| Best known as a Sound Effects Editor based on a credit in that role in 1 film, with $45,460,747 worldwide aggregate box office (rank #759) |
| Best-known technical roles: Thelma & Louise (Sound Effects Editor), Twelfth Night: Or What You Will (Supervising Sound Editor) |
| Most productive collaborators: Susan Sarandon, Ridley Scott, Geena Davis, Harvey Keitel, Mimi Polk |
| Movies | Domestic Box Office | International Box Office | Worldwide Box Office | ||
|---|---|---|---|---|---|
| In Technical Roles | Sound Effects Editor | 1 | $45,361,000 | $99,747 | $45,460,747 |
| Supervising Sound Editor | 1 | $588,621 | $0 | $588,621 |
See the Acting Credits tab for all Acting Box Office Records and the Technical Credits tab for all Technical Box Office Records.
Register with The Numbers for free to customize this chart.
| Release Date | Title | Role | Domestic Box Office | International Box Office | Worldwide Box Office |
|---|---|---|---|---|---|
| Oct 25, 1996 | Twelfth Night: Or What You … | Supervising Sound Editor | $588,621 | $588,621 | |
| May 24, 1991 | Thelma & Louise | Sound Effects Editor | $45,361,000 | $99,747 | $45,460,747 |
| Averages | $22,974,811 | $99,747 | $23,024,684 | ||
| Totals | 2 | $45,949,621 | $99,747 | $46,049,368 | |
