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| Theatrical Performance (US$) | ||
| Japan Box Office | $0 | Details |
| Worldwide Box Office | $10,460,276 | Details |
| Further financial details... | ||
| Japan Releases: | October 11th, 2024 (Limited), released as The Great Escaper (2度目のはなればなれ) |
| Source: | Original Screenplay |
| Genre: | Drama |
| Production Method: | Live Action |
| Creative Type: | Historical Fiction |
| Production Countries: | United Kingdom |
| Languages: | English |
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens |
Maximum Screens |
Theatrical Engagements |
Total Box Office |
Report Date |
|---|---|---|---|---|---|---|---|
| Argentina | 5/9/2024 | $0 | 0 | 0 | 0 | $0 | |
| Australia | 3/7/2024 | $309,412 | 239 | 249 | 1198 | $1,607,252 | 8/19/2024 |
| Belgium | 3/6/2024 | $0 | 0 | 0 | 0 | $0 | |
| Brazil | 6/27/2024 | $0 | 0 | 0 | 0 | $0 | |
| Germany | 11/23/2023 | $0 | 0 | 0 | 0 | $0 | |
| Italy | 6/20/2024 | $94,478 | 0 | 0 | 0 | $288,934 | 8/19/2024 |
| Japan | 10/11/2024 | $0 | 0 | 0 | 0 | $0 | |
| Mexico | 7/4/2024 | $60,817 | 0 | 0 | 0 | $77,404 | 7/11/2024 |
| Netherlands | 2/16/2024 | $175,873 | 85 | 115 | 591 | $1,040,573 | 3/25/2024 |
| New Zealand | 3/7/2024 | $86,597 | 99 | 99 | 613 | $503,234 | 4/7/2025 |
| Portugal | 3/7/2024 | $9,073 | 21 | 21 | 27 | $15,660 | 3/26/2024 |
| Spain | 10/25/2024 | $71,358 | 95 | 95 | 153 | $150,688 | 11/7/2024 |
| United Kingdom | 10/6/2023 | $733,009 | 608 | 631 | 3516 | $6,776,531 | 1/10/2024 |
| Worldwide Total | $10,460,276 | 4/7/2025 | |||||
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services at a cost. For more information, please contact us at research@the-numbers.com.
| Michael Caine | ||
| Glenda Jackson |
For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.
| Oliver Parker | Director | |
| Claire Freeman | Music Supervisor |
The bold credits above the line are the "above-the-line" credits, the other the "below-the-line" credits.
