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Hungary Box Office for Nocturnal Animals (2016)

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Nocturnal Animals
Theatrical Performance (US$)
Hungary Box Office $101,883Details
Worldwide Box Office $28,983,914Details
Further financial details...

  1. Summary
  2. News
  3. Box Office
  4. Worldwide
  5. Full Financials
  6. Cast & Crew
  7. Trailer

Synopsis

Intimacy and gripping tension that explores the thin lines between love and cruelty, and revenge and redemption. Susan and Tony are a divorced couple who discover dark truths about one another.

Metrics

Rotten Tomatoes
Critics
81% - Fresh

Movie Details

Production Budget:$22,500,000
Hungary Releases: November 17th, 2016 (Wide)
MPAA Rating: R for violence, menace, graphic nudity, and language.
(Rating bulletin 2438 (Cert #50180), 8/17/2016)
Running Time: 116 minutes
Keywords: Film Noir, Los Angeles, Writing and Writers, Relationships Gone Wrong, Infidelity, Non-Chronological, One Last Job, Sex Crimes, Death of a Spouse or Fiancée / Fiancé, Death of a Son or Daughter, Cancer, Same Actor, Multiple Roles, Dysfunctional Family
Source:Based on Fiction Book/Short Story
Genre:Thriller/Suspense
Production Method:Live Action
Creative Type:Contemporary Fiction
Production Companies: Focus Features, Fade to Black Productions
Production Countries: United States

Cast

Amy Adams    Susan Morrow
Jake Gyllenhaal    Tony Hastings
Michael Shannon    Bobby Andes
Aaron Taylor-Johnson    Ray Marcus
Isla Fisher    Laura Hastings
Ellie Bamber    Helen Hastings
Armie Hammer    Walker Morrow
Karl Glusman    Lou
Rob Aramayo    Turk
Laura Linney    Anne Sutton
Andrea Riseborough    Alessia
Michael Sheen    Carlos
India Menuez    Samantha Morrow
Imogen Waterhouse    Chloe
Franco Vega    Driver
Zawe Ashton    Alex
Evie Pree    TV Woman Voice #1
Beth Ditto    TV Woman Voice #2
Graham Beckel    Lieutenant Graves
Neil Jackson    Christopher
Jena Malone    Sage Ross
Lee Benton    Office Executive
Kristin Bauer    Samantha Van Helsing
Sydney Schafer    Hostess
Evan Bittencourt    Elevator Operator
Janet Song    Nurse
Michele Dunn    Video Woman #1
Lori Jean Wilson    Video Woman #2
Peggy Richardson    Video Woman #3
Piper Major    Video Woman #4

Production and Technical Credits

Director    Tom Ford
Screenwriter    Tom Ford
Producer    Tom Ford
Producer    Robert Salerno
Story based on the novel ‘Tony and Susan’ by    Austin Wright
Co-Producer    Diane L. Sabatini
Director of Photography    Seamus McGarvey
Production Designer    Shane Valentino
Editor    Joan Sobel
Composer    Abel Korzeniowski
Costume Designer    Arianne Phillips
Casting Director    Francine Maisler
Unit Production Manager    Diane L. Sabatini
First Assistant Director    Jason Blumenfeld
Second Assistant Director    Christophe Le Chanu
Production Supervisor    Jennifer Campbell
Post-Production Supervisor    Mark Harris
First Assistant Editor    Deborah Richardson
First Assistant Editor    Ofe Yi
Associate Producer    Alexandra Nourafchan
Art Director    Christopher L. Brown
Assistant Art Director    Andrew Hull
Set Decorator    Meg Everist
Sound Mixer    Scott Harber
Sound Mixer    Lori Dovi
Special Effects Supervisor    Eric Frazier
Costume Supervisor    Donna O'Neal
Make up    Donald Mowat
Hairstylist    Yolanda Toussieng
Script Supervisor    Scott Peterson
Location Manager    Stephenson Crossley
Line Producer    Mark Harris
Visual Effects Supervisor    Leo Weston
Score Recordist    Paul Munro
Sound Designer    Kris Fenske
Re-recording Mixer    Paul Cotterell
Re-recording Mixer    Gilbert Lake
Additional Sound Re-recording Mixer    Andy Koyama
Additional Sound Re-recording Mixer    Martyn Zub
Additional Sound Re-recording Mixer    Mike Prestwood Smith
Additional Sound Re-recording Mixer    Vincent Cosson
Music Editor    Stuart Morton
Music Supervisor    Ian Neil
Score Recordist    Geoff Foster
Score Mixer    Geoff Foster
Executive in Charge of Production    Stefan Sonnenfeld
Visual Effects Producer    Duncan McWilliams
Visual Effects Producer    Mireille Antoine
Visual Effects Producer    Caroline Laing
Visual Effects Producer    Simon Wilkinson

2016 - Awards Season: BAFTA - Nominations

January 11th, 2017

La La Land

The BAFTA nominations were announced and it should come as no surprise what film lead the way... La La Land with 11 nominations, Nocturnal Animals and Arrival are tied for second with nine nominations a piece. More...

2016 - Awards Season: Golden Globes - Winners - La La Lands on Top

January 8th, 2017

La La Land

The first major awards night was Sunday with the Golden Globes being handed out. La La Land led the way with seven wins, winning in every category it was nominated in. This is great news for its Oscar chances, but there’s already backlash building. More...

2016 - Awards Season: WGA - Nominations

January 4th, 2017

Hidden Figures

The Writers Guild of America is the latest group nominees to be announced. There are a lot of categories that WGA hand out awards, but only three of them are theatrical releases. The list of nominees include several major Awards Season players, like Hidden Figures, but there are also some surprises. More...

Theater Averages: Hidden Stands Out with Average of $34,329

January 4th, 2017

Hidden Figures

Hidden Figures rose to first place during its first full weekend of release with an average of $34,329 in 25 theaters. It already has more than $2 million and it expands wide on Friday. 20th Century Women was next with an average of $27,800 in four theaters. It isn’t a major player during Awards Season, but it is picking up enough nominations to help it stick around in theaters. Patriots Day was down just 8% earning an average of $21,117 in seven theaters. Last week’s winner, Silence, fell to an average of $20,827 in four theaters. If it has a similar drop next week, it will put its wide release in jeopardy. The best limited release of the week was Paterson, which earned an average of $17,334 in four theaters. Toni Erdmann earned an average of $14,000 in three theaters during its first full week of release. La La Land continues to expand, but remained in the $10,000 club with an average of $12,738. The overall number one film, Rogue One: A Star Wars Story, was next with an average of $11,934, while the second place film, Sing, was right behind with an average of $10,647. More...

Weekend Wrap-Up: Rogue One has Apocalyptic Opening of $155.08 million

December 19th, 2016

Rogue One: A Star Wars Story

As expected, Rogue One: A Star Wars Story dominated the weekend box office chart with $155.08 million. This is well over twice as much as every other release combined. It is nearly twice as much as last weekend’s total box office. This helped the box office grow by 154%, reaching $211 million. Sadly, this was over $100 million or 32% lower than the same weekend last year when The Force Awakens dominated the chart. The year-over-year decline can be best summed up as within expectations. 2016 is still ahead of 2015 by a massive amount at $10.47 billion to $9.96 billion, but that will change as we see more numbers for Rogue One come in. On a more big picture look, Disney became the first studio ever to hit $7 billion worldwide in one year. They now have the record for biggest yearly domestic box office and biggest yearly worldwide box office, while it is just $160 million away from the international record as well. More...

2016 - Awards Season: SAG - Nominations

December 14th, 2016

Manchester by the Sea

The Screen Actors Guild were the third group to announce their nominations for this awards season. So far there have been three different films earning the most nominations. This could mean the Oscar race will be a lot closer than in past years. This time around Manchester by the Sea led the way with four nominations. More...

Theater Averages: La La Lands Yearly Record Result with Average of $176,221

December 13th, 2016

La La Land

La La Land dominated the per theater chart with an average of $176,221 in five theaters. This is not only the best of the year, it is the second best ever for a live-action film, behind just The Grand Budapest Hotel average of $202,792 in four theaters. Jackie was well back with an average of $18,933 in 26 theaters. Had La La Land not come out this weekend, this would have been big news. Now it might get lost in the crowd. Lion remained in the $10,000 club for the third weekend in a row with an average of $11,224 in 15 theaters. More...

Weekend Wrap-Up: Moana Completes Threepeat with $18.53 million

December 13th, 2016

Moana

As predicted, Moana was able to grab first place on the weekend box office chart. On the downside, it slipped a little faster than expected. Additionally, Office Christmas Party missed expectations and this led to the overall box office falling 13% from last weekend to $83 million. That said, this is still 7.0% higher than the same weekend last year and that’s more important. Year-to-date, 2016 maintained its $460 million / 4.7% lead over 2015 at $10.23 billion to $9.77 billion. This lead will take a serious hit this coming weekend when Rogue One goes against The Force Awakens. That said, unless Rogue One opens with less than $100 million during its weekend, 2016 should still come out ahead at the end of the year. More...

2016 - Awards Season: Golden Globes - Nominations

December 12th, 2016

La La Land

The Golden Globes nominations were announced and we are starting to see a few names pop up over and over again. La La Land led the way with seven nominations, but Moonlight was right behind with six and Manchester by the Sea earned five. You will be hearing those three names over and over and over again this Awards Season. More...

Weekend Estimates: Moana Narrowly Beats Office Christmas Party

December 11th, 2016

Moana

Moana will get to enjoy one last weekend at the top of the box office chart, in spite of a good debut for Office Christmas Party. Disney’s animated adventure will post about $18.8 million in its third weekend, for $145 million to date. It’s beginning to lag behind the performance of Frozen, which made $22.6 million in its third weekend in wide release, and had amassed $164.8 million. That still puts Moana well on course for $300 million domestically, although $350 million is looking like a stretch. Internationally, Moana will earn around $23.5 million this weekend, taking its total overseas to $93.8 million, and its global haul to $238.8 million. More...

Friday Estimates: Office Party Gets off to a Wild Start with $6.6 million

December 10th, 2016

Office Christmas Party

As expected, Office Christmas Party earned first place on Friday with $6.6 million. Its reviews have settled at 44% positive, which is lower than you would like, but fine for this type of release. Likewise, it earned a B from CinemaScore. Neither figure will help its legs, but neither will really hurt them either. By comparison, The Night Before earned $3.56 million during its opening day on its way to a $9.88 million opening weekend. If Office Christmas Party has the same internal multiplier, then it will earn $18.3 million this weekend. However, The Night Before earned 66% positive reviews and an A- from CinemaScore. Office Christmas Party’s weaker performances with critics and audiences will likely result in a lower legs and an opening weekend of just over $17 million. More...

Weekend Predictions: Will the Box Office get an Early Christmas Gift?

December 8th, 2016

Office Christmas Party

There is only one wide release this week, Office Christmas Party. There are also two films expanding semi-wide, Miss Sloane and Nocturnal Animals. I doubt both of them will make the top ten, but I would be equally surprised if neither did. At the beginning of the month, I assumed Office Christmas Party would win this weekend, but it is looking like Moana has a shot at the threepeat. It could be a really close race with the two films changing positions on the daily chart. Meanwhile, this weekend last year, In the Heart of the Sea bombed earning just $11.05 million on a $100 million budget. The Hunger Games: Mockingjay, Part 2 earned first place with $11.41 million. Both Office Christmas Party and Moana will top that with ease. Fantastic Beasts and Where to Find Them might also beat that. On the other hand, last year there were four films that earned more than $10 million, while this year there will be no more than 3. I still think 2016 will win, but it could be close. More...

Theater Averages: Jackie Tackles Lion Earning Average of $55,743

December 6th, 2016

Jackie

Jackie led the way on the theater average chart with an average of $55,743 in five theaters. Given this start and add in its Oscar buzz and the film has a real shot at expanding wide. Last week’s winner, Lion, fell to second place with an average of $16,651 in seven theaters. Manchester by the Sea continues its impressive run with an average of $14,592 in 156 theaters. It still has room to grow. Miss Sloane earned an average of $11,213 in four theaters. It is reportedly expanding wide this weekend, but that can mean anything from a few hundred theaters to well over 2,000. Finally, Things to Come opened with an average of $11,030 in three theaters. More...

2016 Preview: December

December 1st, 2016

Rogue One: A Star Wars Story

November was good, but not great. Fortunately, 2016 had a large enough lead going into November that the month only needed to be good. In fact, it could have been mediocre and 2016 would have still had an excellent shot to end the year above 2015. As for December, it’s a race between Star Wars and Star Wars. Almost no one thinks Rogue One is going to match The Force Awakens, but if Rogue One earns just half of what The Force Awakens managed, then 2016 will come out on top in the year-over-year comparison. There are only two other films with a better than 50/50 chance of hitting $100 million, Passengers and Sing. Either one could earn second place for the month, but Passengers will likely start faster. Last December, the only other film to earn more than $100 million was Daddy’s Home, which earned just a hair over $150 million. There’s a chance both Passengers and Sing will earn more than $150 million, which would be a boon to the box office. However, Star Wars: The Force Awakens was just too strong last year and it would take a miracle for 2016 to have a stronger December. That said, it would take a complete collapse for 2016 not to top 2015 in raw dollars. The growth might not be enough to keep pace with ticket price inflation, on the other hand. More...

Theater Averages: Lion Starts like a Lion with an Average of $30,840

November 29th, 2016

Lion

Lion led the way on the theater average chart this week with an average of $30,840 in four theaters. Its reviews are great and it could become a sleeper hit throughout the Christmas holidays. Up next was Manchester by the Sea with an average of $25,541 in 48 theaters. It still has plenty of room to expand and its Awards Season buzz is growing. Miss Sloane opened with an average of $19,932 in three theaters. This is good, but not good enough to think it will expand truly wide. The overall number one film, Moana, was next with an average of $14,615. The final film in the $10,000 club was Fantastic Beasts and Where to Find Them with an average of $10,880. More...

Theater Averages: Manchester is Something to Sea, Earns $64,125

November 23rd, 2016

Manchester by the Sea

Manchester by the Sea led the way on the theater average chart with an average of $64,125 in four theaters. That isn’t the best average we’ve seen this year, but it is fourth place for a 2016 release. Fantastic Beasts and Where to Find Them earned first place on the overall chart and second place with $17,954 on this chart. Nocturnal Animals earned an average of $13,315 in 37 theaters. That’s an impressive average considering how wide it was playing. Best Worst Thing That Ever Could Have Happened earned an average of $11,745 in two theaters. Meanwhile, the re-release of Daughters of the Dust was the final film in the $10,000 club earning $10,842 in its lone theater. More...

Weekend Estimates: Fantastic Beasts Makes Fantastic-ish $75 Million

November 20th, 2016

Fantastic Beasts and Where to Find Them

Fantastic Beasts and Where to Find Them is doing everything Warner Bros. could have wished for this weekend, posting a lively $75 million opening in the US, hitting $143.3 million internationally for a global opening over $200 million, and getting a A CinemaScore that should give it positive word of mouth going into Thanksgiving. For a franchise reboot, that’s a lot of reasons to be happy, although its opening is well below the openings enjoyed by the original Harry Potter franchise. The worst of those, Chamber of Secrets, opened with $88 million over three days (Order of the Phoenix and Half-Blood Prince both technically had slower weekends than Chamber of Secrets, but both of them opened on Wednesday, and they still did over $75 million Friday–Sunday). More...

Limited and VOD Releases: Limited Releases Need Some Animal Magnetism

November 18th, 2016

Girls und Panzer The FILM

There are few films on this week’s list, but most of them are earning good reviews. Two of them, Manchester by the Sea and Nocturnal Animals, are also earning Oscar buzz and I wouldn’t be surprised of both did very well on the per theater average chart. On the other hand, I’m interested in seeing Girls und Panzer The FILM. More...

Weekend Box Office Performance

DateRankGross% ChangeTheatersPer TheaterTotal GrossDays
2016/11/18 - $43,592   32 $1,362   $47,344 4
2016/11/25 - $3,621 -92% 45 $80   $63,091 11
2016/12/02 - $11,462 +217% 22 $521   $81,694 18
2016/12/09 - $6,944 -39% 9 $772   $91,780 25
2016/12/16 - $3,682 -47% 5 $736   $97,355 32
2016/12/23 - $594 -84% 4 $149   $100,470 39
2017/01/06 - $792   2 $396   $101,261 53
2017/01/13 - $622 -21% 2 $311   $101,883 60

Box Office Summary Per Territory

Territory Release
Date
Opening
Weekend
Opening
Weekend
Theaters
Maximum
Theaters
Theatrical
Engagements
Total
Box Office
Report
Date
Argentina 12/9/2016 $56,532 39 39 108 $105,595 1/18/2017
Australia 11/10/2016 $461,290 238 238 783 $1,545,523 1/23/2017
Austria 12/23/2016 $11,011 21 25 91 $107,060 1/18/2017
Belgium 1/13/2017 $90,315 25 25 25 $106,661 1/18/2017
Brazil 12/29/2016 $0 0 62 107 $516,651 1/18/2017
Bulgaria 12/8/2016 $7,879 0 0 0 $28,127 1/9/2017
Colombia 12/16/2016 $22,428 25 25 43 $81,965 1/18/2017
Croatia 11/17/2016 $14,237 15 15 60 $37,010 1/18/2017
Czech Republic 11/25/2016 $29,197 79 79 170 $70,720 1/5/2017
Denmark 1/5/2017 $85,616 45 45 84 $177,688 1/18/2017
Finland 12/2/2016 $27,871 34 34 94 $81,961 1/18/2017
France 1/4/2017 $692,192 180 180 354 $1,271,119 1/18/2017
Germany 12/23/2016 $176,800 191 198 686 $2,500,000 1/18/2017
Greece 1/5/2017 $70,704 5690 5690 5717 $148,017 1/18/2017
Hungary 11/17/2016 $43,592 32 45 121 $101,883 1/18/2017
Israel 1/13/2017 $45,293 14 14 14 $57,284 1/18/2017
Italy 11/17/2016 $764,979 271 287 844 $2,240,825 1/18/2017
Lithuania 12/9/2016 $12,962 18 30 56 $30,007 1/13/2017
Mexico 12/30/2016 $135,828 120 120 285 $400,816 1/18/2017
Netherlands 12/2/2016 $164,105 41 42 252 $849,900 1/19/2017
New Zealand 11/10/2016 $47,641 23 24 123 $153,922 1/18/2017
North America 11/18/2016 $492,648 37 1262 3319 $10,639,114
Norway 11/18/2016 $17,597 16 16 44 $48,676 1/5/2017
Panama 12/29/2016 $18,868 20 20 30 $42,791 1/18/2017
Peru 12/16/2016 $14,911 8 8 8 $20,316 12/21/2016
Poland 11/18/2016 $82,249 61 61 243 $321,079 1/18/2017
Portugal 11/25/2016 $35,343 22 22 76 $110,849 1/19/2017
Russia (CIS) 12/9/2016 $492,313 355 355 833 $1,024,145 1/18/2017
Singapore 12/1/2016 $60,544 12 12 30 $128,805 1/18/2017
Slovakia 11/25/2016 $16,212 54 54 84 $26,962 12/21/2016
Slovenia 11/17/2016 $5,919 8 8 40 $26,656 12/28/2016
South Korea 12/27/2016 $0 0 219 237 $186,875 1/23/2017
Spain 12/2/2016 $308,173 173 173 564 $1,085,001 1/20/2017
Sweden 11/18/2016 $73,198 42 42 151 $274,362 1/18/2017
Switzerland 12/22/2016 $42,970 29 34 117 $358,879 1/18/2017
Taiwan 12/2/2016 $40,933 19 19 49 $108,314 12/29/2016
Thailand 12/1/2016 $22,154 14 14 24 $39,314 12/21/2016
Turkey 12/9/2016 $44,646 35 35 79 $133,770 1/5/2017
United Kingdom 11/4/2016 $947,719 242 356 1147 $3,773,296 1/18/2017
Venezuela 12/9/2016 $7,690 22 22 34 $21,976 1/18/2017
 
Worldwide Total$28,983,914 1/23/2017

Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.