| Best known as a Supervising Sound Editor based on a credit in that role in 1 film, with $56,979,580 worldwide aggregate box office (rank #433) |
| Best-known technical roles: Beethoven (Supervising Sound Editor), The Fan (Sound Effects Editor), No Man’s Land (Sound Editor) |
| Most productive collaborators: Brian Levant, Bonnie Hunt, Joe Medjuck, Oliver Platt, Edmond Dantes |
| Movies | Domestic Box Office | International Box Office | Worldwide Box Office | ||
|---|---|---|---|---|---|
| In Technical Roles | Supervising Sound Editor | 1 | $56,979,478 | $102 | $56,979,580 |
| Sound Effects Editor | 1 | $18,582,965 | $0 | $18,582,965 | |
| Sound Editor | 1 | $2,877,571 | $0 | $2,877,571 |
See the Acting Credits tab for all Acting Box Office Records and the Technical Credits tab for all Technical Box Office Records.
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| Release Date | Title | Role | Domestic Box Office | International Box Office | Worldwide Box Office |
|---|---|---|---|---|---|
| Aug 16, 1996 | The Fan | Sound Effects Editor | $18,582,965 | $18,582,965 | |
| Apr 3, 1992 | Beethoven | Supervising Sound Editor | $56,979,478 | $102 | $56,979,580 |
| Oct 23, 1987 | No Man’s Land | Sound Editor | $2,877,571 | $2,877,571 | |
| Averages | $26,146,671 | $102 | $26,146,705 | ||
| Totals | 3 | $78,440,014 | $102 | $78,440,116 | |
