| Theatrical Performance | ||
| Domestic Box Office | n/a | |
| Further financial details... | ||
Set in the quirky world of cruise performers, a jaded indie singer must get over her “Big Bad Self” and learn that sequins, confetti canons, and making your audience happy isn’t always a bad thing.
| Comparisons: | Create your own comparison chart… |
| Source: | Based on Factual Book/Article |
| Genre: | Comedy |
| Production Method: | Live Action |
| Creative Type: | Dramatization |
| Production/Financing Companies: | Picturestart, Endeavor Content |
| Nahnatchka Khan | Director | |
| Nahnatchka Khan | Screenwriter | |
| Billy Finnegan | Screenwriter | |
| Logan Hill | Story Based on the 2018 Esquire Article by | |
| Julia Hammer | Producer | |
| Erik Feig | Producer | |
| Jessica Switch | Producer | |
| Logan Hill | Executive Producer | |
| Randall Poster | Music Supervisor |
The bold credits above the line are the "above-the-line" credits, the other the "below-the-line" credits.
Set in the quirky world of cruise performers, a jaded indie singer must get over her “Big Bad Self” and learn that sequins, confetti canons, and making your audience happy isn’t always a bad thing.
| Comparisons: | Create your own comparison chart… |
| Source: | Based on Factual Book/Article |
| Genre: | Comedy |
| Production Method: | Live Action |
| Creative Type: | Dramatization |
| Production/Financing Companies: | Picturestart, Endeavor Content |
| Nahnatchka Khan | Director | |
| Nahnatchka Khan | Screenwriter | |
| Billy Finnegan | Screenwriter | |
| Logan Hill | Story Based on the 2018 Esquire Article by | |
| Julia Hammer | Producer | |
| Erik Feig | Producer | |
| Jessica Switch | Producer | |
| Logan Hill | Executive Producer | |
| Randall Poster | Music Supervisor |
The bold credits above the line are the "above-the-line" credits, the other the "below-the-line" credits.
