| Best known as a Sound Effects Editor based on credits in that role in 4 films, with $162,286,467 worldwide aggregate box office (rank #495) |
| Best-known technical roles: Coyote Ugly (Sound Effects Editor), Rob Roy (Sound Effects Editor), Mystery, Alaska (Sound Effects Editor), Nick of Time (Sound Effects Editor), Conversations with Other Women (Supervising Sound Editor) |
| Most productive collaborators: David McNally, Piper Perabo, Adam Garcia, Gina Wendkos, Jerry Bruckheimer |
| Movies | Domestic Box Office | International Box Office | Worldwide Box Office | ||
|---|---|---|---|---|---|
| In Technical Roles | Sound Effects Editor | 4 | $109,156,262 | $53,130,205 | $162,286,467 |
| Supervising Sound Editor | 2 | $379,418 | $918,327 | $1,297,745 | |
| Sound Designer | 1 | $379,418 | $918,327 | $1,297,745 | |
| Sound Mixer | 1 | $0 | $0 | $0 |
See the Acting Credits tab for all Acting Box Office Records and the Technical Credits tab for all Technical Box Office Records.
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| Release Date | Title | Role | Domestic Box Office | International Box Office | Worldwide Box Office |
|---|---|---|---|---|---|
| Apr 19, 2019 | Stuck | Supervising Sound Editor | |||
| Sep 27, 2013 | The Network | Sound Mixer | |||
| Aug 11, 2006 | Conversations with Other Women | Supervising Sound Ed… Sound Designer |
$379,418 | $918,327 | $1,297,745 |
| Aug 4, 2000 | Coyote Ugly | Sound Effects Editor | $60,786,269 | $53,130,205 | $113,916,474 |
| Oct 1, 1999 | Mystery, Alaska | Sound Effects Editor | $8,891,623 | $8,891,623 | |
| Nov 22, 1995 | Nick of Time | Sound Effects Editor | $8,087,783 | $8,087,783 | |
| Apr 7, 1995 | Rob Roy | Sound Effects Editor | $31,390,587 | $31,390,587 | |
| Averages | $21,907,136 | $27,024,266 | $32,716,842 | ||
| Totals | 7 | $109,535,680 | $54,048,532 | $163,584,212 | |
