United Kingdom Box Office for All My Life (2020)

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All My Life
Theatrical Performance (US$)
United Kingdom Box Office $65,835Details
Worldwide Box Office $2,024,063Details
Further financial details...

  1. Summary
  2. News
  3. Box Office
  4. Worldwide
  5. Full Financials
  6. Cast & Crew
  7. Trailer

Synopsis

Jennifer Carter and Solomon Chau are a sweet, fun-loving, newly-engaged couple whose whole life seems ahead of them. But when Sol is diagnosed with terminal liver cancer in December, their plans for a summer wedding become impossible. In a race against time, Jenn and Sol’s friends and family launch an online fundraiser to help the couple create their dream wedding in just two weeks. In the process, they unleash an outpouring of generosity and attention from people around the world who want to celebrate the power of love with them. Through it all, Jenn and Sol’s commitment to each other only deepens, becoming a heartwarming reminder that the strength of true love knows no limits.

Metrics

Movie Details

Production Budget:$25,000,000
United Kingdom Releases: October 23rd, 2020 (Limited)
Video Release: December 23rd, 2020 by Universal Home Entertainment
MPAA Rating: PG-13 for brief language.
(Rating bulletin 2643 (Cert #52855), 8/19/2020)
Running Time: 91 minutes
Keywords: Romance, Romantic Drama
Source:Based on Real Life Events
Genre:Drama
Production Method:Live Action
Creative Type:Dramatization
Production/Financing Companies: Broken Road, Universal Pictures, Perfect World Pictures
Production Countries: United States
Languages: English

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January 3rd, 2021

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Wonder Woman 1984 will remain top at the box office this weekend, according to studio estimates released on Sunday morning, but it’ll do so in spite of a sharp fall from its opening weekend. Warner Bros. projects a $5.5-million weekend for the super hero pic, down 67% from last weekend. That’s not a huge fall for a film like this by historical standards, but it is a surprisingly-sharp decline for the New Year weekend, and considerably worse than any other film reporting, many of which increased their box office from Christmas weekend. More...

Weekend estimates: Monster Hunter tops domestic chart, Wonder Woman rules the rest of the world

December 20th, 2020

Wonder Woman 1984

As expected, Monster Hunter will top the domestic chart this weekend, but the big news is Wonder Woman 1984’s global launch to $38.5 million from 30,221 screens in 32 markets. More...

Weekend estimates: Croods leads another dismal weekend

December 6th, 2020

The Croods: A New Age

The Croods: A New Age will remain top at the box office this weekend, with Universal projecting a $4.4-million weekend as of Sunday morning. That will take the animated adventure past $20 million in total by the end of the day today. That fact pales in comparison to bad news regarding the continued decline in box office receipts. Returning films are falling 12% to 25% short of our model’s pre-weekend predictions. Part of that is down to the post-Thanksgiving decline that’s to be expected, but the continued toll of the pandemic is further dragging on spending. Perhaps the glimmer of good news is that more people are heeding experts’ advice and watching their movies at home. More...

Weekend predictions: Half Brothers, All My Life unlikely to challenge Croods

December 4th, 2020

The Croods: A New Age

If 2020 has taught us anything it’s that nothing is certain in life. But one thing we can be fairly confident about this weekend is that The Croods: A New Age will remain top at the box office. Universal’s animated adventure does have some new competition. In fact, there are three new wide releases: Half Brothers (in 1,369 theaters), a re-release of Die Hard (1,172 theaters), and romantic drama All My Life. But those three films combined are unlikely to challenge Croods, and individually they are likely to be far behind it.

More...

December preview: Wonder Woman heralds the end of the theatrical window (for now?)

December 1st, 2020

Wonder Woman 1984

The worst year for the movie theatrical industry in a century will end with a series of releases that might define the business for the next decade. Only three of the major studios are daring to release films in theaters during what is shaping up to be the height of the COVID-19 pandemic. Sony Pictures is going the traditional route with Monster Hunter getting an exclusive theatrical release on Christmas Day. Universal’s deals with AMC and Cinemark to allow shortened theatrical windows in return for sharing PVOD revenue have prompted it and its specialty division Focus Features to release four films this holiday season. But all eyes (or many of them, anyway) will be on Warner Bros.’ release of Wonder Woman 1984 simultaneously in theaters and on HBO Max.

When the studio announced this release strategy back on November 18 there was speculation that, if it worked out well, they might do the same thing with some of their other upcoming films. Today they threw caution to the wind and announced that all of the studio’s 2021 films will be released in theaters and on HBO Max at the same time (in territories where HBO Max is available). While we’re still digesting the news, here are three quick takes on the rationale for Warner Bros. to make this bold leap. More...

All My Life trailer

October 19th, 2020

Romantic drama starring Jessica Rothe and Harry Shum Jr. scheduled for theatrical release on December 4 ... Full Movie Details.

Jennifer Carter and Solomon Chau are a sweet, fun-loving, newly-engaged couple whose whole life seems ahead of them. But when Sol is diagnosed with terminal liver cancer in December, their plans for a summer wedding become impossible. In a race against time, Jenn and Sol’s friends and family launch an online fundraiser to help the couple create their dream wedding in just two weeks. In the process, they unleash an outpouring of generosity and attention from people around the world who want to celebrate the power of love with them. Through it all, Jenn and Sol’s commitment to each other only deepens, becoming a heartwarming reminder that the strength of true love knows no limits. More...

Because some of our sources provide box office data in their local currency, while we use USD in the graph above and table below, exchange rate fluctuations can have effect on the data causing stronger increases or even decreases of the cumulative box office.

Weekend Box Office Performance

DateRankGross% ChangeScreensPer ScreenTotal GrossWeek
2020/10/23 - $65,835   224 $294   $65,835 1

Box Office Summary Per Territory

$00
Territory Release
Date
Opening
Weekend
Opening
Weekend
Screens
Maximum
Screens
Theatrical
Engagements
Total
Box Office
Report
Date
Australia 11/19/2020 $215,860 228 228 707 $615,228 10/19/2022
Germany 12/10/2020 00$0
Italy 8/5/2021 $5,990 0 0 0 $5,990 10/20/2022
Netherlands 11/27/2020 $117,036 73 74 220 $388,192 10/19/2022
North America 12/4/2020 $370,315 970 970 2,765 $913,935
Spain 12/11/2020 $34,883 151 151 151 $34,883 12/17/2020
United Kingdom 10/23/2020 $65,835 224 224 224 $65,835 10/28/2020
 
Worldwide Total$2,024,063 10/20/2022

Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.

Leading Cast

Jessica Rothe    Jenn Carter
Harry Shum Jr.    Solomon “Sol” Chau

Supporting Cast

Kyle Allen    Kyle Campbell
Chrissie Fit    Amanda Fletcher
Jay Pharoah    Dave Berger
Marielle Scott    Megan Denhoff
Keala Settle    Viv Lawrence
Ever Carradine    Gigi Carter
Jon Rudnitsky    Chris, Bartender
Molly Hagen    Hope Marie Carter
Josh Brener    Eric Bronitt
Anjali Bhimani    Mina White
Dan Butler    Dr. Alan Mendelson
Mario Cantone    Jerome Patterson
Greg Vrotsos    Chef Neil Snider
Michael Masini    Peter Ohl
Lara Grice    Margaret, Bridal Shop
Samantha Beaulieu    Receptionist, Sperm Bank
Joseph Poliquin    Brian, Chemo Patient
Christina Watkins    News Anchor
Christina Elizabeth Smith    Chemotherapy Nurse
Matthew Underwood    Pedestrian
Betsy Holt    Bootcamp Trainer
Robert Larriviere    Professor
John Fohl    Jazz Guitarist
Mike Harvey    Jazz Violinist
Jermal Watson    Jazz Drummer
Nathan Lambertson    Jazz Upright Bass
Lulu Chustz    Prep Chef

For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.

Production and Technical Credits

Marc Meyers    Director
Todd Rosenberg    Screenwriter
Todd Garner    Producer
Sean Robins    Producer
Robin Mulcahy Fisichella    Executive Producer
Gina Matthews    Executive Producer
Russ Alsobrook    Director of Photography
Chris Spellman    Production Designer
David Moritz    Editor
Christina Flannery    Costume Designer
Lisbeth Scott    Composer
Rich Delia    Casting Director
Robin Mulcahy Fisichella    Unit Production Manager
Caroline Aragon    First Assistant Director
Seth Hansen    Second Assistant Director
Robb Earnest    Associate Producer
Jarrette Moats    Art Director
Jonathan Cappel    Set Decorator
Adie Kaplan    Set Designer
Paul Ledford    Sound Mixer
Matt Kutcher    Special Effects Coordinator
Shannon Jantz    Costume Supervisor
Kim Perrodin    Make up
Natalie Shea Rose    Hairstylist
Kara McGee*    Script Supervisor
Matt McLellan    Location Manager
Ryan C. Fill    Assistant Editor
Drew Webster    Re-recording Mixer
Greg Orloff    Re-recording Mixer
Kami Asgar    Supervising Sound Editor
Erin Oakley    Supervising Sound Editor
Benjamin L. Cook    Sound Designer
Paul Pirola    Sound Effects Editor
Jon Wakeham    Dialogue Editor
Brendan Croxon    Foley Mixer
Brendan Hill    Foley Editor
John Finklea    Music Editor
Daniel Kresco    Score Recordist
Daniel Kresco    Score Mixer
Harry Risoleo    Score Recordist
Juan Melgoza    Visual Effects Supervisor
Christal Wolgamott    Visual Effects Producer
Timothy Bell    Stunt Coordinator
Andy Dylan    Stunt Coordinator

The bold credits above the line are the "above-the-line" credits, the other the "below-the-line" credits.