Argentina Box Office for God Bless the Broken Road (2018)

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God Bless the Broken Road
Theatrical Performance (US$)
Argentina Box Office $1,976Details
Worldwide Box Office $2,848,234Details
Home Market Performance
North America DVD Sales $2,782,206 Details
North America Blu-ray Sales $1,006,656 Details
Total North America Video Sales $3,788,862
Further financial details...

  1. Summary
  2. News
  3. Box Office
  4. Worldwide
  5. Full Financials
  6. Cast & Crew
  7. Trailer

Synopsis

Amber’s dream of an ideal life with her perfect family shatters when she loses her husband to the war in Afghanistan. Two years later, she finds herself in a struggle to save her home while providing for her nine-year-old daughter, Bree. When up-and-coming racecar driver, Cody Jackson, rolls into town, Amber and Bree become wrapped up in his pedal to the metal way of life. Amber struggles with Cody’s attention and withdraws to protect herself and Bree from the dangers of becoming too close to someone who lives life on the edge every day. With her faith hanging in the balance, Amber is forced to decide between the broken road she knows so well, or trusting in a new path that God has provided.

Metrics

Movie Details

Argentina Releases: September 28th, 2018 (Wide)
Video Release: December 4th, 2018 by Lionsgate Home Entertainment
MPAA Rating: PG for thematic elements and some combat action.
(Rating bulletin 2451 (Cert #50791), 11/16/2016)
Running Time: 111 minutes
Keywords: Faith-Based Drama, Afghanistan War, War, Single Parent, Death of a Spouse or Fiancée / Fiancé, Young Child Dealing with the Death of a Parent, Religious, Christians
Source:Original Screenplay
Genre:Drama
Production Method:Live Action
Creative Type:Contemporary Fiction
Production/Financing Companies: Freestyle Releasing, 10 West Studios, Great Basin Entertainment, Really Good Home Pictures
Production Countries: United States
Languages: English

Home Market Releases for December 4th, 2018

December 4th, 2018

The Handmaid’s Tale

It’s not a bad week when it comes to the home market. The biggest release is Mission: Impossible—Fallout and while I didn’t like it as much as most critics, the Blu-ray / 4K Ultra HD Combo Packs are still worth picking up. There were also a trio of releases that were contenders for Pick of the Week, all of which were TV on DVD release: The Handmaid’s Tale: Season Two, Love, Chunibyo & Other Delusions: Take On Me, and Westworld: Season Two: The Door. In the end, it came down to a roll of the dice, with The Handmaid’s Tale coming out on top. More...

Weekend Wrap-Up: Predator Tops Chart, Simple a Success

September 18th, 2018

The Predator

The Predator earned top spot on the weekend box office chart with $24.63 million. However, the best new release was arguably A Simple Favor with $16.01 million, as it is the only film that will match its production budget at the domestic box office. On the other hand, White Boy Rick struggled and will likely not pay for its $30 million price-tag any time soon, while Unbroken: Path to Redemption bombed. Overall, the weekend box office was $107 million, 12% lower than last weekend. It was also down from this weekend last year, but only by 3.5%. That’s better than expected at the beginning of the month and that’s great news for 2018. Granted, its lead over 2017 went down, but it still has a 9.6% / $740 million lead with $8.50 billion compared to $7.76 billion in 2017. It would take something incredible to happen to lose this entire lead by the end of the year. More...

Weekend Wrap-Up: The Nun Stuns, Box Office Still Falls

September 11th, 2018

The Nun

The Nun topped expectations with $53.81 million over the weekend. Peppermint was well back in second place with $13.42 million, which is an acceptable debut for this time of year. Crazy Rich Asians was in a close third place and overall the box office was quite strong. The total box office was $121 million, which is 23% better than last weekend. Granted, this is 26% lower than the same weekend last year. Normally a drop this severe would be troubling, but this isn’t a normal situation. Firstly, this weekend last year was the weekend It debuted and rewrote the record book. Secondly, 2018 is still ahead of 2017 by 10% or $770 million at $8.36 billion to $7.59 billion. This means 2018’s gains during the weekdays almost made up for its losses over the weekend. More...

Weekend Estimates: The Nun Continues WB’s Dominance of the Box Office

September 9th, 2018

The Nun

The Nun topped expectations by a sizable margin with $53.5 million during its opening weekend. This is easily the best opening in the franchise so far and the best opening for a Warner Bros. film this year. The film also got off to a fast start internationally with $77.5 million on 15,615 screens in 60 markets. Its best markets were Mexico ($10.7 million on 3,967 screens) and Indonesia ($7.7 million on 1,216). At this point, the film is almost guaranteed a massive profit, despite is awful reviews and its mere C from CinemaScore. Even if it earns less during the rest of its run than it opened with, which is too pessimistic, it will still be a major financial success. There’s no way the franchise will end any time soon. More...

Friday Estimates: The Nun Breaks its Vow of Poverty with $22.37 million

September 8th, 2018

The Nun

The Nun is crushing expectations with a $22.37 million opening Friday haul. I wasn’t expecting it to top $20 million on Friday, so this is great news. On the other hand, its reviews have continued to fall and are now at just 29% positive. Meanwhile, it only managed a C from CinemaScore, which is the worst in the franchise by far. (The two Conjuring movies both earned A minus, while the two Annabelle movies each earned a B score.) That said, this isn’t terrible for a horror movie and even terrible legs won’t put a damper on this debut, so Warner Bros. must be ecstatic about this result. More...

Thursday Night Previews: The Nun Conjures Up Franchise Best Previews at $5.4 million

September 7th, 2018

The Nun

The Nun opened with $5.4 million during its previews. The previous best in the franchise was $4 million, earned by Annabelle: Creation. It’s is nearly impossible to compare the two films, as Annabelle: Creation was a summer release and its reviews were much better than The Nun’s reviews were, but even if this film has much shorter legs, it should top our $45 million prediction. It has a good shot at $50 million over the weekend. More...

Weekend Prediction: Will The Nun be Second to None?

September 6th, 2018

The Nun

It’s the weekend after Labor Day, which is historically one of the worst weekends of the year at the box office. However, that’s not the case this year, as The Nun is expected to be a major hit. In fact, it should have the best opening in the franchise so far. On the other hand, Peppermint will be happy with a second place debut. Finally, God Bless the Broken Road is opening semi-wide, but the box office lacks any real depth, so it could come close to the top five. This weekend last year was the weekend It destroyed the record book. There’s no way 2018 will win in the year-over-year comparison, but 2018 has such a large lead over 2017 that even a few embarrassing losses won’t put a serious dent into it’s advantage. More...

Weekend Box Office Performance

Box Office Summary Per Territory

Territory Release
Date
Opening
Weekend
Opening
Weekend
Screens
Maximum
Screens
Theatrical
Engagements
Total
Box Office
Report
Date
Argentina 9/28/2018 $1,976 0 0 0 $1,976 1/1/2019
North America 9/7/2018 $1,386,254 1,272 1,272 2,901 $2,846,258
 
Worldwide Total$2,848,234 1/1/2019

Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.

Leading Cast

Lindsay Pulsipher    Amber Hill
Makenzie Moss    Bree Hill
Andrew W. Walker    Cody Jackson

Supporting Cast

Kim Delaney    Patti Hill
Robin Givens    Karena Williams
Gary Grubbs    Joe Carter
Arthur Cartwright    Mike Nelson
LaDanian Tomlinson    Pastor Williams
Madeline Carroll    Hannah
Jordin Sparks    Bridgette
Liam Matthews    Darren Hill
Adam Agee    Johnson

Cameos

Micah Tyler    Himself

For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.

Production and Technical Credits

Harold Cronk    Director
Jennifer Dornbush    Screenwriter
Harold Cronk    Screenwriter
Jennifer Dornbush    Story by
Andy Fraser    Story by
Matthew Tailford*    Story by
Harold Cronk    Story by
Edgar Struble    Producer
Dustin Solomon    Producer
Andy Fraser    Producer
Stephen Afendoulis    Executive Producer
Gary Lewis    Co-Executive Producer
Troy Duhon    Co-Executive Producer
Tracy Thomas    Co-Producer
Philip Roy    Director of Photography
Jesse Daniel    Editor
James Richard Cunningham    Production Designer
Susan Barnard    Costume Designer
Shelly Newman    Associate Producer
Will Musser    Composer
Pam Dixon    Casting Director