Synopsis
Set in contemporary London, the story of a Cambodian-Chinese mother mourning the untimely death of her son. Her world is suddenly disrupted by the presence of a stranger. Though they don’t share a common language, a translator helps piece together the memories of a man they both loved. Lilting is a touching film about unlikely connections and the tragedies that bring us together even though we may be worlds apart.
Metrics
Movie Details
| Spain Releases: |
August 28th, 2015 (Wide) |
| Video Release: |
February 10th, 2015 by Strand Home |
| MPAA Rating: |
Not Rated |
| Running Time: |
91 minutes |
| Keywords: |
Death of a Son or Daughter, Non-Chronological, Set in London, LGBTQ+, Interracial Romance, Romance, Nursing Home, Sundance Film Festival 2014 |
| Source: | Original Screenplay |
| Genre: | Drama |
| Production Method: | Live Action |
| Creative Type: | Contemporary Fiction |
| Production/Financing Companies: |
Lilting, Microwave Film, BBC Films, Stink and Sums Film & Media, Film London, National Lottery |
| Production Countries: |
United Kingdom |
| Languages: |
English, Mandarin |
January 11th, 2015
The BAFTA nominations were announced yesterday and unlike most other Awards Season voters, the BAFTA voters gave us some real surprises. For instance, Birdman didn't lead the way. In fact, it was a comedy, The Grand Budapest Hotel, that earned the most nominations at 11. Granted, Birdman and The Theory of Everything were tied for second place with ten each, but it is still strange to see a comedy leading the way.
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October 1st, 2014
There were only three films in the $10,000 club and it was a holdover leading the way. Not Cool pulled in $24,964 in one theater for a two-weekend total of $35,688. The best new release was Pride with an average of $13,662 in six theaters. The final film in the $10,000 club was also the number one film on the overall box office, The Equalizer, with an average of $10,549.
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September 26th, 2014
The list of new releases is a little calmer this week than it was last week. There are still a few movies that could do well. The Two Faces of January has some of the best reviews and has an impressive cast, but it is also playing on Video on Demand, so its box office numbers might not shine. On the other hand, I think Pride will turn its excellent reviews into a long run on limited release. It might even find a significant measure of mainstream success.
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Production and Technical Credits
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