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Blair Witch (2016)

Blair Witch
Theatrical Performance
Domestic Box Office $20,777,061Details
International Box Office $16,728,441Details
Worldwide Box Office $37,505,502
Further financial details...

  1. Summary
  2. News
  3. Box Office
  4. International
  5. Video Sales
  6. Full Financials
  7. Cast & Crew
  8. Trailer

Synopsis

A group of college students venture into the Black Hills Forest in Maryland to uncover the mysteries surrounding the disappearance of James’ sister who many believe is connected to the legend of the Blair Witch. At first the group is hopeful, especially when a pair of locals offer to act as guides through the dark and winding woods, but as the endless night wears on, the group is visited by a menacing presence. Slowly, they begin to realize the legend is all too real and more sinister than they could have imagined.

Metrics

Latest Ranking on Cumulative Box Office Lists


Movie Details

Production Budget:$10,000,000
Domestic Releases: September 16th, 2016 (Wide) by Lionsgate
International Releases: September 15th, 2016 (Wide) (Netherlands)
September 16th, 2016 (Wide) (Australia)
September 16th, 2016 (Wide) (New Zealand)
September 16th, 2016 (Wide) (United Kingdom)
September 21st, 2016 (Wide) (Italy)
... Show all releases
Video Release: January 3rd, 2017 by Lionsgate Home Entertainment
MPAA Rating: R For language, terror and some disturbing images.
(Rating bulletin 2437 (Cert #50156), 8/10/2016)
Running Time: 89 minutes
Franchise: Blair Witch Project
Comparisons: vs. Ouija: Origin of Evil
Create your own comparison chart…
Keywords: Found Footage, Delayed Sequel, Missing Person, Supernatural
Source:Original Screenplay
Genre:Horror
Production Method:Live Action
Creative Type:Contemporary Fiction
Production Companies: Lionsgate, Vertigo Entertainment, Room 101, Snoot Entertainment
Production Countries: United States

Ranking on other Records and Milestones

RecordRankRevenueChart
Date
Days In
Release
Biggest 6th Weekend at the Domestic Box Office 3,643 $115,965 Oct 21, 2016 38
Biggest 5th Weekend at the Domestic Box Office 3,852 $172,290 Oct 14, 2016 31
Biggest 4th Weekend at the Domestic Box Office 3,534 $518,292 Oct 7, 2016 24
Biggest 3rd Weekend at the Domestic Box Office 3,145 $1,580,468 Sep 30, 2016 17
Biggest 2nd Weekend at the Domestic Box Office 2,519 $4,053,785 Sep 23, 2016 10
Biggest Opening Weekend at the Domestic Box Office 1,900 $9,576,057 Sep 16, 2016 3
Widest Opening Weekend 665 3,121 Sep 16, 2016 3

Cast

   James
Brandon Scott    Peter
Corbin Reid    Ashley
Callie Hernandez    Lisa
Valorie Curry    Talia
Wes Robinson    Lane

Production and Technical Credits

Director   
Screenwriter    Simon Barrett
Producer    Roy Lee
Producer    Steven Schneider
Producer    Keith Calder
Producer    Jess Calder
Executive Producer    Jenny Hinkey
Executive Producer    Daniel Myrick
Executive Producer    Eduardo Sanchez
Executive Producer    Gregg Hale
Director of Photography    Robby Baumgartner
Production Designer    Thomas S. Hammock
Editor    Louis Cioffi
Costume Designer    Katia Stano
Composer    Adam Wingard
Co-Producer    Adam Wingard
Co-Producer    Simon Barrett
Casting Director    Deborah Aquila
Casting Director    Tricia Wood
Stunt Coordinator    Loyd Bateman
Art Director    Sheila Haley
Set Decorator    Kate Marshall
Post-Production Supervisor    Mark W. McCoy
First Assistant Editor    Lissette Rodriguez
Assistant Editor    Roger Cooper
Script Supervisor    Susan Williams
Sound Mixer    Matt Willoughby Price
Special Effects Supervisor    Tony Lazarowich
Special Effects Coordinator    Mike Kruper
Make up    Hayley Miller
Hairstylist    Mariah Crawley
Location Manager    Will Fearn
Dialogue Editor    Jesse Pomeroy
Sound Effects Editor    Dan Kremer
Re-recording Mixer    Andy Hay
Re-recording Mixer    Greg Townsend
Visual Effects Producer    Chris Harding
Visual Effects Producer    Trent Smith
Visual Effects Producer    Phillip Calderon
Visual Effects Supervisor    Takashi Takeoka
Visual Effects Supervisor    Matt Collorafice

Thursday Night Previews: Jack Reaches $1.33 million during Previews

October 21st, 2016

Jack Reacher: Never Go Back

Jack Reacher: Never Go Back pulled in $1.33 million during previews, which is approximately inline with expectations. It is just a hair below the $1.35 million The Accountant earned last week. However, The Accountant also earned significantly better reviews than Never Go Back is earning and that will likely hurt its legs. That said, we predicted $21 million and that seems safe at the moment. More...

Weekend Wrap-Up: Magnificent Wins Weekend with $34.70 million, but Box Office Slump Continues

September 27th, 2016

The Magnificent Seven

Is it time to panic? Not yet, but we are definitely getting concerned. The overall box office was soft due to the weaker than expected openings of The Magnificent Seven and Storks. Neither bombed exactly, but they weren’t particular strong either. The overall box office rose 16% from last weekend, but was down 25% from this weekend last year. Ouch. You usually only see that large a change in the year-over-year comparison when there is a misalignment in holidays. Year-to-date, 2016’s lead over 2015 dropped to 6.3% or $490 million at $8.35 billion to $7.86 billion. More...

Weekend Predictions: Will the New Releases be Magnificent?

September 22nd, 2016

The Magnificent Seven

It is a perfect weekend at the box office, as there are only two wide releases and there are almost no crossover audiences between them. The Magnificent Seven is a remake of a remake and its solid, but not spectacular. Storks is a digitally animated kids movie that is earning mixed reviews, but that’s fine for a kids movie. Those two movies will likely earn more than the rest of the box office combined pulls in. This is both good news and bad news, as it is a combination of their strength and the rest of the box office’s weakness that is the cause. This weekend last year, Hotel Transylvania 2 debuted with $48 million, which is the record for a September weekend. I think The Magnificent Seven will top that, while Storks will double the second place film, The Intern. Unfortunately, last year there were three other films that earned more than $10 million, while this year there will be only one. 2016 is better on top, but 2015 had better depth. Perhaps 2016 will still come out ahead in the year-over-year comparison, but I don't think it will quite make it. More...

Contest: Bewitching Prizes: Winning Announcement

September 22nd, 2016

Blair Witch

The winners of our Bewitching Prizes contest were determined and the entrants with the closest predictions for Blair Witch opening weekend were... More...

Weekend Estimates: Sully Beats Trio of New Releases

September 18th, 2016

Sully

As expected, this weekend’s three new wide releases couldn’t budge Sully from the top of the chart with the Tom Hanks/Clint Eastwood drama down a very respectable 37% in its second weekend to $22 million, for a total of $70.5 million to date. Two films, Blair Witch and Bridget Jones’s Baby both had aspirations to challenge Sully for the title, but had to settle for second and third place. More...

Thursday Night Previews: Blair Witch Spooks the Box Office with $765,000

September 16th, 2016

Blair Witch

Blair Witch led the way during Thursday’s previews with $765,000. This is well short of the horror films we had during the summer, including The Shallows at $1.33 million and Lights Out at $1.8 million. Then again, it isn’t really fair to compare previews during summer when a lot of the target audience doesn’t have to go to school the next day. Unfortunately, there are not a lot of horror films that come out in September and previews like this have only been ubiquitous for the past few years. I think it is a good sign, but I’m not sure. Maybe if moviegoers like it more than critics do, the film will be a hit. More...

Weekend Predictions: Baby vs. Witch

September 15th, 2016

Bridget Jones’s Baby

There are three wide releases this week, plus another that could sneak into the top ten. Two of the three new releases, Blair Witch and Bridget Jones’s Baby, are expected to do well. On the other hand, Snowden is only going to reach the top five due to the lack of competition. Meanwhile, Hillsong: Let Hope Rise is a faith-based concert film. It could reach the top five, or it could miss the Mendoza Line. There’s no way to predict its box office potential. Despite the number of new releases, Sully is expected to remain in top spot thanks to its reviews and target demographic. This weekend last year, Maze Runner: The Scorch Trials led the way with just over $30 million. It is likely no film will make that this year, while the depth is a mixed bag, so it looks like 2016 will lose in the year-over-year comparison. More...

Contest: Don’t Sully Your Reputation: Winning Announcement

September 14th, 2016

Sully

The winners of our Don’t Sully Your Reputation contest were determined and the entrants with the closest predictions for Morgan opening weekend were... More...

Contest: Bewitching Prizes

September 9th, 2016

Blair Witch

Like this week, there are four wide releases coming out next week, but not all are expected to open truly wide. Of these film, Blair Witch is the only one that is expected to do well during the weekend, although Bridget Jones’s Baby should have better legs. Since we care about opening weekends more than end results, Blair Witch is clearly the better choice for the target film in this week's Box Office Prediction contest. In order to win, one must simply predict the opening weekend box office number for Blair Witch.

Whoever comes the closest to predicting the film's opening 3-day weekend box office (Friday to Sunday), without going over, will win a Frankenprize consisting of a previously reviewed full-season TV on DVD release, two previously reviewed movies, or three single-disc kids DVDs. Whoever comes the closest to predicting the film's opening 3-day weekend box office (Friday to Sunday), without going under, will also win a Frankenprize consisting of a previously reviewed full-season TV on DVD release, two previously reviewed movies, or three single-disc kids DVDs. Finally, we will be choosing an entrant from the group of people who haven't won, or haven't won recently, and they will win the final Frankenprize, as described above.

Entries must be received by 10 a.m., Pacific Time on Friday to be eligible, so don't delay! More...

2016 Preview: September

September 1st, 2016

The Magnificent Seven

August continued to pad 2016’s lead over 2015 in the year-over-year comparison. It managed this feat almost entirely due to Suicide Squad, which is on pace to hit $300 million. The next best film was Sausage Party, which might make $100 million, if it gets a push over the top. September won’t be as strong as that. This is no surprise, as the month is one of the biggest dumping grounds on the calendar. That said, studios have been working to make the end of the month a lot more productive and there are a few potential hits. The biggest of these is The Magnificent Seven, which is expected to crack $100 million, maybe even $150 million. Meanwhile, Sully and Storks both have a limited chance at $100 million. Last September, the biggest release of the month was Hotel Transylvania 2 with pulled in $169.70 million. I don’t think The Magnificent Seven will match that, so we might need a surprise $100 million hit for 2016 to come out on top. More...

The Woods Trailer

July 19th, 2016

Found-footage horror film directed by Adam Wingard, opens September 16 ... Full Movie Details. More...

The shaded area represents the expected performance range for a film, based on its opening weekend box office. 95% of films fall within the shaded area. If a film trends towards the top end of the shaded area, it has good legs compared to the average film; if it trends towards the bottom end of the shaded area, it has poor legs. The predictive area is based on movies from the past 5 years.

Compare this performance with other movies…

Weekend Box Office Performance

DateRankGross% ChangeTheatersPer TheaterTotal GrossDays
2016/09/16 2 $9,576,057   3,121 $3,068   $9,576,057 3
2016/09/23 6 $4,053,785 -58% 3,121 $1,299   $16,232,480 10
2016/09/30 12 $1,580,468 -61% 1,828 $865   $19,137,556 17
2016/10/07 15 $518,292 -67% 668 $776   $20,197,601 24
2016/10/14 27 $172,290 -67% 243 $709   $20,574,806 31
2016/10/21 35 $115,965 -33% 166 $699   $20,747,013 38

Daily Box Office Performance

DateRankGross% ChangeTheatersPer TheaterTotal GrossDays
2016/09/16 2 $4,011,022   3,121 $1,285   $4,011,022 1
2016/09/17 2 $3,492,235 -13% 3,121 $1,119   $7,503,257 2
2016/09/18 3 $2,072,800 -41% 3,121 $664   $9,576,057 3
2016/09/19 4 $678,880 -67% 3,121 $218   $10,254,937 4
2016/09/20 4 $895,311 +32% 3,121 $287   $11,150,248 5
2016/09/21 4 $533,592 -40% 3,121 $171   $11,683,840 6
2016/09/22 4 $494,855 -7% 3,121 $159   $12,178,695 7
2016/09/23 5 $1,280,486 +159% 3,121 $410   $13,459,181 8
2016/09/24 5 $1,779,211 +39% 3,121 $570   $15,238,392 9
2016/09/25 6 $994,088 -44% 3,121 $319   $16,232,480 10
2016/09/26 5 $324,698 -67% 3,121 $104   $16,557,178 11
2016/09/27 6 $434,954 +34% 3,121 $139   $16,992,132 12
2016/09/28 7 $303,592 -30% 3,121 $97   $17,295,724 13
2016/09/29 7 $261,364 -14% 3,121 $84   $17,557,088 14
2016/09/30 12 $486,526 +86% 1,828 $266   $18,043,614 15
2016/10/01 12 $709,339 +46% 1,828 $388   $18,752,953 16
2016/10/02 12 $384,603 -46% 1,828 $210   $19,137,556 17
2016/10/03 12 $146,200 -62% 1,828 $80   $19,283,756 18
2016/10/04 11 $168,793 +15% 1,828 $92   $19,452,549 19
2016/10/05 11 $128,581 -24% 1,828 $70   $19,581,130 20
2016/10/06 12 $98,179 -24% 1,828 $54   $19,679,309 21
2016/10/07 15 $155,925 +59% 668 $233   $19,835,234 22
2016/10/08 15 $219,699 +41% 668 $329   $20,054,933 23
2016/10/09 15 $142,668 -35% 668 $214   $20,197,601 24
2016/10/10 - $66,764 -53% 668 $100   $20,264,365 25
2016/10/11 - $57,072 -15% 668 $85   $20,321,437 26
2016/10/12 - $44,369 -22% 668 $66   $20,365,806 27
2016/10/13 - $36,710 -17% 668 $55   $20,402,516 28
2016/10/14 - $54,133 +47% 243 $223   $20,456,649 29
2016/10/15 - $79,170 +46% 243 $326   $20,535,819 30
2016/10/16 - $38,987 -51% 243 $160   $20,574,806 31
2016/10/17 - $14,561 -63% 243 $60   $20,589,367 32
2016/10/18 - $17,639 +21% 243 $73   $20,607,006 33
2016/10/19 - $14,936 -15% 243 $61   $20,621,942 34
2016/10/20 - $9,106 -39% 243 $37   $20,631,048 35
2016/10/21 - $40,015 +339% 166 $241   $20,671,063 36
2016/10/22 - $53,674 +34% 166 $323   $20,724,737 37
2016/10/23 - $22,276 -58% 166 $134   $20,747,013 38
2016/10/24 - $7,473 -66% 166 $45   $20,754,486 39
2016/10/25 - $7,518 +1% 166 $45   $20,762,004 40
2016/10/26 - $6,516 -13% 166 $39   $20,768,520 41
2016/10/27 - $8,541 +31% 166 $51   $20,777,061 42

Weekly Box Office Performance

DateRankGross% ChangeTheatersPer TheaterTotal GrossDays
2016/09/16 2 $12,178,695   3,121 $3,902   $12,178,695 7
2016/09/23 6 $5,378,393 -56% 3,121 $1,723   $17,557,088 14
2016/09/30 12 $2,122,221 -61% 1,828 $1,161   $19,679,309 21
2016/10/07 16 $723,207 -66% 668 $1,083   $20,402,516 28
2016/10/14 29 $228,532 -68% 243 $940   $20,631,048 35
2016/10/21 37 $146,013 -36% 166 $880   $20,777,061 42

Box Office Summary Per Territory

Territory Release
Date
Opening
Weekend
Opening
Weekend
Theaters
Maximum
Theaters
Theatrical
Engagements
Total
Box Office
Report
Date
Australia 9/16/2016 $531,114 181 181 581 $1,533,287 10/20/2016
Bulgaria 10/20/2016 $10,963 0 0 0 $60,942 11/22/2016
Italy 9/21/2016 $411,771 0 0 0 $805,469 10/5/2016
Lithuania 10/14/2016 $20,595 91 91 151 $61,030 11/15/2016
Mexico 9/30/2016 $891,805 0 0 0 $2,061,441 10/18/2016
Netherlands 9/15/2016 $159,429 56 57 208 $452,334 10/12/2016
New Zealand 9/16/2016 $114,508 55 55 155 $264,834 10/3/2016
Portugal 10/28/2016 $30,955 28 28 68 $94,214 11/17/2016
Russia (CIS) 10/7/2016 $449,839 676 676 1314 $782,126 10/20/2016
South Korea 11/18/2016 $0 0 164 164 $309,260 12/4/2016
Spain 11/4/2016 $224,319 240 240 556 $448,003 12/2/2016
Turkey 9/23/2016 $64,840 171 171 299 $124,490 10/6/2016
United Kingdom 9/16/2016 $1,255,925 462 462 1144 $2,723,016 10/5/2016
 
Rest of World $7,007,995
 
International Total$16,728,441 12/4/2016

Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.