| Theatrical Performance | ||
| Domestic Box Office | n/a | |
| Further financial details... | ||
A teenage boy’s life spirals into chaos when a criminal syndicate discovers he has invented a device that can replay conversations that occurred in the past.
| Running Time: | 95 minutes |
| Comparisons: | Create your own comparison chart… |
| Source: | Original Screenplay |
| Genre: | Thriller/Suspense |
| Production Method: | Live Action |
| Creative Type: | Science Fiction |
| Production Countries: | United States |
| Languages: | English |
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
| Hunter Doohan | ||
| Katie Owsley | ||
| Paul Tassone |
For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.
| Dylan K. Narang | Director | |
| Dylan K. Narang | Screenwriter |
A teenage boy’s life spirals into chaos when a criminal syndicate discovers he has invented a device that can replay conversations that occurred in the past.
| Running Time: | 95 minutes |
| Comparisons: | Create your own comparison chart… |
| Source: | Original Screenplay |
| Genre: | Thriller/Suspense |
| Production Method: | Live Action |
| Creative Type: | Science Fiction |
| Production Countries: | United States |
| Languages: | English |
| Hunter Doohan | ||
| Katie Owsley | ||
| Paul Tassone |
For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.
| Dylan K. Narang | Director | |
| Dylan K. Narang | Screenwriter |
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
