $300 million. Meanwhile, Cars 3 and Transformers: The Last Knight are both aiming for $200 million. Last June was not particularly strong, outside of one hit. Finding Dory earned nearly $500 million domestically, while the second best film, Central Intelligence, barely earned a quarter of that. I don’t think any film will come close to Finding Dory, but there’s a lot more depth this time around and I have high hopes 2017 will extend its lead. More...

Megan Leavey Trailer

April 27th, 2017

Drama starring Kate Mara, directed by Gabriela Cowperthwaite, opens June 9 ... Full Movie Details. More...

Domestic Cumulative Box Office Records


Weekend Box Office Performance

DateRankGross% ChangeTheatersPer TheaterTotal GrossDays
2017/06/09 8 $3,810,867   1,956 $1,948   $3,810,867 3
2017/06/16 11 $2,541,645 -33% 1,832 $1,387   $8,378,502 10

Daily Box Office Performance

DateRankGross% ChangeTheatersPer TheaterTotal GrossDays
2017/06/09 8 $1,245,393   1,956 $637   $1,245,393 1
2017/06/10 8 $1,474,306 +18% 1,956 $754   $2,719,699 2
2017/06/11 8 $1,091,168 -26% 1,956 $558   $3,810,867 3
2017/06/12 8 $432,852 -60% 1,956 $221   $4,243,719 4
2017/06/13 8 $726,369 +68% 1,956 $371   $4,970,088 5
2017/06/14 8 $468,730 -35% 1,956 $240   $5,438,818 6
2017/06/15 7 $398,039 -15% 1,956 $203   $5,836,857 7
2017/06/16 11 $667,823 +68% 1,832 $365   $6,504,680 8
2017/06/17 11 $961,546 +44% 1,832 $525   $7,466,226 9
2017/06/18 10 $912,276 -5% 1,832 $498   $8,378,502 10

Weekly Box Office Performance

DateRankGross% ChangeTheatersPer TheaterTotal GrossDays
2017/06/09 8 $5,836,857   1,956 $2,984   $5,836,857 7

Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.