South Korea Box Office for Here Comes the Grump (2018)

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Here Comes the Grump
Theatrical Performance (US$)
South Korea Box Office $233,498Details
Worldwide Box Office $4,682,327Details
Further financial details...

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  2. News
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  6. Cast & Crew
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Metrics

Movie Details

South Korea Releases: January 23rd, 2019 (Wide)
MPAA Rating: Not Rated
Running Time: 97 minutes
Keywords: Royalty, Dragon, Good vs. Evil, Sword & Sorcerer, Prince/Princess
Source:Original Screenplay
Genre:Adventure
Production Method:Digital Animation
Creative Type:Kids Fiction
Production/Financing Companies: Anima Estudios, Prime Focus World, GFM Animation
Production Countries: Mexico, United Kingdom, United States
Languages: Spanish

Theater Averages: Museum Sneaks away with First Place

September 20th, 2018

Museum

It was a crowded week on the theater average chart with five films in the $10,000 club. This includes Museum, which led the way with $16,554 in its lone theater. Hal actually jumped into the $10,000 club with $12,150 in one theater during its second weekend of release. Lizzie was the widest release in the $10,000 club with an average of $11,895 in four theaters. Science Fair was next with $11,231 in one theater. Another documentary, The Dawn Wall, was next with an average of $10,829 in two theaters. More...

Limited and VOD Releases: No Limited Releases are Alone this Week

September 14th, 2018

I am Not a Witch

Every week, I have to decide which limited releases to talk about in the main list of this column. Usually I limit myself to those with double-digit reviews on Rotten Tomatoes. Last week, there were so few limited releases to talk about, I included some that I wouldn’t normally include. This week, there are about 30 films coming out in limited release, so I have to be extra judicious and cut some films just to keep the list manageable. Unfortunately, it feels like a case of quantity over quality. There are some movies that are getting excellent reviews, but a lot of movies that had strong pre-release buzz are disappointing critically. There are some I’m interested in, like I Think We’re Alone Now, but that’s more for the cast than the reviews. Mandy is one of the best films, but it is playing on Video on Demand, so I don’t expect it will do well at the box office. There are also several documentaries, with Science Fair being the one I want to see the most. More...

Because some of our sources provide box office data in their local currency, while we use USD in the graph above and table below, exchange rate fluctuations can have effect on the data causing stronger increases or even decreases of the cumulative box office.

Weekend Box Office Performance

DateRankGross% ChangeScreensPer ScreenTotal GrossWeek
2019/01/25 8 $148,531   344 $432   $203,010 1
2019/02/01 - $2,601 -98% 11 $236   $231,934 2
2019/02/08 - $1,866 -28% 9 $207   $233,498 3

Box Office Summary Per Territory

Territory Release
Date
Opening
Weekend
Opening
Weekend
Screens
Maximum
Screens
Theatrical
Engagements
Total
Box Office
Report
Date
Australia 8/2/2019 $11,286 86 86 215 $36,647 9/17/2019
Finland 9/2/2022 $0 0 0 0 $602,843 9/16/2022
Italy 3/1/2018 $638,951 0 0 0 $1,988,160 3/26/2018
Lithuania 5/18/2018 $15,655 106 106 373 $68,582 1/3/2019
Mexico 7/26/2018 $403,718 0 0 0 $992,866 8/6/2018
New Zealand 8/1/2019 $0 0 39 74 $18,311 10/1/2019
North America 9/14/2018 $1,593 10 10 10 $2,150
Poland 8/3/2018 $113,263 0 0 0 $357,388 1/1/2019
Russia (CIS) 6/28/2018 $110,014 928 928 1536 $276,555 2/26/2019
South Korea 1/23/2019 $3,853 3 344 367 $233,498 2/15/2019
Turkey 12/7/2018 $39,801 120 120 263 $87,347 10/19/2022
United Kingdom 5/11/2018 $17,980 85 85 85 $17,980 5/21/2018
 
Worldwide Total$4,682,327 10/19/2022

Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.

Production and Technical Credits

Andres Couturier    Director