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The Big Sick (2017)

The Big Sick
Theatrical Performance
Domestic Box Office $36,920,971Details
International Box Office $5,855,000Details
Worldwide Box Office $42,775,971
Further financial details...

  1. Summary
  2. News
  3. Box Office
  4. International
  5. Video Sales
  6. Full Financials
  7. Cast & Crew
  8. Trailer

Synopsis

The true life story of Pakistan-born aspiring comedian Kumail, who connects with grad student Emily after one of his standup sets. However, what they thought would be just a one-night stand blossoms into the real thing, which complicates the life that is expected of Kumail by his traditional Muslim parents. When Emily is beset with a mystery illness, it forces Kumail to navigate the medical crisis with her parents, Beth and Terry whom he’s never met, while dealing with the emotional tug-of-war between his family and his heart.

Metrics

Latest Ranking on Cumulative Box Office Lists


Movie Details

Domestic Releases: June 23rd, 2017 (Limited) by Lionsgate
July 14th, 2017 (Expands Wide) by Lionsgate
International Releases: July 14th, 2017 (Wide), released as Pěkně blbě (Czech Republic)
July 28th, 2017 (Wide) (Slovakia)
July 28th, 2017 (Wide) (United Kingdom)
August 4th, 2017 (Wide) (Australia)
August 4th, 2017 (Wide) (Netherlands)
... Show all releases
Video Release: September 5th, 2017 by Lionsgate Home Entertainment
MPAA Rating: R for language including some sexual references.
(Rating bulletin 2470 (Cert #50580), 4/5/2017)
Running Time: 119 minutes
Comparisons: vs. My Big Fat Greek Wedding
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Keywords: Arranged Marriage, Relationships Gone Wrong, Chicago, College, Romance, Stand-Up Comedy, One Night Stand, Medical and Hospitals, Interracial Romance, Dysfunctional Family, Muslims, Screenplay Written By the Star, Family Affair
Source:Based on Real Life Events
Genre:Romantic Comedy
Production Method:Live Action
Creative Type:Dramatization
Production Companies: Amazon Studios, FilmNation Entertainment, Apatow Productions
Production Countries: United States

Cast

   Kumail
   Emily
   Beth
   Terry
   Azmat
   Sharmeen
   Naveed
Bo Burnham    CJ
Aidy Bryant    Mary
Kurt Braunohler    Chris
Vella Lovell    Khadija
Myra Lucretia Taylor    Nurse Judy
Jeremy Shamos    Bob Dalavan
David Alan Grier    Andy Dodd
Ed Herbstman    Sam Highsmith
Shenaz Treasury    Fatima
Rebecca Naomi Jones    Jesse
Kuhoo Verma    Zubeida
Mitra Jouhari    Yazmin
Maria Celeste Arraras    Denise
Shana Solomon    Nurse Bette
Jeff Blumenkrantz    Dr. Wright
Linda Emond    Dr. Cunningham
Holly Chou    Dr. Whelan
Andrew Pang    Dr. Spellman
Alison Cimmet    Dr. Platt
Lawrence Ballard    Dr. Lewin
Shunori Ramanathan    Sumera
Spencer House    Racist Heckler
Susham Bedi    Tina (Khadija’s Mother)
Rahul Bedi    Farhan (Khadija’s Father)
Matty Cardarople    Fast Food Cashier
Myra Turley    Waiting Room Person 1
William Stephenson    Waiting Room Person 2
Marilyn Torres    Waiting Room Person 3
Kerry Flanagan    Waiting Room Person 4
Jack O'Connell    Waiting Room Person 5
Charles Gould    Waiting Room Person 6
Isabel Shill    Party Goer 1
Lauren Patten    Party Goer 2
Keilly McQuail    Party Goer 3
Zach Cherry    Party Goer 4

Production and Technical Credits

Director   
Screenwriter    Kumail Nanjiani
Screenwriter    Emily V. Gordon
Producer    Judd Apatow
Producer    Barry Mendel
Executive Producer    Jeremy Kipp Walker
Executive Producer    Kumail Nanjiani
Executive Producer    Emily V. Gordon
Executive Producer    Glen Basner
Executive Producer    Ben Browning
Director of Photography    Brian Burgoyne
Production Designer    Brandon Tonner-Connolly
Editor    Robert Nassau
Costume Designer    Sarah Mae Burton
Co-Producer    Amanda Glaze
Composer    Michael Andrews
Music Supervisor    Joe Rudge
Casting Director    Gayle Keller
Stunt Coordinator    Jeremy Sample
Script Supervisor    Mariana Hellmund
Unit Production Manager    Jeremy Kipp Walker
First Assistant Director    Nicholas Bell
Second Assistant Director    Adam Bernard
Art Director    Andy Eklund
Set Decorator    Elizabeth Rodrick
Still Photographer    Nicole Rivelli
Special Effects Coordinator    Jeff Brink
Sound Mixer    Charles Hunt
Make up    Leo Won
Make up    Kirsten Sylvester
Hairstylist    Tonia Ciccone
Hairstylist    Toni Roman-Grimm
Location Manager    Jillian Stricker
Casting Associate    Allison Kirschner
Casting Associate    Nicole Hearon
Casting Associate    Aaron Schoonover
Post-Production Supervisor    Michael A. Jackman
Assistant Editor    Luis Cuevas
Assistant Editor    Leah Tuscano
Supervising Sound Editor    Tom Paul
Sound Editor    Bobby Mackston
Dialogue Editor    Billy Orrico
Sound Effects Editor    Sean Garnhart
Foley Mixer    Carl Shillito
Re-recording Mixer    Tom Paul
Re-recording Mixer    Mark Linden
Score Producer    Michael Andrews
Score Recordist    Todd Burke
Score Mixer    Todd Burke
Music Editor    Azniv Korkejian
Visual Effects Supervisor    Lucien Harriot

Theater Averages: Ingrid Westward Trip nets $45,100

August 16th, 2017

Ingrid Goes West

Ingrid Goes West opened in first place on the theater average chart with an average of $45,100 in three theaters. This is the third best average of the year behind The Big Sick (average of $84,315 in five) and The Beguiled ($57,323 in four). A24 had another success with Good Time earning an average of $31,275 in four theaters. The Trip to Spain opened with an average of $15,102 in three theaters, which is in the middle of the franchise average so far. Finally there’s Wind River, which was the only holdover in the $10,000 club. It managed an average of $13,615 in 45 theaters and already has nearly $1 million in limited release. More...

Theater Averages: River Runs Away with $40,390

August 9th, 2017

Wind River

The Weinstein Co. is breathing a huge sign of relief as Wind River had the best theater average of the weekend with $40,390 in four theaters. This is the fourth best average of the year behind The Big Sick (average of $84,315 in five); The Beguiled ($57,323 in four); and Beauty and the Beast ($41,508 in just over 4,200). Wolf Warriors 2 saw its theater average grow to $15,843. The final film in the $10,000 club was Columbus, which earned an average of $13,410 in two theaters. More...

Friday Estimates: Dark Tower’s Chances Dim with $7.73 million Opening Day

August 5th, 2017

The Dark Tower

On the positive side, The Dark Tower topped the chart on Friday. On the negative side, it missed both our original prediction, as well as our lowered expectations with just $7.725 million. The film’s reviews are terrible at 19% positive, while its CinemaScore is a mere B, so that’s bad news for the film’s legs, putting it on pace for between $18 million and $19 million. It’s good news for Dunkirk, which has a real shot at first place on the weekend chart for the third weekend in a row. More...

Weekend Predictions: Has Summer Ended?

August 3rd, 2017

The Dark Tower

August has begun, but I’m starting to think Summer has already ended. The Dark Tower was expected to be the big hit of the weekend, but its reviews are a lot weaker than anticipated. Kidnap is also opening wide and its early reviews were good, but that has changed as the day has gone on. Furthermore, it’s buzz is really quiet, so its box office chances are not good. Finally Detroit is expanding wide this weekend. Its reviews are among the best we’ve seen all summer, but it is tough to go from a limited release to a wide release, so I’m not overly optimistic. This weekend last year, Suicide Squad opened with $133.68 million. It is very likely the entire box office will be less than $133.68 million this weekend. 2017 is going to get destroyed in the year-over-year comparison. More...

Theater Averages: $31,206 is an Inconvenient Start

August 2nd, 2017

An Inconvenient Sequel

This weekend’s winner on the theater average chart is an unusual one. It is rare for documentaries to get a sequel and it is rare for documentaries to land in first place on the theater average chart. An Inconvenient Sequel opened with an average of $31,206 in four theaters, which is a good sign going forward. Menashe looks like it will be another success for A24, as it earned an average of $20,693 in three theaters. Detroit is planning to expand wide on Friday, so its average of $17,510 in 20 theaters is a good start. Brigsby Bear was the final film in the $10,000 club earning an average of $13,217 in three theaters. More...

Theater Averages: Dunkirk Lands On Top with $13,579

July 26th, 2017

Dunkirk

The number one film on the overall weekend box office chart, Dunkirk, was also the number one film on the theater average chart earning an average of $13,579. The best limited release was Landline with an average of $13,139 in four theaters. Its reviews suggest it won’t maintain that average as it tries to expand. The final film in the $10,000 club was Girls Trip, which earned an average of $12,042. The film could have earned half that and it still would have been an okay opening for its production budget. More...

Weekend Wrap-Up: Dunkirk has Stellar $50.51 million Opening

July 25th, 2017

Girls Trip

Both Dunkirk and Girls Trip topped expectations earning $50.51 million and $31.20 million respectively. Valerian and the City of a Thousand Planets didn’t do as well, but it should do well internationally. Overall, the weekend box office rose 11% from last weekend earning $181 million. On the downside, this was 7.8% lower than the same weekend last year and 2017 had already lost its lead over 2016, so this is really bad news. Year-to-date, 2017 is now behind 2016 by $31 million / 0.5% at $6.46 billion to $6.49 billion. Things really need to turn around soon, but I don’t think that’s going to happen. Hopefully the fall will be much better. More...

Theater Averages: Apes Overtake MacBeth $13,989 to $12,907

July 18th, 2017

War for the Planet of the Apes

War for the Planet of the Apes earned first place on the weekend box office chart and the theater average chart with $13,989. The only other new release to come close to that was Lady Macbeth with an average of $12,907 in five theaters. Last week’s winner, Spider-Man: Homecoming, slipped to third place this weekend with an average of $10,167. It is still quite rare for a wide release to stay in the $10,000 club two weeks in a row, so this is a reason to celebrate. More...

Weekend Wrap-Up: War Goes Well for Apes Earning $56.26 million

July 18th, 2017

War for the Planet of the Apes

The weekend box office chart didn’t hold a lot of surprises. War for the Planet of the Apes earned first place with a slightly better than predicted result of $56.26 million, while most of the rest of our predictions were also close enough to be considered victories. Overall, the box office plummeted 21% from last weekend reaching $163 million. This was also a little lower than the same weekend last year. The emphasis is on “little”, as it only dropped by 0.062% or about $100,000. On its own, this would be nothing to worry about. However, 2017’s lead over 2016 has completely evaporated and the year is now 0.19% or $12 million behind last year’s pace at $6.21 billion to $6.22 billion. We’ve lost about $200 million this summer compared to last year and I don’t see that turning around any time soon. More...

Weekend Estimates: Apes Top Chart, Helped by Big Spider-Man Drop

July 16th, 2017

War for the Planet of the Apes

A weekend estimate just ahead of our prediction for War for the Planet of the Apes, and a one just below our prediction for Spider-Man: Homecoming means there’s a clear winner at the box office. War will come in with $56.5 million, per Fox’s Sunday morning estimate, while Homecoming will finish second with $45.2 million. More...

Friday Estimates: Apes Win War with $22.1 million on Friday

July 15th, 2017

War for the Planet of the Apes

As expected, War for the Planet of the Apes earned first place on Friday. To match predictions, the film needed to make between $18 million and $19 million, but instead it earned $22.1 million during its first day of release. Furthermore, this is better than its previews were, so this suggests good word-of-mouth and longer than average legs. Its reviews are 94% positive and it earned a solid A from CinemaScore, so long legs wouldn’t be a shock. Perhaps it can reach $60 million over the weekend. Anything less than $55 million will be a little disappointing. Splitting the difference gets us a weekend target of $57 million. More...

Weekend Predictions: Will Apes vs. Spider be a One-Sided Fight?

July 13th, 2017

War for the Planet of the Apes

War for the Planet of the Apes is going to be the biggest of the three wide releases coming out this week. This much is a near certainty. However, there is some doubt if it will open in first place, or if Spider-Man: Homecoming will remain the top draw over the weekend. The only other wide release of the week is Wish Upon, a low-budget horror film, if it can just reach the top five, then the studio will be very happy. Finally, The Big Sick is expanding wide. Given its limited release run so far, it should become a sleeper hit over the summer. This weekend last year, The Secret Life of Pets and Ghostbusters had a one-two punch of nearly $100 million. I think War for the Planet of the Apes and Spider-Man: Homecoming will top that figure, while the overall depth should help 2017 win in the year-over-year competition, but it will likely be close. More...

Theater Averages: Spider-Man has Storybook $26,915 Opening

July 11th, 2017

Spider-Man: Homecoming

There was a really close race on the theater chart this week with Spider-Man: Homecoming topping A Ghost Story $26,915 to $26,008. The only other film to top $10,000 was The Big Sick, which earned an average of $10,971 in 326 theaters. More...

Weekend Estimates: Spider-Man Comes Home to $117 Million Weekend

July 9th, 2017

Spider-Man: Homecoming

A $117 million opening weekend is pretty much all Sony could ask for from Spider-Man: Homecoming. It’s the second-best debut for the Spider-Man franchise, if you ignore the effects of inflation, and makes it almost certain that the franchise will break its unfortunate streak of earning less at the domestic box office with every new outing. With, reportedly, a more constrained budget—this is the least expensive Spider-Man film, adjusted for inflation—profitability looks assured, and Sony’s partnership with Disney looks as though it’s paying off. More...

Contest: Win the War

July 7th, 2017

War for the Planet of the Apes

Next weekend is busier than this weekend with two wide releases and a wide expansion; however, War for the Planet of the Apes will tower over Wish Upon and The Big Sick and it is the only real choice for the target film in this week’s box office prediction contest. In order to win, one must simply predict the opening three-day weekend box office number for War for the Planet of the Apes.

Whoever comes the closest to predicting the film’s opening 3-day weekend box office (Friday to Sunday), without going over, will win a Frankenprise consisting of their choice of either one TV on DVD release, two movies, or a kids package (could be a theatrical release, a couple of single-disc TV on DVD releases, or a full season TV on DVD release). Whoever comes the closest to predicting the film’s opening 3-day weekend box office (Friday to Sunday), without going under, will also win a Frankenprize, as described above. Finally, we will be choosing an entrant from the group of people who haven’t won, or haven’t won recently, and they will win the final Frankenprize, as described above.

Entries must be received by 10 a.m., Pacific Time on Friday to be eligible, so don’t delay! More...

Theater Averages: Little Hours has Large $30,780 Opening

July 6th, 2017

The Little Hours

The Little Hours led the way on the theater average chart with an average of $30,780 in two theaters. This is Gunpowder and Sky’s first release, which makes its first place finish even more impressive. Last week’s winner, The Big Sick, held on well in second place with an average of $23,267 in 71 theaters. The only other film in the $10,000 club was the overall first place film, Despicable Me 3, which earned an average of $15,993. More...

Weekend Estimates: Despicable Me’s Solid $75 Million Starts July 4 Holiday Week

July 2nd, 2017

Despicable Me 3

With July 4 falling on a Tuesday this year, this is less a holiday weekend, and more the beginning of a holiday week, and it’s bookended by new releases from two of the industry’s most reliable franchises. Despicable Me 3 starts off festivities this weekend with a solid-but-unspectacular $75.4 million from a record-setting 4,529 theaters. Breaking The Twilight Saga: Eclipse’s record for widest opening weekend of all time is no small feat for Universal, but it’s an ominous sign for the franchise that the only film to open in close to this number of theaters and pull in similar numbers at the box office was Shrek Forever After, which opened with $70.8 million in 4,359 theaters back in 2010. That was the last Shrek movie, and this might be a good time for Gru to call it a day. More...

2017 Preview: July

July 1st, 2017

Spider-Man: Homecoming

I hate it when the first of the month lands on a Saturday. By the time this story goes live, we will still have almost no box office data for Despicable Me 3, so we won’t know if June ended on a positive note. Fortunately, Wonder Woman beat expectations and might end up as the biggest hit of the summer, at least for a little while. July begins with Spider-Man: Homecoming, which should make at least $300 million and is the last film being released this summer that has a shot at being a $400 million hit domestically. It is very likely that nothing else this month will come within $100 million of that movie, so that could help its legs. There are a few potential $100 million hits, including War for the Planet of the Apes, Dunkirk, and a couple of other long shots. Last July had a similar feel with The Secret Life of Pets topping the list with well over $300 million, while there were five other $100 million hits. This July would have to beat expectations substantially to match this performance. I’m not confident 2017 will be able to maintain its pace at the box office. I’m worried at least one big film will struggled and 2017 will end the month behind 2016’s pace. More...

Theater Averages: Big Sick has a Very Healthy $84,315 Opening

June 28th, 2017

The Big Sick

Two limited releases that came out this past weekend topped the previous theater average record for 2017. The Big Sick earned an average of $84,315 in five theaters, which bodes well for its planned wide expansion in a couple of weeks. The Beguiled was next with an average of $57,323 in four theaters. Both of these are well ahead of the $41,508 average Beauty and the Beast earned during its opening weekend. The only other film in the $10,000 club was the overall number one film, Transformers: The Last Knight, which earned an average of $10,981. More...

Weekend Estimates: Will International Earnings Be Enough to Save Last Knight?

June 25th, 2017

Transformers: The Last Knight

A tepid $45.3 million Friday-to-Sunday domestic weekend for Transformers: The Last Knight is pretty much unmitigated bad news for Paramount Pictures. The studio is in desperate need of a hit, and the Transformers franchise is by far their biggest property. Even including the film’s grosses from Wednesday and Thursday, its $69 million debut is barely in the top ten for the year so far, and poor reviews and a B+ CinemaScore mean that it won’t have significant legs, even with a bit of help from the upcoming July 4 weekend. So all eyes are going to be on its overseas performance. More...

Friday Estimates: Dawn of a New Day for Last Knight

June 24th, 2017

Transformers: The Last Knight

Transformers: The Last Knight suffered a 48% plummet on Thursday to earn just $8.14 million; however, it bounced back on Friday with $13.69 million. If we again compare this to Dark of the Moon, which is the last film in the franchise to open on a Wednesday, we get mixed messages. The Last Knight fell faster on Thursday (48% to 43%) but bounced back more on Friday (68% to 53%). If we assume The Last Knight will continue to outperform Dark of the Moon over the rest of the weekend, then it will earn about $42 million over the three-day weekend and $66 million over five. This is the worst opening in the franchise by a wide margin, but there is good news for Paramount, as the film earned $41.46 million during its first day in China, and $47.55 million if you include previews. The international numbers will save this film and justify more sequels. More...

Limited and VOD Releases: Sick and Tired

June 23rd, 2017

The Big Sick

Not many limited releases are earning any real buzz this week. The Beguiled has the best pedigree and its reviews might be good enough to help it thrive in theaters. The Bad Batch is the biggest in terms of theaters, but its box office potential is close to zero. This leaves The Big Sick as the best new release. That said, if you are not near one of the five theaters it is playing, you could always stay home and binge GLOW on Netflix. I reviewed it this week and it is worth the praise. More...

The Big Sick Trailer

June 12th, 2017

Romantic comedy starring Kumail Nanjiani, Zoe Kazan, Holly Hunter, and Ray Romano, directed by Judd Apatow opens June 23 ... Full Movie Details. More...

Domestic Cumulative Box Office Records


Weekend Box Office Performance

DateRankGross% ChangeTheatersPer TheaterTotal GrossDays
2017/06/23 17 $421,577   5 $84,315   $421,577 3
2017/06/30 12 $1,651,958 +292% 71 $23,267   $2,208,448 10
2017/07/07 8 $3,576,646 +117% 326 $10,971   $6,846,969 17
2017/07/14 5 $7,563,040 +111% 2,597 $2,912   $15,999,864 24
2017/07/21 8 $5,008,143 -34% 2,597 $1,928   $24,547,521 31
2017/07/28 11 $3,177,951 -37% 1,589 $2,000   $30,222,605 38
2017/08/04 14 $2,163,021 -32% 1,005 $2,152   $33,927,449 45
2017/08/11 14 $1,463,932 -32% 709 $2,065   $36,407,780 52

Daily Box Office Performance

DateRankGross% ChangeTheatersPer TheaterTotal GrossDays
2017/06/23 - $133,751   5 $26,750   $133,751 1
2017/06/24 - $169,255 +27% 5 $33,851   $303,006 2
2017/06/25 - $118,571 -30% 5 $23,714   $421,577 3
2017/06/26 - $40,700 -66% 5 $8,140   $462,277 4
2017/06/27 - $38,656 -5% 5 $7,731   $500,933 5
2017/06/28 - $30,632 -21% 5 $6,126   $531,565 6
2017/06/29 - $24,925 -19% 5 $4,985   $556,490 7
2017/06/30 12 $537,512 +2,057% 71 $7,571   $1,094,002 8
2017/07/01 12 $611,729 +14% 71 $8,616   $1,705,731 9
2017/07/02 13 $502,717 -18% 71 $7,081   $2,208,448 10
2017/07/03 12 $405,067 -19% 71 $5,705   $2,613,515 11
2017/07/04 12 $360,373 -11% 71 $5,076   $2,973,888 12
2017/07/05 15 $151,116 -58% 71 $2,128   $3,125,004 13
2017/07/06 13 $145,319 -4% 71 $2,047   $3,270,323 14
2017/07/07 8 $1,118,815 +670% 326 $3,432   $4,389,138 15
2017/07/08 8 $1,491,513 +33% 326 $4,575   $5,880,651 16
2017/07/09 8 $966,318 -35% 326 $2,964   $6,846,969 17
2017/07/10 9 $335,668 -65% 326 $1,030   $7,182,637 18
2017/07/11 9 $440,867 +31% 326 $1,352   $7,623,504 19
2017/07/12 8 $430,488 -2% 326 $1,321   $8,053,992 20
2017/07/13 8 $382,832 -11% 326 $1,174   $8,436,824 21
2017/07/14 5 $2,488,896 +550% 2,597 $958   $10,925,720 22
2017/07/15 5 $3,111,744 +25% 2,597 $1,198   $14,037,464 23
2017/07/16 5 $1,962,400 -37% 2,597 $756   $15,999,864 24
2017/07/17 6 $769,003 -61% 2,597 $296   $16,768,867 25
2017/07/18 6 $1,108,696 +44% 2,597 $427   $17,877,563 26
2017/07/19 6 $874,381 -21% 2,597 $337   $18,751,944 27
2017/07/20 6 $787,434 -10% 2,597 $303   $19,539,378 28
2017/07/21 8 $1,410,570 +79% 2,597 $543   $20,949,948 29
2017/07/22 8 $2,172,406 +54% 2,597 $837   $23,122,354 30
2017/07/23 9 $1,425,167 -34% 2,597 $549   $24,547,521 31
2017/07/24 9 $622,557 -56% 2,597 $240   $25,170,078 32
2017/07/25 9 $757,670 +22% 2,597 $292   $25,927,748 33
2017/07/26 9 $563,899 -26% 2,597 $217   $26,491,647 34
2017/07/27 9 $553,007 -2% 2,597 $213   $27,044,654 35
2017/07/28 11 $926,004 +67% 1,589 $583   $27,970,658 36
2017/07/29 10 $1,476,824 +59% 1,589 $929   $29,447,482 37
2017/07/30 11 $775,123 -48% 1,589 $488   $30,222,605 38
2017/07/31 11 $333,198 -57% 1,589 $210   $30,555,803 39
2017/08/01 11 $443,276 +33% 1,589 $279   $30,999,079 40
2017/08/02 11 $404,010 -9% 1,589 $254   $31,403,089 41
2017/08/03 11 $361,339 -11% 1,589 $227   $31,764,428 42
2017/08/04 14 $609,435 +69% 1,005 $606   $32,373,863 43
2017/08/05 13 $982,024 +61% 1,005 $977   $33,355,887 44
2017/08/06 14 $571,562 -42% 1,005 $569   $33,927,449 45
2017/08/07 14 $291,059 -49% 1,005 $290   $34,218,508 46
2017/08/08 14 $289,556 -1% 1,005 $288   $34,508,064 47
2017/08/09 14 $226,974 -22% 1,005 $226   $34,735,038 48
2017/08/10 14 $208,810 -8% 1,005 $208   $34,943,848 49
2017/08/11 - $405,202 +94% 709 $572   $35,349,050 50
2017/08/12 14 $693,074 +71% 709 $978   $36,042,124 51
2017/08/13 - $365,656 -47% 709 $516   $36,407,780 52
2017/08/14 - $150,692 -59% 709 $213   $36,558,472 53
2017/08/15 - $210,371 +40% 709 $297   $36,768,843 54
2017/08/16 - $152,128 -28% 709 $215   $36,920,971 55

Weekly Box Office Performance

DateRankGross% ChangeTheatersPer TheaterTotal GrossDays
2017/06/23 18 $556,490   5 $111,298   $556,490 7
2017/06/30 13 $2,713,833 +388% 71 $38,223   $3,270,323 14
2017/07/07 8 $5,166,501 +90% 326 $15,848   $8,436,824 21
2017/07/14 5 $11,102,554 +115% 2,597 $4,275   $19,539,378 28
2017/07/21 8 $7,505,276 -32% 2,597 $2,890   $27,044,654 35
2017/07/28 11 $4,719,774 -37% 1,589 $2,970   $31,764,428 42
2017/08/04 14 $3,179,420 -33% 1,005 $3,164   $34,943,848 49

Box Office Summary Per Territory

Territory Release
Date
Opening
Weekend
Opening
Weekend
Theaters
Maximum
Theaters
Theatrical
Engagements
Total
Box Office
Report
Date
Australia 8/4/2017 $868,705 322 322 597 $1,828,930 8/14/2017
Czech Republic 7/14/2017 $40,508 28 28 123 $154,463 8/15/2017
Netherlands 8/4/2017 $149,231 61 62 123 $430,737 8/15/2017
New Zealand 8/4/2017 $167,668 94 94 186 $452,186 8/14/2017
Slovakia 7/28/2017 $14,083 31 31 63 $45,546 8/17/2017
United Kingdom 7/28/2017 $641,362 160 209 369 $1,407,949 8/9/2017
 
Rest of World $1,535,189
 
International Total$5,855,000 8/17/2017

International Cumulative Box Office Records


Worldwide Cumulative Box Office Records


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