| Theatrical Performance (US$) | ||
| Australia Box Office | $459,279 | Details |
| Worldwide Box Office | $14,730,786 | Details |
| Further financial details... | ||
| Australia Releases: | April 19th, 2012 (Limited), released as Romantics Anonymous November 4th, 2021 (Limited), released as Romantics Anonymous |
| Keywords: | Food, Romance, Anxiety and Phobias |
| Source: | Original Screenplay |
| Genre: | Drama |
| Production Method: | Live Action |
| Creative Type: | Contemporary Fiction |
| Production Countries: | Belgium, France |
| Languages: | French |
March 26th, 2012
It's not a particularly strong week when it comes to the home market. The biggest box office hit coming out this week is Alvin and the Chipmunks: Chip-Wrecked, but that film missed expectations at the box office and was savaged by critics. It should be the best selling DVD and Blu-ray of the week, but that's because it is a slow week overall. As for the best of the best, Mystery Science Theater 3000: XXIII is my choice for Pick of the Week. Others might go with South Park: Season 15 instead, while A Dangerous Method would also be the top choice of many. By a strange coincidence, I'm waiting for the screeners for all four of these films.
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November 24th, 2011
It's Thanksgiving long weekend, which means the openings of the limited releases are spread over three days. It also means there are a few Awards Season contenders making their theatrical debuts this week. Will any of the Oscar hopefuls snag a nomination? It's too soon to tell, but there's no shortage of contenders with five of the six films earning 80% positive reviews or better. The Artist is earning the best reviews, while A Dangerous Method will likely be the biggest box office hit of the group.
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Because some of our sources provide box office data in their local currency, while we use USD in the graph above and table below, exchange rate fluctuations can have effect on the data causing stronger increases or even decreases of the cumulative box office.
| Date | Rank | Gross | % Change | Screens | Per Screen | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| 2021/11/05 | - | $2,100 | 1 | $2,100 | $459,279 | 499 |
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens |
Maximum Screens |
Theatrical Engagements |
Total Box Office |
Report Date |
|---|---|---|---|---|---|---|---|
| Australia | 11/4/2021 | $0 | 0 | 1 | 1 | $459,279 | 10/20/2022 |
| North America | 11/25/2011 | $0 | 0 | 0 | 0 | $0 | 12/4/2014 |
| Rest of World | $14,271,507 | ||||||
| Worldwide Total | $14,730,786 | 10/20/2022 | |||||
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
| Isabelle Carre | ||
| Jean-Rene Van Den Hugde |
For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.
| Jean Pierre Ameris | Director | |
| Jean Pierre Ameris | Screenwriter | |
| Nathalie Gastaldo | Producer | |
| Philippe Godeau | Producer |
