Spain Box Office for La Mujer que sabia leer (2018)

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Le Semeur
Theatrical Performance (US$)
Spain Box Office $322,249Details
Worldwide Box Office $413,594Details
Further financial details...

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Synopsis

In 1851, France’s autocratic President Louis-Napoléon Bonaparte has ordered the arrest of all the men of a remote mountain farming village following a Republican uprising. The women spend years in total isolation, forced to tend the crops themselves. Some women have lost their husbands; others, like the shy but inwardly strong Violette, suddenly have no chance of experiencing physical love or motherhood. The women take an oath: if a man comes, they will share him as a lover. When a mysterious and handsome stranger arrives, he ignites passions and jealousies that threaten to destroy the tight-knit community.

Metrics

Movie Details

Spain Releases: May 11th, 2018 (Wide), released as La Mujer que sabia leer
Video Release: June 11th, 2019 by Film Movement Video
MPAA Rating: Not Rated
Running Time: 99 minutes
Keywords: 1800s, Set in France, Immigration, Romance, Life on a Farm
Genre:Drama
Production Method:Live Action
Production/Financing Companies: Les Films du Worso
Production Countries: France
Languages: French

Theater Averages: Climactic Results Over the Weekend

March 7th, 2019

Climax

It was a really busy week on the Theater Average Chart with a ton of films to talk about, including six films in the $10,000 club. This list was led by Climax with an average of $23,885 in five theaters. Transit was next with an average of $15,966 in two theaters. Giant Little Ones and Apollo 11 had nearly identical averages of $13,500 and $13,392 respectively, but were playing in vastly different number of theaters at 1 and 120 respectively. Furie was a surprise entry in the $10,000 club with an average of $11,151 in 14 theaters. There was only one wide release in the $10,000 club, as Tyler Perry’s A Madea Family Funeral earned an average of $11,082. More...

Limited and VOD Releases: Climactic Change in Pace

March 1st, 2019

Climax

After two weeks of almost no releases, there are nearly 30 limited releases coming out this week. However, it’s a case of quantity above quality, for the most part, as the majority of films have no or almost no reviews. That said, the majority of films with a substantial number of reviews are earning overwhelmingly positive reviews. Some of these films, like Climax and Apollo 11, are even earning a combination of amazing reviews and loud buzz. Hopefully this means we will have some hits on this week’s list and the competition won’t sink everyone’s chances. More...

Because some of our sources provide box office data in their local currency, while we use USD in the graph above and table below, exchange rate fluctuations can have effect on the data causing stronger increases or even decreases of the cumulative box office.

Weekend Box Office Performance

DateRankGross% ChangeScreensPer ScreenTotal GrossWeek
2018/05/11 11 $94,548   45 $2,101   $94,548 1
2018/05/18 14 $52,928 -44% 55 $962   $202,228 2
2018/05/25 14 $33,035 -38% 53 $623   $266,423 3
2018/06/08 25 $9,646   18 $536   $322,249 5

Box Office Summary Per Territory

Territory Release
Date
Opening
Weekend
Opening
Weekend
Screens
Maximum
Screens
Theatrical
Engagements
Total
Box Office
Report
Date
Lithuania 2/8/2019 $830 8 8 20 $2,167 2/26/2019
Netherlands 6/14/2019 $19,993 22 22 63 $52,945 10/19/2022
North America 3/1/2019 $4,128 2 5 17 $36,233
Spain 5/11/2018 $94,548 45 55 171 $322,249 6/14/2018
 
Worldwide Total$413,594 10/19/2022

Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.

Uncategorized

Pauline Burlet   

For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.

Production and Technical Credits

Marine Francen    Director
Marine Francen    Screenwriter
Jacqueline Surchat    Screenwriter
Jacques Fieschi    Screenwriter
Violette Ailhaud    Story based on ‛L'homme de semence’ by
Sylvie Pialat    Producer
Mathieu Menut    Production Manager
Minori Akimoto    Editor
Frederic Vercheval    Composer
Alain Duplantier    Director of Photography