| Theatrical Performance (US$) | ||
| Portugal Box Office | $7,992 | Details |
| Worldwide Box Office | $1,277,254 | Details |
| Home Market Performance | ||
| North America Blu-ray Sales | $709,057 | Details |
| Total North America Video Sales | $709,057 | |
| Further financial details... | ||
| Portugal Releases: | October 3rd, 2019 (Wide) |
| Video Release: | June 16th, 2020 by Sony Pictures Home Entertainment |
| MPAA Rating: | Not Rated |
| Running Time: | 135 minutes |
| Source: | Based on Real Life Events |
| Genre: | Documentary |
| Production Method: | Live Action |
| Creative Type: | Factual |
| Production Countries: | United Kingdom |
| Languages: | English |
June 17th, 2020
There are a lot of smaller releases on this week’s list and nothing that truly stands out as a potential hit. However, almost everyone should find something worth watching. The Soul Collector should please fans of low-budget horror movies. Roger Waters Us + Them is worth the money for fans of Pink Floyd. The indie drama The Short History of the Long Road is earning a lot of praise. The Cameraman is the best movie on this week’s list, but the Blu-ray is the better deal than a VOD rental.
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October 10th, 2019
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Pain and Glory dominated the theater average earning an average of $40,022 in four theaters. Joker was next with an average of $21,994 in over 4,000 theaters. The final film in the $10,000 Club this weekend was My Country, My People with an average of $13,069 in 67 theaters. That is very impressive and could be a portent of things to come as Chinese films gain a foothold in the domestic market.
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Because some of our sources provide box office data in their local currency, while we use USD in the graph above and table below, exchange rate fluctuations can have effect on the data causing stronger increases or even decreases of the cumulative box office.
| Date | Rank | Gross | % Change | Screens | Per Screen | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| 2019/10/04 | 23 | $4,305 | 3 | $1,435 | $7,992 | 1 |
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens |
Maximum Screens |
Theatrical Engagements |
Total Box Office |
Report Date |
|---|---|---|---|---|---|---|---|
| Argentina | 9/27/2019 | $0 | 0 | 15 | 15 | $17,499 | 10/20/2019 |
| Australia | 9/27/2019 | $0 | 0 | 103 | 103 | $110,859 | 10/8/2019 |
| New Zealand | 10/2/2019 | $10,376 | 29 | 29 | 29 | $25,893 | 10/19/2022 |
| North America | 10/2/2019 | $251,842 | 396 | 497 | 396 | $594,982 | |
| Portugal | 10/3/2019 | $4,305 | 3 | 3 | 3 | $7,992 | 10/19/2022 |
| Russia (CIS) | 10/4/2019 | $36,728 | 127 | 127 | 127 | $36,728 | 10/19/2022 |
| United Kingdom | 9/27/2019 | $4,378 | 1 | 159 | 174 | $483,301 | 10/30/2019 |
| Worldwide Total | $1,277,254 | 10/19/2022 | |||||
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
| Roger Waters | Himself |
For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.
| Sean Evans | Director | |
| Roger Waters | Director |
