| Theatrical Performance (US$) | ||
| Australia Box Office | $2,145 | Details |
| Worldwide Box Office | $68,048,658 | Details |
| Further financial details... | ||
| Australia Releases: | September 25th, 2020 (Limited) |
| Video Release: | February 3rd, 2015 by Buena Vista Home Entertainment |
| MPAA Rating: | PG-13 for some violent images. (Rating bulletin 2128, 7/7/2010) |
| Running Time: | 115 minutes |
| Keywords: | Anime, Dragon |
| Source: | Based on Fiction Book/Short Story |
| Genre: | Adventure |
| Production Method: | Digital Animation |
| Creative Type: | Fantasy |
| Production/Financing Companies: | Studio Ghibli |
| Production Countries: | Japan |
| Languages: | Japanese |
March 7th, 2011
Another incredibly slow week with very few releases that could be considered top tier. None of the first-run releases are really worth picking up for most people, but there are a couple smaller releases that are contenders for Pick of the Week. This includes Mystery Science Theater 3000: Volume XX, but in the end I gave that honor to Inside Job on either DVD or Blu-ray.
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August 17th, 2010
One of the ways of telling when summer is over, is when the number one film on the overall box office chart doesn't top the $10,000 mark on the per theater chart. That didn't happen this weekend, but it came close, as The Expendables was the only film to earn better than $10,000 on the per theater chart, and it was close with an average of $10,650.
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August 13th, 2010
There are only four limited releases on this week's list, but all four have a chance at finding success, even if it is with niche market audiences. Peepli Live is for fans of Indian films, Neshoba is for fans of documentaries, and Tales from Earthsea is for fans of Anime.
Meanwhile, Animal Kingdom is likely the film with the best shot at earning some slice of mainstream success.
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Because some of our sources provide box office data in their local currency, while we use USD in the graph above and table below, exchange rate fluctuations can have effect on the data causing stronger increases or even decreases of the cumulative box office.
| Date | Rank | Gross | % Change | Screens | Per Screen | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| 2020/09/25 | - | $714 | 3 | $238 | $2,145 | 1 | |
| 2020/11/13 | - | $770 | 5 | $154 | $0 | 8 |
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens |
Maximum Screens |
Theatrical Engagements |
Total Box Office |
Report Date |
|---|---|---|---|---|---|---|---|
| Australia | 9/25/2020 | $714 | 3 | 5 | 8 | $2,145 | 11/20/2020 |
| Japan | 7/28/2006 | $0 | 0 | 0 | 0 | $730,830 | 7/17/2020 |
| North America | 8/13/2010 | $20,614 | 5 | 5 | 11 | $48,658 | |
| Rest of World | $67,267,025 | ||||||
| Worldwide Total | $68,048,658 | 11/20/2020 | |||||
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
| Junichi Okada | Arren | |
| Bunta Senki* | Sparrowhawk |
| Aoi Teshima | Theru | |
| Yuko Tanaka | Cob | |
| Teruyuki Kagawa | Hare |
For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.
| Toshio Suzuki | Producer | |
| Goro Miyazaki | Director | |
| Goro Miyazaki | Screenwriter | |
| Ursula K. Le Guin | Screenwriter | |
| Hayao Miyazaki | Story Creator |
