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It Comes at Night (2017)

It Comes at Night
Theatrical Performance
Domestic Box Office $13,985,117Details
International Box Office $3,401,983Details
Worldwide Box Office $17,387,100
Home Market Performance
Est. Domestic DVD Sales $392,883 Details
Est. Domestic Blu-ray Sales $315,198 Details
Total Est. Domestic Video Sales $708,081
Further financial details...

  1. Summary
  2. News
  3. Box Office
  4. International
  5. Video Sales
  6. Full Financials
  7. Cast & Crew
  8. Trailer

Synopsis

Imagine the end of the world—now imagine something worse. Secure within a desolate home as an unnatural threat terrorizes the world, the tenuous domestic order a man has established with his wife and son is put to the ultimate test with the arrival of a desperate young family seeking refuge. Despite the best intentions of both families, paranoia and mistrust boil over as the horrors outside creep ever-closer, awakening something hidden and monstrous within him as he learns that the protection of his family comes at the cost of his soul.

Metrics

Latest Ranking on Cumulative Box Office Lists


Movie Details

Production Budget:$5,000,000
Domestic Releases: June 9th, 2017 (Wide) by A24
International Releases: June 16th, 2017 (Wide) (Netherlands)
June 30th, 2017 (Wide), released as Viene de Noche (Mexico)
July 7th, 2017 (Wide), released as It Comes At Night (Australia)
July 7th, 2017 (Wide), released as Llega de noche (Spain)
July 7th, 2017 (Wide) (United Kingdom)
... Show all releases
Video Release: August 29th, 2017 by A24
MPAA Rating: R for violence, disturbing images, and language.
(Rating bulletin 2473 (Cert #50950), 4/26/2017)
Running Time: 91 minutes
Comparisons: vs. The Witch
Create your own comparison chart…
Keywords: Cabin in the Woods, Supernatural, Post Apocalypse, Paranoia, Isolation Horror
Source:Original Screenplay
Genre:Horror
Production Method:Live Action
Creative Type:Contemporary Fiction
Production Companies: Animal Kingdom
Production Countries: United States

Ranking on other Records and Milestones

RecordRankAmountChart
Date
Days In
Release
Theater Average 14th Weekend 23 $7,559 Sep 8, 2017 94

Cast

   Paul
   Kim
Kelvin Harrison Jr    Travis
David Pendleton    Bud
Griffin Robert Faulkner    Andrew
Christopher Abbott    Will
Carmen Ejogo    Sarah
Mikey    Stanley
Chase Joliet    Man #1
Mick O Rourke    Man #2

Production and Technical Credits

Director   
Screenwriter    Trey Edward Shults
Producer    David Kaplan
Producer    Andrea Roa
Associate Producer    Chase Joliet
Associate Producer    Justin Chan
Composer    Brian McOmber
Cinematographer    Drew Daniels
Production Designer    Karen Murphy
Casting Director    Avy Kaufman
Costume Designer    Meghan Kasperlik
Co-Editor    Trey Edward Shults
Co-Editor    Matthew Hannam
Art Director    Naomi Munro
Set Decorator    Sally Levi
Unit Production Manager    Mary Beth Minthorn
First Assistant Director    David Ketterer
Second Assistant Director    Alice Johnson
Stunt Coordinator    Drew Leary
Stunt Coordinator    Brandon Smith
Script Supervisor    T.J. Larson
Sound Mixer    Dimitri Kouri
Location Manager    Justin Stowell
Additional Art Direction    Tommy Love
Special Make-up Effects    Jessie Eden
Special Effects Supervisor    Brian Schuley
Production Supervisor    Kara Janeczko
Stills Photographer    Eric McNatt
Assistant Editor    Aaron Peer
Assistant Editor    Michael Sweeney
Re-recording Mixer    Damian Volpe
Dialogue Editor    Mary Ellen Porto
Dialogue Editor    Tony Martinez
Foley Mixer    Micah Blaichman
Visual Effects by    Bridget Fullan
Visual Effects Supervisor    John Bair
Visual Effects Executive Producer    Vivian Connolly
Visual Effects Producer    Matt Griffin
Music Editor    Katherine Miller
Score Recordist    Ben Greenberg
Score Recordist    Brian McOmber
Score Recordist    Jordan Dykstra
Score Recordist    Paul Wiancko

Home Market Releases for September 12th, 2017

September 13th, 2017

Phenomena

Apparently it is Halloween, because there are a lot of horror titles on this week’s list. Some of them are good, some are not. As for Pick of the Week contenders, there are a few of them. If you have kids, then Captain Underpants: The First Epic Movie on DVD, Blu-ray Combo Pack, or 4K Ultra Combo Pack is your best bet. If you are a fan of Sci-fi, then go with the final season for Orphan Black. However, in the end I went with Phenomena on Blu-ray. You can also buy the movie from the Official Site in a Steelbox with soundtrack and pamphlet. More...

Home Market Releases for August 29th, 2017

August 29th, 2017

My Cousin Rachel

It’s one of those weeks that are deceptively busy. The biggest new release of the week is Wonder Woman, but it is only coming out on Video on Demand. The biggest overall release is the The Lion King franchise on separate Blu-ray releases, but it’s at least a double-dip on Blu-ray. I think a triple-dip on Blu-ray. If it weren’t for these circumstances, they would be clear Pick of the Week contenders. Without those two movies, the next best is... My Cousin Rachel on Blu-ray. Its reviews are not quite Pick of the Week level, but it is the best of what we've got. More...

Thursday Night Previews: Apes Battle for $5 million Debut

July 14th, 2017

War for the Planet of the Apes

War for the Planet of the Apes started its box office run with $5 million in Thursday previews, which is a little lower than expected, but not tragically so. For example, Alien: Covenant earned $4.2 million during its previews on its was to a $36.16 million weekend. If War for the Planet of the Apes has the same legs, it would make $43 million this weekend. On the other hand, The Mummy earned $2.66 million pulling in $31.67 million during its opening weekend. If War for the Planet has the same legs as that film, it would earn just shy of $60 million during its opening weekend. War has much better reviews than either of those films, to it could have better legs than either of those films. That said, it is also the third installment in the reboot franchise and that tends to shrink legs. The average is just over $50 million, which sounds about right. More...

Weekend Wrap-Up: Cars 3 Crosses the Finish Line with $53.69 million

June 20th, 2017

Cars 3

As expected, Cars 3 earned first place over the weekend, but it did so with just $53.69 million, which is lower than anticipated. On the other hand, Wonder Woman remains one of the most impressive wide releases of 2017 when it comes to legs. Even if it didn’t earn another dollar, it would still have above average legs. All Eyez on Me went off to a fast start, but has a troubling internal multiplier, which doesn’t bode well for its future. Overall, the box office rose 31% from last weekend to $189 million. Unfortunately, it fell 19% from the same weekend last year and that’s more important. Fortunately, 2017 still has a sizable lead over 2016 at $5.16 billion to $5.00 billion. More...

Thursday Night Previews: The Eyez Have it earning $3.1 million

June 16th, 2017

All Eyez on Me

All Eyez on Me surprised analysts earning $3.1 million during its previews last night. This is better than The Mummy’s $2.66 million earned last weekend, while its reviews are also marginally better. Granted, its Tomatometer score is just 27% positive, so that could kill the film’s legs by Saturday, but this is still a very positive start and the movie will almost assuredly top our prediction of just under $20 million. More...

Weekend Wrap-Up: Wonder Woman is the Spider-Man of Super Heroes

June 13th, 2017

Wonder Woman

The weekend box office had a few surprises, some positive and some negative. On the positive side, Wonder Woman had the best hold for a major super hero movie since Spider-Man and is on pace for $340 million to $375 million. On the negative side were all three new releases. The Mummy finished on the low side of already low expectations, while It Comes At Night pleased critics, but not moviegoers. Meanwhile, Megan Leavey missed the Mendoza Line. Overall, the box office fell 22% from last weekend to $144 million. This is 5.7% lower than this weekend last year. Fortunately, since this time last week, 2017 expanded its lead over 2016 by about $20 million at $4.90 billion to $4.73 billion. We are almost halfway through the year, so a $175 million / 3.7% lead is solid. It isn’t impossible for that lead to evaporate, but it is enough to be cautiously optimistic about the final tally. More...

Weekend Estimates: Mummy’s $32 Million Debut No Match for Wonder Woman

June 11th, 2017

The Mummy

There are precious few crumbs of comfort to be found from Universal’s launch of The Mummy this weekend. The studio is projecting a $32.2 million opening this weekend from 4,035 theaters. That will be a fairly distant second to Wonder Woman, which is expected to earn about $57.1 million. Even the bright news—that this is Tom Cruise’s biggest global opening weekend—comes with an asterisk. More...

Friday Estimates: Wonder Woman Wows Again with $15.8 million

June 10th, 2017

Wonder Woman

At the beginning of the month, I assumed this weekend would be a close race between Wonder Woman and The Mummy. I assumed The Mummy would at least win on Friday, but that’s not the case, as Wonder Woman remains the number one box office draw. The film earned $15.8 million on Friday, which is 59% lower than its opening Friday. It should bounce back on Saturday and finish the weekend with $53 million, which is just a 49% sophomore stint drop-off. A super hero movie falling less than 50% during its second weekend of release is simply stunning. Granted, its reviews are among the best of the year, so having better than average legs was expect. That said, a 49% drop-off is still an amazing performance and should lead to more than a few movie executives to look for ways to copy its success. More...

Thursday Night Previews: Is The Mummy Dead on Arrival with $2.66 million?

June 9th, 2017

The Mummy

The Mummy started its domestic box office run last night earning $2.66 million in previews. This is well below expectations and it was already expected to struggle. To put this into perspective, it only earned approximately a quarter of what Wonder Woman managed last week and less than half of what Pirates of the Caribbean: Dead Men Tell No Tales earned the weekend before that. Add in reviews that are just 20% positive and there’s a chance the film’s word-of-mouth will kill the film’s legs by this evening. At this point, a $30 million opening could be asking too much. $25 million isn’t even a sure thing anymore. More...

Weekend Predictions: Can Mummy Bury the Competition?

June 8th, 2017

The Mummy

Last weekend was a great one at the box office with Wonder Woman earning over $100 million during its opening. This weekend isn’t expected to be nearly as potent. The biggest new release is The Mummy, which is supposed to be the start of the Dark Universe, but its reviews suggest this combined universe will be short-lived. It Comes At Night could become A24’s biggest hit, although that’s not a particularly high bar. Finally there’s Megan Leavey. It isn’t expected to open truly wide, but it only needs about $2 million to reach the top ten. This weekend last year was similar in terms of box office strength. The Conjuring 2: The Enfield Poltergeist led the way with barely more than $40 million, while there were two other new releases to top $20 million. This year’s crop of new films is nowhere near as good as that; however, the holdovers should make up the difference leaving 2017 ahead in the year-over-year comparison. More...

It Comes at Night Trailer

June 7th, 2017

Horror movie starring Joel Edgerton, Riley Keough, and Christopher Abbott opens on Friday ... Full Movie Details. More...

2017 Preview: June

June 1st, 2017

Despicable Me 3

May was a really soft month with only one unqualified hit, Guardians of the Galaxy, Vol. 2, which is climbing towards $375 million domestically. The second biggest hit of the month will be Pirates of the Caribbean: Dead Men Tell No Tales and I would be surprised if it tops $150 million by any serious margin. June looks a lot more profitable. There are five weeks and every week there is at least one film with a great shot at $100 million or more. In fact, there are four films with at least a decent shot at $200 million and we could double the number of $300 million hits released so far this year. Wonder Woman is widely expected to start the month with an explosive debut and pulling in more than $100 million during its opening weekend is more and more likely. That said, Despicable Me 3 will probably end up being the biggest hit overall with over $300 million. Meanwhile, Cars 3 and Transformers: The Last Knight are both aiming for $200 million. Last June was not particularly strong, outside of one hit. Finding Dory earned nearly $500 million domestically, while the second best film, Central Intelligence, barely earned a quarter of that. I don’t think any film will come close to Finding Dory, but there’s a lot more depth this time around and I have high hopes 2017 will extend its lead. More...

Domestic Cumulative Box Office Records


Weekend Box Office Performance

DateRankGross% ChangeTheatersPer TheaterTotal GrossWeek
2017/06/09 6 $5,988,370   2,533 $2,364   $5,988,370 1
2017/06/16 10 $2,601,467 -57% 2,450 $1,062   $11,124,631 2
2017/06/23 15 $800,325 -69% 819 $977   $13,043,493 3
2017/06/30 25 $150,698 -81% 174 $866   $13,536,229 4
2017/07/07 32 $61,835 -59% 90 $687   $13,708,884 5
2017/07/14 35 $28,647 -54% 57 $503   $13,778,239 6
2017/07/21 43 $16,980 -41% 33 $515   $13,815,876 7
2017/07/28 50 $11,205 -34% 23 $487   $13,839,956 8
2017/08/04 56 $7,165 -36% 15 $478   $13,856,734 9
2017/08/11 61 $7,749 +8% 5 $1,550   $13,869,903 10
2017/08/18 81 $2,104 -73% 3 $701   $13,876,827 11
2017/08/25 78 $4,118 +96% 3 $1,373   $13,882,464 12
2017/09/01 68 $13,524 +228% 10 $1,352   $13,896,866 13
2017/09/08 37 $75,591 +459% 10 $7,559   $13,973,991 14
2017/09/15 67 $8,936 -88% 3 $2,979   $13,985,117 15

Daily Box Office Performance

DateRankGross% ChangeTheatersPer TheaterTotal GrossDays
2017/06/09 5 $2,479,596   2,533 $979   $2,479,596 1
2017/06/10 6 $2,090,362 -16% 2,533 $825   $4,569,958 2
2017/06/11 6 $1,418,412 -32% 2,533 $560   $5,988,370 3
2017/06/12 6 $603,983 -57% 2,533 $238   $6,592,353 4
2017/06/13 7 $830,296 +37% 2,533 $328   $7,422,649 5
2017/06/14 7 $611,397 -26% 2,533 $241   $8,034,046 6
2017/06/15 6 $489,118 -20% 2,533 $193   $8,523,164 7
2017/06/16 10 $822,367 +68% 2,450 $336   $9,345,531 8
2017/06/17 10 $1,010,138 +23% 2,450 $412   $10,355,669 9
2017/06/18 11 $768,962 -24% 2,450 $314   $11,124,631 10
2017/06/19 10 $405,836 -47% 2,450 $166   $11,530,467 11
2017/06/20 11 $350,780 -14% 2,450 $143   $11,881,247 12
2017/06/21 12 $180,060 -49% 2,450 $73   $12,061,307 13
2017/06/22 12 $181,861 +1% 2,450 $74   $12,243,168 14
2017/06/23 14 $261,304 +44% 819 $319   $12,504,472 15
2017/06/24 14 $313,957 +20% 819 $383   $12,818,429 16
2017/06/25 14 $225,064 -28% 819 $275   $13,043,493 17
2017/06/26 14 $125,463 -44% 819 $153   $13,168,956 18
2017/06/27 15 $106,362 -15% 819 $130   $13,275,318 19
2017/06/28 - $63,066 -41% 819 $77   $13,338,384 20
2017/06/29 - $47,147 -25% 819 $58   $13,385,531 21
2017/06/30 - $44,967 -5% 174 $258   $13,430,498 22
2017/07/01 - $57,529 +28% 174 $331   $13,488,027 23
2017/07/02 - $48,202 -16% 174 $277   $13,536,229 24
2017/07/03 - $40,849 -15% 174 $235   $13,577,078 25
2017/07/04 - $26,498 -35% 174 $152   $13,603,576 26
2017/07/05 - $25,337 -4% 174 $146   $13,628,913 27
2017/07/06 - $18,136 -28% 174 $104   $13,647,049 28
2017/07/07 - $18,529 +2% 90 $206   $13,665,578 29
2017/07/08 - $24,441 +32% 90 $272   $13,690,019 30
2017/07/09 - $18,865 -23% 90 $210   $13,708,884 31
2017/07/10 - $10,828 -43% 90 $120   $13,719,712 32
2017/07/11 - $11,265 +4% 90 $125   $13,730,977 33
2017/07/12 - $9,975 -11% 90 $111   $13,740,952 34
2017/07/13 - $8,640 -13% 90 $96   $13,749,592 35
2017/07/14 - $8,458 -2% 57 $148   $13,758,050 36
2017/07/15 - $11,556 +37% 57 $203   $13,769,606 37
2017/07/16 - $8,633 -25% 57 $151   $13,778,239 38
2017/07/17 - $4,748 -45% 57 $83   $13,782,987 39
2017/07/18 - $5,831 +23% 57 $102   $13,788,818 40
2017/07/19 - $5,131 -12% 57 $90   $13,793,949 41
2017/07/20 - $4,947 -4% 57 $87   $13,798,896 42
2017/07/21 - $4,331 -12% 33 $131   $13,803,227 43
2017/07/22 - $6,734 +55% 33 $204   $13,809,961 44
2017/07/23 - $5,915 -12% 33 $179   $13,815,876 45
2017/07/24 - $2,904 -51% 33 $88   $13,818,780 46
2017/07/25 - $3,993 +38% 33 $121   $13,822,773 47
2017/07/26 - $2,757 -31% 33 $84   $13,825,530 48
2017/07/27 - $3,221 +17% 33 $98   $13,828,751 49
2017/07/28 - $3,688 +14% 23 $160   $13,832,439 50
2017/07/29 - $4,212 +14% 23 $183   $13,836,651 51
2017/07/30 - $3,305 -22% 23 $144   $13,839,956 52
2017/07/31 - $2,382 -28% 23 $104   $13,842,338 53
2017/08/01 - $2,763 +16% 23 $120   $13,845,101 54
2017/08/02 - $2,636 -5% 23 $115   $13,847,737 55
2017/08/03 - $1,832 -31% 23 $80   $13,849,569 56
2017/08/04 - $1,910 +4% 15 $127   $13,851,479 57
2017/08/05 - $2,934 +54% 15 $196   $13,854,413 58
2017/08/06 - $2,321 -21% 15 $155   $13,856,734 59
2017/08/07 - $1,593 -31% 15 $106   $13,858,327 60
2017/08/08 - $1,427 -10% 15 $95   $13,859,754 61
2017/08/09 - $1,440 +1% 15 $96   $13,861,194 62
2017/08/10 - $960 -33% 15 $64   $13,862,154 63
2017/08/11 - $3,411 +255% 5 $682   $13,865,565 64
2017/08/12 - $2,750 -19% 5 $550   $13,868,315 65
2017/08/13 - $1,588 -42% 5 $318   $13,869,903 66
2017/08/14 - $1,153 -27% 5 $231   $13,871,056 67
2017/08/15 - $820 -29% 5 $164   $13,871,876 68
2017/08/16 - $1,739 +112% 5 $348   $13,873,615 69
2017/08/17 - $1,108 -36% 5 $222   $13,874,723 70
2017/08/18 - $700 -37% 3 $233   $13,875,423 71
2017/08/19 - $852 +22% 3 $284   $13,876,275 72
2017/08/20 - $552 -35% 3 $184   $13,876,827 73
2017/08/21 - $372 -33% 3 $124   $13,877,199 74
2017/08/22 - $440 +18% 3 $147   $13,877,639 75
2017/08/23 - $343 -22% 3 $114   $13,877,982 76
2017/08/24 - $364 +6% 3 $121   $13,878,346 77

Weekly Box Office Performance

DateRankGross% ChangeTheatersPer TheaterTotal GrossWeek
2017/06/09 6 $8,523,164   2,533 $3,365   $8,523,164 1
2017/06/16 11 $3,720,004 -56% 2,450 $1,518   $12,243,168 2
2017/06/23 15 $1,142,363 -69% 819 $1,395   $13,385,531 3
2017/06/30 25 $261,518 -77% 174 $1,503   $13,647,049 4
2017/07/07 31 $102,543 -61% 90 $1,139   $13,749,592 5
2017/07/14 36 $49,304 -52% 57 $865   $13,798,896 6
2017/07/21 42 $29,855 -39% 33 $905   $13,828,751 7
2017/07/28 48 $20,818 -30% 23 $905   $13,849,569 8
2017/08/04 53 $12,585 -40% 15 $839   $13,862,154 9
2017/08/11 60 $12,569 n/c 5 $2,514   $13,874,723 10
2017/08/18 82 $3,623 -71% 3 $1,208   $13,878,346 11
2017/08/25 80 $4,996 +38% 7 $714   $13,883,342 12
2017/09/01 74 $15,058 +201% 7 $2,151   $13,898,400 13
2017/09/08 41 $77,784 +417% 17 $4,576   $13,976,181 14

Box Office Summary Per Territory

Territory Release
Date
Opening
Weekend
Opening
Weekend
Theaters
Maximum
Theaters
Theatrical
Engagements
Total
Box Office
Report
Date
Australia 7/7/2017 $102,998 34 39 138 $320,185 8/7/2017
Mexico 6/30/2017 $178,690 0 0 0 $178,690 7/4/2017
Netherlands 6/16/2017 $75,501 44 44 166 $290,068 7/21/2017
Russia (CIS) 8/25/2017 $223,460 490 490 895 $394,937 9/6/2017
South Korea 10/12/2017 $0 0 225 225 $62,771 10/31/2017
Spain 7/7/2017 $250,536 258 258 615 $634,966 7/28/2017
United Kingdom 7/7/2017 $291,973 222 222 396 $634,524 7/19/2017
 
Rest of World $885,842
 
International Total$3,401,983 10/31/2017

International Cumulative Box Office Records


Worldwide Cumulative Box Office Records


Weekly US DVD Sales

DateRankUnits this Week% ChangeTotal UnitsSpending this WeekTotal SpendingWeeks in Release
9/17/20171020,950 20,950$272,140$272,1403
9/24/2017169,295-56% 30,245$120,742$392,8834

Weekly US Blu-ray Sales

DateRankUnits this Week% ChangeTotal UnitsSpending this WeekTotal SpendingWeeks in Release
9/17/2017914,550 14,550$243,714$243,7143

Our DVD and Blu-ray sales estimates are based on weekly retail surveys, which we use to build a weekly market share estimate for each title we are tracking. The market share is converted into a weekly sales estimate based on industry reports on the overall size of the market, including reports published in Home Media Magazine.

For example, if our weekly retail survey estimates that a particular title sold 1% of all units that week, and the industry reports sales of 1,500,000 units in total, we will estimate 15,000 units were sold of that title. The consumer spending estimate is based on the average sales price for the title in the retailers we survey.

We refine our estimates from week to week as more data becomes available. In particular, we adjust weekly sales figures for the quarter once the total market estimates are published by the Digital Entertainment Group. Figures will therefore fluctuate each week, and totals for individual titles can go up or down as we update our estimates.

Because sales figures are estimated based on sampling, they will be more accurate for higher-selling titles.

Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.


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