|In Technical Roles||Story Creator||1||$75,133,819||$95,400,000||$170,533,819|
|Best known as a Story Creator based on a credit in that role in 1 film, with $170,533,819 worldwide aggregate box office (rank #624)|
|Best-Known Technical Roles: The Girl on the Train (Story Creator)|
|Most productive collaborators: Emily Blunt, Tate Taylor, Rebecca Ferguson, Erin Cressida Wilson, Haley Bennett|
October 1st, 2016
September is over and we should all be glad about that. Unless the final weekend brings a surprise $100 million hit or two, 2016’s lead over 2015 will shrink over the month. There were some bright spots, most notably Sully, which will be the biggest hit of the month. On the other hand, we had more outright bombs than even midlevel hits. Sadly, October isn’t much better. There are a couple of films that could be $100 million hits, but most of the films will struggle to become midlevel hits. Both Inferno and The Girl on the Train are aiming for $100 million. One of them might get there too. If both get there, then October will be seen as a success. By comparison, last October was led by The Martian; however, because of a misalignment in the calendar, The Martian’s opening weekend actually lines up with the final weekend in September. It had great legs, so that will help 2015 early in the month, but the rest of the month was terrible last year and I think 2016 will come out ahead as a result.
|10/7/2016||The Girl on the Train||Based on the novel by||$75,133,819||$95,400,000||$170,533,819|