Box Office Records > Domestic > All Movies > Creative Types > Top Factual Domestic
All Time Domestic Box Office for Factual Movies (Rank 601-700)
See also: Top Factual International - Top Factual Worldwide - Top Factual Weekend Domestic - Top Factual Day Domestic
Other Domestic Creative Types records: Top Contemporary Fiction Domestic - Top Science Fiction Domestic - Top Kids Fiction Domestic - Top Historical Fiction Domestic - Top Super Hero Domestic - Top Fantasy Domestic - Top Dramatization Domestic
This chart contains the top 100 Factual movies based on the cumulative domestic box office.
See our Factual Theatrical Market Charts for more overviews regarding the domestic theatrical box office performance of Factual movies.
Rank | Released | Movie | Domestic Box Office |
International Box Office |
Worldwide Box Office |
---|---|---|---|---|---|
601 | 2023 | The Essential Church | $250,000 | $250,000 | |
602 | 2005 | Gay Sex in the 70's | $249,565 | $249,565 | |
603 | 2007 | Joe Strummer: The Future is Unwritten | $248,182 | $1,205,093 | $1,453,275 |
604 | 2002 | Sex with Strangers | $247,740 | $247,740 | |
605 | 2014 | The Galapagos Affair: Satan Came to Eden | $247,159 | $247,159 | |
606 | 2008 | Enlighten Up! | $246,649 | $246,649 | |
607 | 2010 | When You're Strange: A Film About The Doors | $246,078 | $2,597,722 | $2,843,800 |
608 | 2009 | Larger than Life 3D: The Dave Matthews Band | $246,042 | $246,042 | |
609 | 2005 | Watermarks | $245,845 | $245,845 | |
610 | 2010 | Queen of the Sun | $244,995 | $244,995 | |
611 | 2012 | The Waiting Room | $244,092 | $244,092 | |
612 | 2002 | Promises | $243,769 | $243,769 | |
613 | 2016 | Oasis: Supersonic | $242,867 | $1,189,618 | $1,432,485 |
614 | 2011 | My Perestroika | $242,706 | $242,706 | |
615 | 2012 | Gerhard Richter Painting | $242,646 | $1,211,284 | $1,453,930 |
616 | 1996 | Hype! | $242,021 | $242,021 | |
617 | 2006 | 49 Up | $241,772 | $241,772 | |
618 | 1999 | Dancemaker | $240,514 | $240,514 | |
619 | 2009 | Les plages d'Agnès | $239,711 | $9,583 | $249,294 |
620 | 2019 | 311: Enlarged to Show Detail 3 | $238,791 | $238,791 | |
621 | 1999 | A Place Called Chiapas | $237,779 | $237,779 | |
622 | 2018 | Generation Wealth | $237,709 | $52,660 | $290,369 |
623 | 2011 | El Bulli: Cooking in Progress | $237,181 | $358,753 | $595,934 |
624 | 2014 | Art and Craft | $237,091 | $237,091 | |
625 | 2011 | The Interrupters | $236,957 | $236,957 | |
626 | 2022 | Who We Are: A Chronicle of Racism in America | $234,298 | $74 | $234,372 |
627 | 2000 | Sex: The Annabel Chong Story | $233,076 | $233,076 | |
628 | 2021 | Becoming Cousteau | $232,285 | $58,349 | $290,634 |
629 | 2013 | A Place at the Table | $231,378 | $231,378 | |
630 | 2007 | My Kid Could Paint That | $231,274 | $231,274 | |
631 | 2018 | Matangi/Maya/M.I.A. | $230,808 | $236,555 | $467,363 |
632 | 2008 | Standard Operating Procedure | $228,830 | $103,290 | $332,120 |
633 | 2017 | Jeremiah Tower: The Last Magnificent | $228,153 | $228,153 | |
634 | 2004 | The Agronomist | $226,189 | $28,157 | $254,346 |
635 | 2002 | Murderous Maids | $225,390 | $225,390 | |
636 | 2017 | Rumble: The Indians who Rocked the World | $225,177 | $959 | $226,136 |
637 | 2007 | In Search of Mozart | $225,000 | $185,390 | $410,390 |
638 | 2015 | Jeremy Scott: The People’s Designer | $225,000 | $225,000 | |
639 | 2007 | 10 Questions for the Dalai Lama | $224,546 | $260,000 | $484,546 |
640 | 2011 | Into the Abyss | $223,880 | $326,765 | $550,645 |
641 | 2007 | Aida at La Scala | $222,927 | $222,927 | |
642 | 2000 | The Ballad of Ramblin' Jack | $221,893 | $221,893 | |
643 | 2002 | The Cockettes | $220,077 | $220,077 | |
644 | 2005 | New York Doll | $219,672 | $17,464 | $237,136 |
645 | 2012 | Brooklyn Castle | $219,407 | $219,407 | |
646 | 2013 | The Summit | $219,346 | $34,101 | $253,447 |
647 | 1997 | 4 Little Girls | $218,444 | $218,444 | |
648 | 2018 | Dark Money | $217,932 | $217,932 | |
649 | 2003 | Ônibus 174 | $216,158 | $6,858 | $223,016 |
650 | 2008 | Chris and Don: A Love Story | $216,110 | $216,110 | |
651 | 2012 | Neil Young Journeys | $214,588 | $16,887 | $231,475 |
652 | 2005 | Naked Fame | $213,621 | $213,621 | |
653 | 2012 | Somewhere Between | $213,299 | $213,299 | |
654 | 2008 | Call+Response | $212,989 | $212,989 | |
655 | 2014 | Supermensch: The Legend of Shep Gordon | $212,701 | $2,544 | $215,245 |
656 | 2010 | Winston Churchill: Walking with Destiny | $212,601 | $212,601 | |
657 | 2012 | The House I Live In | $210,752 | $210,752 | |
658 | 2005 | Mondovino | $209,618 | $2,596,915 | $2,806,533 |
659 | 1998 | Ayn Rand: A Sense of Life | $209,244 | $209,244 | |
660 | 2010 | Sweetgrass | $207,473 | $207,473 | |
661 | 2009 | Soul Power | $207,121 | $158,912 | $366,033 |
662 | 2005 | The Untold story of Emmett Louis Till | $204,956 | $204,956 | |
663 | 2019 | Hesburgh | $204,709 | $204,709 | |
664 | 2021 | Ailey | $204,512 | $9,813 | $214,325 |
665 | 2006 | Iraq in Fragments | $204,462 | $36,000 | $240,462 |
666 | 2005 | Darwin's Nightmare | $203,746 | $203,746 | |
667 | 2007 | A Man Named Pearl | $201,603 | $201,603 | |
668 | 2004 | Lightning in a Bottle | $201,574 | $11,517 | $213,091 |
669 | 2006 | Deliver Us From Evil | $201,275 | $201,275 | |
670 | 2004 | Imelda | $200,992 | $300,000 | $500,992 |
671 | 2017 | California Typewriter | $200,379 | $200,379 | |
672 | 2013 | No Place on Earth | $200,238 | $200,238 | |
673 | 2017 | Risk | $200,219 | $87,562 | $287,781 |
674 | 2007 | What Would Jesus Buy? | $200,010 | $29,260 | $229,270 |
675 | 2018 | Studio 54 | $199,767 | $66,896 | $266,663 |
676 | 2013 | Cutie and the Boxer | $199,274 | $5,660 | $204,934 |
677 | 2004 | The Yes Men | $198,975 | $75,229 | $274,204 |
678 | 2010 | South of the Border | $198,600 | $70,000 | $268,600 |
679 | 2021 | Lourdes | $197,702 | $1,693,603 | $1,891,305 |
680 | 2008 | La Traviata at La Scala | $195,494 | $195,494 | |
681 | 2009 | The Yes Men Fix the World | $195,037 | $195,037 | |
682 | 2009 | Herb & Dorothy | $194,721 | $194,721 | |
683 | 2015 | Merchants of Doubt | $192,362 | $8,200 | $200,562 |
684 | 2018 | The Final Year | $191,900 | $73,172 | $265,072 |
685 | 2004 | Uncovered: The Whole Truth About the Iraq War | $190,424 | $190,424 | |
686 | 2014 | Code Black | $190,229 | $190,229 | |
687 | 2010 | Client 9: The Rise and Fall of Eliot Spitzer | $189,416 | $189,416 | |
688 | 2010 | Waste Land | $187,716 | $187,716 | |
689 | 2013 | The Anonymous People | $187,459 | $187,459 | |
690 | 2018 | Owarani hito Miyazaki: Hayao | $187,320 | $187,320 | |
691 | 2020 | The Doors: Break on Thru — A Celebration of Ray… | $186,920 | $186,920 | |
692 | 2024 | It’s Only Life After All | $186,846 | $186,846 | |
693 | 2011 | JIG | $183,790 | $183,790 | |
694 | 2011 | The Man Nobody Knew: In Search of My Father, CI… | $183,342 | $183,342 | |
695 | 2015 | Lambert & Stamp | $183,320 | $183,320 | |
696 | 2000 | Calle 54 | $183,140 | $183,140 | |
697 | 2004 | Lost Boys of Sudan | $182,839 | $182,839 | |
698 | 2017 | Whose Streets? | $182,799 | $182,799 | |
699 | 2022 | Hockeyland | $182,488 | $182,488 | |
700 | 2005 | My Date With Drew | $181,041 | $181,041 |
The Domestic Market is defined as the North American movie territory (consisting of the United States, Canada, Puerto Rico and Guam).
This table is updated daily to reflect the latest studio reports.
Note: This chart is not adjusted for inflation.