Tom Paul

Best known as a Sound Designer based on credits in that role in 4 films, with $1,011,155 worldwide aggregate box office (rank #668)
Best-known technical roles: The Big Sick (Supervising Sound Editor), The Big Sick (Re-recording Mixer), Balto (Sound Mixer), Damsels in Distress (Re-recording Mixer), The Times of Bill Cunningham (Re-recording Mixer)
Most productive collaborators: Michael Showalter, Kumail Nanjiani, Zoe Kazan, Holly Hunter, Emily V. Gordon
                                    

  1. Summary
  2. Acting Credits
  3. Technical Credits

Career Summary


  MoviesDomestic
Box Office
International
Box Office
Worldwide
Box Office
In Technical RolesSound Designer4$136,525$874,630$1,011,155
Re-recording Mixer3$44,014,290$14,312,974$58,327,264
Supervising Sound Editor2$42,884,547$13,996,210$56,880,757
Sound Mixer1$11,268,750$0$11,268,750

Latest Ranking on Selected Box Office Record Lists


All Acting Credits



All Technical Credits



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Release
Date
TitleRoleDomestic
Box Office
International
Box Office
Worldwide
Box Office
Feb 14, 2020The Times of Bill Cunningham Re-recording Mixer $134,288$134,288
Jul 6, 2018Ryuichi Sakamoto: Coda Sound Designer $117,460$874,630$992,090
Jun 23, 2017The Big Sick Supervising Sound Ed…
Re-recording Mixer
$42,872,467$13,996,210$56,868,677
May 19, 2017Icaros: A Vision Sound Designer $5,510$5,510
Mar 3, 2017The Freedom to Marry Sound Designer $6,142$6,142
Aug 17, 2016When Two Worlds Collide Supervising Sound Editor and Re-recording Mixer $12,080$12,080
Nov 16, 2012Price Check Sound Designer $7,413$7,413
Apr 6, 2012Damsels in Distress Re-recording Mixer $1,007,535$316,764$1,324,299
Dec 22, 1995Balto Sound Mixer $11,268,750$11,268,750
 
Averages $6,159,072$5,062,535$7,846,583
Totals 9 $55,431,645$15,187,604$70,619,249