NO PLACE ON EARTH brings to light the untold story of thirty-eight Ukrainian Jews who survived World War II by living in caves for eighteen months, the longest-recorded sustained underground survival. Built upon interviews with former cave inhabitants, as well as Chris Nicola, the caving enthusiast who unearthed the story, NO PLACE ON EARTH is an testament to ingenuity, willpower and endurance against all odds.
||April 5th, 2013 (Limited) by Magnolia Pictures|
||PG-13 for thematic elements including brief violent images.|
(Rating bulletin 2256, 1/23/2013)
||Underground, Voiceover/Narration, Refugee, Fugitive / On the Run, World War II, Holocaust, Jewish, Nazis|
|Source:||Based on Real Life Events|
|Production Method:||Live Action|
||Sierra Films, Tango Films, Bayerischer Rundfunk, Miteldeutscher Rundfunk, Telepool, A List Films|
January 5th, 2014
WGAs announced their nominations this weekend and there were a couple of surprises to talk about. The top of that list is 12 Years a Slave, which was deemed ineligible because it wasn't written under WGA jurisdiction. This makes using the WGAs as an Oscar guide less reliable. On the other hand, several Oscar favorites showed up as well, including American Hustle, Nebraska, and others that have picked up major nominations this year.
April 9th, 2013
The buzz certainly helped Trance, as it earned first place on the per theater chart with an average of $32,786 in four theaters. This is not quite as good as Danny Boyle's previous two limited releases, but if it doesn't reach at least one major milestone, I would be shocked. Upstream Color rode the best reviews of the week to second place with $28,649 in its lone theater. The Company You Keep was right behind with an average of $26,344 in five theaters. Mixed reviews will likely hold down its potential to expand. The Place Beyond the Pines was the only holdover to reach the $10,000 mark. It expanded to 30 theaters, but still managed an impressive average of $23,446.
April 5th, 2013
As usual, there is an eclectic mix of limited releases, including some that have earned some advance buzz, like Trance and The Company You Keep, which should help them at the box office. The best reviewed film of the week is Upstream Color, but it is probably too weird to thrive outside of the art house circuit. It might be too weird to thrive within the art house circuit.
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