Colombia Box Office for Seven Psychopaths (2012)
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Theatrical Performance (US$) |
Colombia Box Office |
$88,251 | Details |
Worldwide Box Office |
$33,035,736 | Details |
Home Market Performance |
North America DVD Sales |
$5,989,599 |
Details |
North America Blu-ray Sales |
$2,934,122 |
Details |
Total North America Video Sales |
$8,923,721 | |
Further financial details... |
- Summary
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- Trailer
Synopsis
Marty is a struggling writer who dreams of finishing his screenplay, "Seven Psychopaths". Billy is Marty's best friend, an unemployed actor and part time dog thief, who wants to help Marty by any means necessary. All he needs is a little focus and inspiration. Hans is Billy's partner in crime. A religious man with a violent past. Charlie is the psychopathetic gangster whose beloved dog, Billy and Hans have just stolen. Charlie's unpredictable, extremely violent and wouldn't think twice about killing anyone or anything associated with the theft. Marty is going to get all the focus and inspiration he needs, just as long as he lives to tell the tale.
Metrics
Movie Details
Production Budget: | $13,500,000 |
Colombia Releases: |
December 7th, 2012 (Wide) |
Video Release: |
January 29th, 2013 by Sony Pictures Home Entertainment |
MPAA Rating: |
R for strong violence, bloody images, pervasive language, sexuality/nudity and some drug use. (Rating bulletin 2235, 8/8/2012) |
Running Time: |
109 minutes |
Keywords: |
Ensemble, Writing and Writers, Kidnap, Animal Lead, Organized Crime, Relationships Gone Wrong, Revenge, Crime Comedy |
Source: | Original Screenplay |
Genre: | Comedy |
Production Method: | Live Action |
Creative Type: | Contemporary Fiction |
Production/Financing Companies: |
CBS Films, Film4, BFI, HanWay Films, Blueprint Films |
Production Countries: |
United Kingdom, United States |
Languages: |
English |
Because some of our sources provide box office data in their local currency, while we use USD in the graph above and table below, exchange rate fluctuations can have effect on the data causing stronger increases or even decreases of the cumulative box office.
Weekend Box Office Performance
Date | Rank | Gross | % Change | Screens | Per Screen | Total Gross | Week |
2012/12/07 |
6 |
$35,064 |
|
27 |
$1,299 |
$35,064 |
1 |
2012/12/14 |
8 |
$14,440 |
-59% |
14 |
$1,031 |
$73,412 |
2 |
2012/12/21 |
12 |
$3,611 |
-75% |
2 |
$1,806 |
$88,251 |
3 |
Box Office Summary Per Territory
Territory |
Release Date |
Opening Weekend |
Opening Weekend Screens |
Maximum Screens |
Theatrical Engagements |
Total Box Office |
Report Date |
Argentina |
11/29/2012 |
$132,908 |
39 |
61 |
163 |
$369,293 |
12/30/2018 |
Australia |
11/8/2012 |
$698,087 |
186 |
186 |
596 |
$2,086,697 |
12/12/2015 |
Austria |
12/7/2012 |
$74,810 |
31 |
31 |
134 |
$260,783 |
12/13/2015 |
Belgium |
1/30/2013 |
$37,739 |
14 |
14 |
37 |
$65,897 |
12/14/2015 |
Bolivia |
3/14/2013 |
$12,056 |
5 |
5 |
17 |
$32,859 |
12/30/2018 |
Brazil |
1/4/2013 |
$132,861 |
67 |
67 |
108 |
$265,093 |
12/14/2015 |
Bulgaria |
11/23/2012 |
$6,199 |
8 |
8 |
36 |
$35,015 |
12/30/2018 |
Chile |
1/17/2013 |
$12,906 |
11 |
11 |
13 |
$19,304 |
12/30/2018 |
Colombia |
12/7/2012 |
$35,064 |
27 |
27 |
43 |
$88,251 |
12/29/2018 |
Croatia |
1/24/2013 |
$7,992 |
7 |
7 |
24 |
$27,876 |
12/30/2018 |
Czech Republic |
11/29/2012 |
$34,421 |
60 |
60 |
140 |
$102,351 |
12/30/2018 |
Estonia |
11/9/2012 |
$11,932 |
5 |
5 |
16 |
$40,080 |
12/12/2015 |
Finland |
2/8/2013 |
$5,689 |
5 |
5 |
5 |
$5,689 |
12/14/2015 |
France |
1/30/2013 |
$621,719 |
161 |
161 |
299 |
$1,165,887 |
12/14/2015 |
Germany |
12/6/2012 |
$0 |
0 |
129 |
312 |
$1,541,044 |
12/13/2015 |
Greece |
11/8/2012 |
$52,748 |
15 |
21 |
51 |
$83,833 |
12/12/2015 |
Hong Kong |
4/10/2013 |
$15,419 |
12 |
12 |
26 |
$41,530 |
12/14/2015 |
Hungary |
12/6/2012 |
$43,982 |
27 |
27 |
135 |
$132,886 |
12/30/2018 |
Iceland |
10/12/2012 |
$2,774 |
2 |
2 |
5 |
$11,708 |
12/29/2018 |
Italy |
11/15/2012 |
$337,992 |
138 |
138 |
193 |
$516,440 |
12/12/2015 |
Latvia |
11/23/2012 |
$11,321 |
3 |
3 |
11 |
$42,590 |
12/29/2018 |
Lebanon |
12/13/2012 |
$0 |
0 |
1 |
6 |
$6,405 |
12/30/2018 |
Lithuania |
11/9/2012 |
$10,312 |
4 |
4 |
28 |
$56,685 |
12/13/2015 |
Mexico |
11/23/2012 |
$142,761 |
109 |
109 |
458 |
$600,363 |
12/13/2015 |
New Zealand |
1/3/2013 |
$27,158 |
20 |
33 |
170 |
$169,036 |
12/14/2015 |
North America |
10/12/2012 |
$4,174,915 |
1,480 |
1,480 |
5,263 |
$15,024,049 |
12/5/2014 |
Norway |
12/25/2012 |
$34,438 |
16 |
28 |
63 |
$589,070 |
12/14/2015 |
Peru |
3/14/2013 |
$0 |
0 |
27 |
33 |
$148,361 |
12/30/2018 |
Poland |
11/30/2012 |
$105,612 |
67 |
67 |
134 |
$234,890 |
12/29/2018 |
Portugal |
3/21/2013 |
$19,055 |
8 |
8 |
25 |
$53,806 |
12/14/2015 |
Romania |
12/21/2012 |
$0 |
0 |
7 |
25 |
$257,696 |
12/30/2018 |
Russia (CIS) |
10/18/2012 |
$1,137,561 |
346 |
346 |
378 |
$2,800,340 |
12/29/2018 |
Serbia and Montenegro |
2/7/2013 |
$2,634 |
3 |
3 |
27 |
$12,835 |
12/30/2018 |
Singapore |
1/10/2013 |
$37,944 |
6 |
6 |
13 |
$67,130 |
12/14/2015 |
Slovenia |
1/3/2013 |
$9,247 |
4 |
4 |
12 |
$26,874 |
12/14/2015 |
South Africa |
4/12/2013 |
$14,628 |
12 |
12 |
12 |
$14,628 |
12/14/2015 |
Spain |
2/22/2013 |
$277,311 |
167 |
167 |
401 |
$515,970 |
12/14/2015 |
Switzerland |
12/6/2012 |
$64,922 |
14 |
14 |
21 |
$66,648 |
12/14/2015 |
Taiwan |
10/12/2012 |
$46,790 |
27 |
27 |
32 |
$129,452 |
12/12/2015 |
Turkey |
3/22/2013 |
$39,470 |
10 |
10 |
57 |
$115,510 |
12/30/2018 |
United Arab Emirates |
11/8/2012 |
$63,343 |
20 |
20 |
21 |
$94,055 |
12/29/2018 |
United Kingdom |
12/5/2012 |
$1,804,894 |
399 |
399 |
1327 |
$5,104,076 |
12/14/2015 |
Uruguay |
12/28/2012 |
$4,208 |
2 |
2 |
4 |
$12,751 |
12/30/2018 |
|
Worldwide Total | $33,035,736 |
12/30/2018 |
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue
are available through our research services. For more information, please contact us at research@the-numbers.com.
For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.
Production and Technical Credits
The bold credits above the line are the "above-the-line" credits, the other the "below-the-line" credits.