|As an Actor||Leading||19||$1,071,380,286||$1,078,917,866||$2,150,298,152|
|Lead Ensemble Member||5||$326,336,797||$618,743,128||$945,079,925|
|In Technical Roles||Executive Producer||2||$33,700,067||$45,457,823||$79,157,890|
By Bananaa88 (Own work) [Public domain], via Wikimedia Commons
|Best known as a Leading Actor based on credits in that role in 19 films, with $2,150,298,152 worldwide aggregate box office (rank #96)|
|Best-Known Acting Roles: Wade/Deadpool (Deadpool), Guy (The Croods), Wade Wilson / Deadpool (X-Men Origins: Wolverine), Andrew Paxton (The Proposal), Matt Weston (Safe House)|
|Best-Known Technical Roles: Deadpool (Producer), R.I.P.D. (Executive Producer), The Whale (Executive Producer)|
|Most productive collaborators: Tim Miller, Morena Baccarin, Rhett Reese, Paul Wernick, Ed Skrein|
|Born: October 23rd, 1976 (40 years old)|
August 20th, 2017
We’re at that point in the year when we’ll take what we can get at the box office, and The Hitman’s Bodyguard will deliver according to that lowered metric this weekend with about $21.6 million, according to Lionsgate’s Sunday morning projection. That’s in line with to a little ahead of expectations, but a B+ CinemaScore and mediocre reviews suggest it won’t have substantial legs. For Ryan Reynolds, the opening is ahead of this year’s Life, which debuted with $12.5 million, and well clear of 2015’s Self/Less ($5.4 million). Samuel L. Jackson, meanwhile, appears in such a mess of movies it’s hard to say how this compares to any one of them.
August 1st, 2017
July is over and we should all be happy about that. Granted, there were some positive results we can talk about. Spider-Man: Homecoming is a huge hit and Despicable Me 3 will pull in a sizable profit before it reaches the home market. There were also a couple of other $100 million hits and a midlevel hit or two; however, overall, 2017 wasn’t able to compete with 2016 and the box office finally lost its lead over last year. 2017 started the summer about $200 million ahead of 2016, but will finish July about $100 million behind last year’s pace. August doesn’t look any better. There are a couple of films that have a reasonable shot at $100 million, The Dark Tower and Annabelle: Creation, as well as a few that should be solid midlevel hits. However, last year we had Sausage Party and Don’t Breathe, both of which nearly hit $100 million, then we had midlevel hits like Pete’s Dragon, Kubo and the Two Strings, and War Dogs. I don’t know if 2017 will be able to compete with that. ... Now some of you are thinking I forgot about Suicide Squad. Trust me, I will never forget that movie. I ignored it to make a point. Even without Suicide Squad, I don’t think 2017 will make up the deficit it has with 2016. With Suicide Squad, it is going to be a disaster. I want to be optimistic, but there’s no evidence to suggest I should be.
March 1st, 2017
February was an okay month. The films that missed expectations were mostly balanced by the films that were pleasant surprises. Unfortunately, last February was amazing as Deadpool dominated the chart, so 2017 has fallen further behind 2016 and 2016’s lead is now about $100 million. It is not so bad that a good March won’t help 2017 back into the lead. Will that happen? We have some good news and some bad news. Good news: Every week there is one movie that has at least a shot at $100 million. Two of them, Logan and Beauty and the Beast, could reach $200 million or a lot more. Bad News: last March, both Zootopia and Batman v Superman: Dawn of Justice earned more than $300 million. That’s a really powerful one-two punch and I don’t think we can replicate that this time around. On the other hand, last March, the third best film of the month was 10 Cloverfield Lane, while there were four films that were expected to open wide that earned less than $10 million at the box office. 2017 likely won’t be as good at the top, but I also don’t think it will have as many bombs either. If Beauty and the Beast reaches the very high end of expectations, then 2017 could even close the gap with 2016 entirely. I’ll be happy getting halfway there.
December 12th, 2016
The Golden Globes nominations were announced and we are starting to see a few names pop up over and over again. La La Land led the way with seven nominations, but Moonlight was right behind with six and Manchester by the Sea earned five. You will be hearing those three names over and over and over again this Awards Season.
November 22nd, 2016
It’s Thanksgiving weekend, which means Black Friday, Cyber Monday, and of course the first installment of our Holiday Gift Guide. This week we will tackle first run releases, as well as franchise box sets, although there aren’t many of the latter to talk about. In fact, the best movie box set of the year includes more TV shows than movies in its running time and I’ve decided to include it in our second part, which deals with TV on DVD releases. There are still a number of big first-run releases this year that are definitely worthy gifts. We are going to start with the biggest domestic hit of the year...
October 31st, 2016
October 11th, 2016
Over the weekend was Columbus Day, or as it is known in more and more places, Indigenous People’s Day. It’s also Thanksgiving Day up here in Canada and it would make more sense for Americans to celebrate Canadian Thanksgiving than Columbus Day. Canadian Thanksgiving is where you give thanks to all the Canadians that make your life better. For example, both Ryan Gosling and Ryan Reynolds are Canadian. Anyhoo... The weekend box office numbers were not buoyed by the semi-holiday on Monday as none of the new releases matched expectations. The Girl on the Train led the way by a wide margin with $24.54 million compared to $15.14 million for Miss Peregrine’s Home for Peculiar Children. Neither The Birth of a Nation nor Middle School: The Worst Years of My Life made it into the top five. The overall box office fell 9.5% from last weekend dropping to $103 million. That was 13% lower than the same weekend last year. Year-to-date, 2016 has earned $8.64 billion, putting it 4.4% / $370 million ahead of 2015. A couple of more weeks like this and we will have reason to hit the panic button.
May 17th, 2016
The Deadpool Blu-ray arrived last Tuesday, which is par for course for Fox, as their screeners always seem to arrive as late as possible while still technically not being late. There are updates below with the extras. On a side note, the film is so good, I was tempted to make it the Pick of the Week for the second week in a row. However, in the end I went with Dark Passage, a classic Film Noir with a famous hook. The Blu-ray is the Pick of the Week.
May 9th, 2016
Deadpool is proof that a troubled production doesn't necessarily result in a bad product. A Deadpool film with Ryan Reynolds was first proposed more than a decade ago, while this version has been in some form of production on and off since 2010. Now that the film has finally been made, was the wait worth it? And is the DVD / Blu-ray worth picking up? ... I won't be able to answer that second question, because I only have a digital screener. This also means I have to watch the movie on my computer, which is a pain. At least I don't have to stream it.
April 1st, 2016
March was a really good month, for the most part. There were a few bombs, but the two biggest films, Zootopia and Batman v Superman: Dawn of Justice, both beat expectations by significant margins, so overall the box office was better than expected. Unfortunately, April is a mess, which makes prognosticating really tough. Every single week has at least one film that either moved, switched from wide to limited release, or disappeared entirely. The Jungle Book appears to be the biggest film of the year, but The Huntsman: Winter's War could also be a $100 million hit. Sadly, last April was led by Furious 7, which earned more than $350 million at the box office. That's very likely more than both The Jungle Book and The Huntsman: Winter's War will make combined. Worse still, there were only four weekends in April last year, meaning the month ends by going head-to-head with The Avengers: Age of Ultron. By the time the month ends, 2016's lead over 2015 might be gone. Let's hope it is not that bad.
February 1st, 2016
As expected, January was dominated by holdovers with Star Wars: The Force Awakens and The Revenant leading the way. That's not to say there were no new releases that did well, as Ride Along 2 and Kung Fu Panda 3 were hits with moviegoers. Looking forward, there is only one film that looks like a sure hit, Deadpool. There's a slim chance it could be a surprise $200 million hit. There's a much better chance it will be the only $100 million hit. Conversely, last February started with a $100 million hit coming out, The SpongeBob Movie: Sponge Out of Water, while there were two other $100 million movies to come out that month, Fifty Shades of Grey and Kingsman: The Secret Service. Looks like 2016 is going to lose in the year-over-year comparison.
2015 - Holiday Gift Guide - Part III - Limited Releases, Foreign Films, Classics, and Canadian Films
December 13th, 2015
The third installment of the Holiday Gift Guide focuses on smaller releases, movies that opened in limited release, foreign films, classics getting new releases, and a few Canadian films. This year the list looks different to the previous guides for a simple reason. While there were only eight releases on the TV on DVD installment of the holiday gift guide, the first pass had more than 30 films on this list. I tried trimming the list, but that resulted in me remembering more films I wanted to add to it. Even after getting rid of the ones that won't be released until after Christmas, like Bone Tomahawk, there are still way too many releases to deal with. So let's not delay anymore and get to the list, starting with the biggest release...
September 25th, 2015
While it isn't a quiet week for limited releases, nearly all of the buzz is directed towards two films, 99 Homes and Mississippi Grind. The former will likely be the biggest box office hit, but the later is a gambling movie, so it is the one I most want to see.
July 12th, 2015
2015 is becoming a golden year for blockbuster openings, and a platinum year for Universal. The studio is celebrating yet again, with Minions heading to a gigantic $115.2 million projected opening weekend. That’s the second-best debut of all time for an animated film (see all-time opening weekend records), although, incredibly, it’s only the third-best weekend for the studio this year after the debuts of Furious 7 and Jurassic World. The studio, which would usually consider a 12% market share an excellent year, has so far earned a whopping 26% share for 2015—quite literally off the charts.
July 1st, 2015
June was a much better month than expected due to two films, Jurassic World and Inside Out. Had those two films merely matched expectations, then 2015 would have likely fallen behind 2014. As for this coming month, there are five weekends in July and each week there is at least one film with the potential to reach $100 million. Most weeks there are two films that at least have a shot at getting to the century mark. The biggest hit of the month will likely be Minions, which has already opened in several international markets and it's ahead of Despicable Me 2 at the same point. That film made more than $300 million and nearly $1 billion worldwide, so any growth would be fantastic. There are also a number of potential $200 million films, led by Ant-man. Ant-man is the latest release in the Marvel Cinematic Universe, a franchise that has averaged $300 million domestically over eleven films and all of the past six films have reached at least $200 million. I'm not saying this one is guaranteed to do the same, but you can't dismiss that possibility. Mission: Impossible - Rogue Nation and Pixels have smaller chances to get to $200 million, but you have to at least entertain the possibility. Additionally, last July was a lot weaker than this July looks to be, so 2015 should win in the year-over-year comparison most weeks. Or I might have let the box office success of June cloud my judgment. We will soon find out.
April 6th, 2015
It is a slow week on the home market, because it is the Tuesday after Easter. Easter tends to be a busy weekend for DVDs and Blu-rays, mostly family-friendly films. It is also post-Christmas on the home market. The final big releases from the holiday season have mostly come out and there are only a few limited release stragglers to deal with, but for the most part we are entering the summer dead zone on the home market. That doesn't mean there are no releases worth picking up. In fact, there are a few contenders for Pick of the Week, led by A Most Violent Year (Buy from Amazon: DVD or Blu-ray Combo Pack). Meanwhile, we have a Puck of the Week, The Book of Negroes on DVD, for the best Canadian release of the week.
March 2nd, 2015
The Captive was co-written and directed by Atom Egoyan, who has made some amazing films over the years. It stars Ryan Reynolds, who showed he can really act with his performance in Buried. However, the film struggled in its opening weekend and failed to find an audience in theaters. Is it a worthy addition to the two men's filmography? Or is there a good reason audience stayed away?
December 12th, 2014
We are deep into Awards season with three major awards nominations already handed out. Unfortunately, there's not a lot of limited releases coming out this week that will be part of Awards Season. Inherent Vice is the biggest release of the week, but its reviews are only good and not great, while there are a lot of great films in theaters at the moment.
November 11th, 2013
There are a number of good releases this week. The two biggest releases are Man of Steel and Turbo. While the former has a larger target audience, the latter is the better film. It is still not Pick of the Week material. The best films are some of the smaller releases, like The Attack, Barbara, Blackfish, City Lights, and Prince Avalanche. All of those are worth picking up, but I think Nosferatu on Blu-ray is the Pick of the Week.
October 16th, 2013
The Croods opened in March with more than $40 million and lasted long enough to pull in more than $180 million domestically and $570 million worldwide. That's a very impressive run for a spring release. Did it deserve this box office success? Or did it thrive because of the lack of direct competition?
July 1st, 2013
For the most part, June was a really strong month at the box office with nearly every film either matching expectations, or at least coming close enough to call it a victory. Looking forward, there are a dozen films opening wide in July, more or less. One of them, The Smurfs 2, is opening on a Wednesday, so I'm going to hold off talking about that movie till the August preview. Kevin Hart: Let Me Explain is opening in less than 1000 theaters, but it has a shot at reaching the top ten during its opening weekend. If we include both of them, there are twelve films, but I think it is better to stick with the ten truly wide, truly July openings. Of these, Despicable Me 2 is clearly going to be the biggest hit at the box office. It could become the second biggest hit of the year so far. It is not the only film that could be a $100 million hit. In fact, there are six films opening in July that I think have a better than 50% chance of reaching that level. There is currently only one film that I think won't at least become a midlevel hit. By comparison in 2012, there were three $100 million movies, led by The Dark Knight Rises, but the rest of the new releases struggled. There's no chance any movie opening this month will top $400 million, in fact, it is quite possible no film will get to $300 million. That said, 2013 has a lot better depth, so it might come out on top in the end.
March 1st, 2013
February is over, and for the most part, we should be very happy it is done and buried. The biggest hit of the month turned out to be Identity Thief, which will cross $100 million shortly. There were also a couple of impressive midlevel hits, like Warm Bodies and Escape from Planet Earth, but for the most part, it was miss after miss. This is bad news for March, which is not only dealing with a slumping 2013 box office, but will be compared with a strong March of 2012. Last March started with The Lorax, which earned more than $200 million. There's a good chance no March release this year will reach this milestone. Last March was also the month The Hunger Games opened, which earned more than $400 million. There's a chance the top three films opening this month won't earn that much combined. 2013 is going to take a beating in the year-over-year comparison and it is already $100 million behind last year's pace.
|6/1/2018||Deadpool 2||Wade Wilson / Deadpool||$0||$0||$0|
|8/18/2017||The Hitman’s Bodyguard||Michael Bryce||$23,338,494||$6,544,820||$29,883,314|
|4/1/2015||Woman in Gold||Randy Schoenberg||$33,307,793||$23,450,345||$56,758,138|
|2/10/2012||Safe House||Matt Weston||$126,181,630||$82,360,532||$208,542,162|
|10/14/2011||Fireflies in the Garden||Michael Waechter||$36,884||$3,468,939||$3,505,823|
|8/5/2011||The Change-Up||Mitch Planko||$37,081,475||$38,753,649||$75,835,124|
|6/17/2011||Green Lantern||Hal Jordan / Green Lantern||$116,601,172||$102,934,320||$219,535,492|
|4/23/2010||Paper Man||Captain Excellent||$15,389||$0||$15,389|
|6/19/2009||The Proposal||Andrew Paxton||$163,958,031||$150,751,686||$314,709,717|
|5/1/2009||X-Men Origins: Wolverine||Wade Wilson / Deadpool||$179,883,157||$194,942,603||$374,825,760|
|2/14/2008||Definitely, Maybe||Will Hayes||$32,241,649||$23,376,217||$55,617,866|
|1/26/2007||Smokin' Aces||Richard Messner||$35,662,731||$21,600,709||$57,263,440|
|11/23/2005||Just Friends||Chris Brander||$32,596,916||$10,200,763||$42,797,679|
|4/15/2005||The Amityville Horror||George Lutz||$65,233,369||$43,942,304||$109,175,673|
|12/8/2004||Blade: Trinity||Hannibal King||$52,397,389||$78,955,776||$131,353,165|
|7/30/2004||Harold & Kumar Go to White Castle||Male Nurse||$18,225,165||$0||$18,225,165|
|5/23/2003||The In-Laws||Mark Tobias||$20,440,627||$3,905,032||$24,345,659|
|12/31/2002||Buying the Cow||Mike Hanson||$0||$0||$0|
|4/5/2002||National Lampoon's Van Wilder||Van Wilder||$21,305,259||$17,936,064||$39,241,323|
|10/16/1998||Life During Wartime||Howard Ancona||$55,986||$0||$55,986|
|9/9/2011||The Whale||Executive Producer||$81,212||$0||$81,212|