The Resurrection of Gavin Stone (2017)

The Resurrection of Gavin Stone
Theatrical Performance
Domestic Box Office $2,303,792Details
Home Market Performance
Est. Domestic DVD Sales $437,671 Details
Est. Domestic Blu-ray Sales $74,781 Details
Total Est. Domestic Video Sales $512,452
Further financial details...

Synopsis

Gavin Stone, a washed-up former child star is forced to do community service at a local mega- church and pretends to be Christian so he can land the part of Jesus in their annual Passion Play only to discover that the most important role of his life is far from Hollywood.

Metrics

Opening Weekend:$1,206,771 (52.4% of total gross)
Legs:1.91 (domestic box office/biggest weekend)
Domestic Share:100.0% (domestic box office/worldwide)
Production Budget:$2,000,000 (worldwide box office is 1.2 times production budget)
Theater counts:890 opening theaters/890 max. theaters, 2.1 weeks average run per theater
Infl. Adj. Dom. BO $2,768,649

Latest Ranking on Cumulative Box Office Lists

RecordRankAmount
All Time Domestic Box Office (Rank 7,701-7,800) 7,731 $2,303,792
All Time Worldwide Box Office (Rank 12,401-12,500) 12,456 $2,303,792
All Time Domestic Box Office for Comedy Movies (Rank 1,501-1,600) 1,527 $2,303,792
All Time Worldwide Box Office for Comedy Movies (Rank 2,501-2,600) 2,535 $2,303,792

See the Box Office tab (Domestic) and International tab (International and Worldwide) for more Cumulative Box Office Records.


Watch Now On

Amazon VOD:Amazon
Vudu:Vudu
Netflix:Netflix

Movie Details

Domestic Releases: January 20th, 2017 (Wide) by High Top Releasing
Video Release: May 2nd, 2017 by Universal Home Entertainment
MPAA Rating: PG for thematic elements including a crucifixion image.
(Rating bulletin 2452 (Cert #50278), 11/23/2016)
Running Time: 92 minutes
Comparisons: vs. War Room
Create your own comparison chart…
Keywords: Child Star, Christians, Pastor, Easter
Source:Original Screenplay
Genre:Comedy
Production Method:Live Action
Creative Type:Contemporary Fiction
Production/Financing Companies: WWE Studios, BH Tilt, Walden Media, Vertical Church Films, Power in Faith, Blumhouse
Production Countries: United States
Languages: English

Compare this performance with other movies…

Domestic Cumulative Box Office Records

Weekend Box Office Performance

DateRankGross% ChangeTheatersPer TheaterTotal GrossWeek
Jan 20, 2017 19 $1,206,771   890 $1,356   $1,206,771 1
Jan 27, 2017 28 $465,233 -61% 879 $529   $2,042,286 2
Feb 3, 2017 41 $71,763 -85% 118 $608   $2,277,776 3

Daily Box Office Performance

DateRankGross%YD%LWTheatersPer TheaterTotal GrossDays
Jan 20, 2017 - $380,212     890 $427   $380,212 1
Jan 21, 2017 - $559,051 +47%   890 $628   $939,263 2
Jan 22, 2017 - $267,508 -52%   890 $301   $1,206,771 3
Jan 23, 2017 - $85,775 -68%   890 $96   $1,292,546 4
Jan 24, 2017 - $131,796 +54%   890 $148   $1,424,342 5
Jan 25, 2017 - $75,664 -43%   890 $85   $1,500,006 6
Jan 26, 2017 - $77,047 +2%   890 $87   $1,577,053 7
Jan 27, 2017 - $130,987 +70% -66% 879 $149   $1,708,040 8
Jan 28, 2017 - $207,976 +59% -63% 879 $237   $1,916,016 9
Jan 29, 2017 - $126,270 -39% -53% 879 $144   $2,042,286 10
Jan 30, 2017 - $36,637 -71% -57% 879 $42   $2,078,923 11
Jan 31, 2017 - $54,284 +48% -59% 879 $62   $2,133,207 12
Feb 1, 2017 - $36,036 -34% -52% 879 $41   $2,169,243 13
Feb 2, 2017 - $36,770 +2% -52% 879 $42   $2,206,013 14
Feb 3, 2017 - $22,264 -39% -83% 118 $189   $2,228,277 15
Feb 4, 2017 - $36,347 +63% -83% 118 $308   $2,264,624 16
Feb 5, 2017 - $13,152 -64% -90% 118 $111   $2,277,776 17
Feb 6, 2017 - $6,276 -52% -83% 118 $53   $2,284,052 18
Feb 7, 2017 - $7,350 +17% -86% 118 $62   $2,291,402 19
Feb 8, 2017 - $6,505 -11% -82% 118 $55   $2,297,907 20
Feb 9, 2017 - $5,885 -10% -84% 118 $50   $2,303,792 21

Weekly Box Office Performance

DateRankGross% ChangeTheatersPer TheaterTotal GrossWeek
Jan 20, 2017 20 $1,577,053   890 $1,772   $1,577,053 1
Jan 27, 2017 27 $628,960 -60% 879 $716   $2,206,013 2
Feb 3, 2017 42 $97,779 -84% 118 $829   $2,303,792 3

Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.

Lead Ensemble Members

Brett Dalton    Gavin Stone
Anjelah Johnson-Reyes    Kelly Richardson
Neil Flynn    Waylon Stone
Shawn Michaels    Doug
D.B. Sweeney    Pastor Allen Richardson

Supporting Cast

Kirk B.R. Woller    Jack Roth
Liam Matthews    Charles
Tim Frank    John Mark
Chris Maleki    Mike Meara
Nicole Astra    Parishioner
Emily Eruraviel    Barista

For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.

Production and Technical Credits

Dallas Jenkins    Director
Andrea Nasfell    Screenwriter
Michael J. Luisi    Producer
Fred Adams    Producer
Alix Taylor    Executive Producer
James MacDonald    Executive Producer
John Bolin    Co-Producer
Larry Douglas    Co-Producer
Jamie Elliott    Co-Producer
Lyn Moncrief    Director of Photography
James Richard Cunningham    Production Designer
Howard E. Smith    Editor
Kenneth Marsten    Editor
Jeehun Hwang    Composer
Doug Bernheim    Music Supervisor
Lauren Morelli    Costume Designer
Terri Taylor    Casting Director

Home Market Releases for May 2nd, 2017

May 2nd, 2017

The Red Turtle

We are officially in the worst time of year on the home market. The last of the major Awards Season players have already come out, but it is still too early for the Spring hits to be released. The competition from May Sweeps and the start of the Summer Blockbuster Season means there’s not a lot here that’s going to do well in DVD / Blu-ray sales. Ironically, the lack of a major release means there are a lot of smaller releases that are competing for Pick of the Week, many of which would be lost in the crowd during a busier time of year. This includes I Am Not Your Negro, The Salesman, Real Genius, and Seven Days in May. In the end, I went with The Red Turtle on DVD or Blu-ray as the Pick of the Week. In the meanwhile, Spacehunter: Adventures in the Forbidden Zone on Blu-ray gets the Puck of the Week honor, as the “best” Canadian release of the week. I just wish it were coming out in 3D. More...

Weekend Wrap-Up: Split Outnumbers the Competition with $25.66 million

January 31st, 2017

Split

It was a surprisingly strong weekend at the box office, no thanks to the new releases. Split easily won with $25.66 million over the weekend, well ahead of A Dog’s Purpose, which earned second place with $18.22 million. Resident Evil: The Final Chapter got off to a fast start, but collapsed over the rest of the weekend. Finally, the less said about Gold the better. Overall, the box office was really strong with $141 million. Granted, this was 2.5% lower than last week, but it was 1.3% better than the same weekend last year. This growth is entirely due to Split’s hold plus the Oscar bounce a number of films got. Year-to-date, 2017 has earned $929 million, which is 4.7% lower than last year’s pace of $975 million. It is still too soon to make any real predictions for 2017’s long term success. That said, 2017 did cut into 2016’s lead and it is now down by $46 million or 4.7%. More...

Theater Averages: Split Separates Itself from the Pack with $13,170

January 25th, 2017

Split

The overall number one film, Split, was also the only film in the $10,000 club, earning an average of $13,170. The closest competition was Tanpopo, which earned $7,677 in one theater during its 13th week of re-release. More...

Weekend Wrap-Up: Split’s $40.01 million Helps Box Office Soar

January 24th, 2017

Split

Split dominated the weekend box office earning $40.01 million, which is nearly double predictions and nearly double its nearest competition, xXx: Return of Xander Cage. The overall box office still shrunk from last weekend, but it was down just 3.2%, which is excellent for a post-holiday weekend. Compared to this weekend last year, 2017 was 27% stronger. Year-to-date, 2017 is still behind 2016, but that gap has closed to 9.4% at $736 million to $812 million. More...

Weekend Estimates: Split Stuns with $40 Million Debut

January 22nd, 2017

Split

2017 has its first surprise hit. Split is set for a weekend just north of $40 million, according to Sunday morning’s projection from Universal. That’s not just the biggest weekend of the year so far, but it almost doubles the $22.8 million earned by Hidden Figures a couple of weeks ago, and moves the studio ahead of Fox as the leading distributor for the year so far. It also marks, of course, a return to form for M. Night Shyamalan. It basically ties the debut of The Last Airbender back in 2010, and his last movie to do significantly better on opening weekend was The Village, which started out with $50.7 million in the Summer of 2004. More...

Friday Estimates: In a Surprise Twist, Split’s a Hit with $14.6 million

January 21st, 2017

Split

Split easily won on Friday, doubling its nearest competition, and earning $14.6 million. This is the best opening day for M. Night Shyamalan since The Last Airbender opened in 2010. Its reviews are 76% positive, and it earned a B+ from CinemaScore, which is good for a horror film. This puts it on pace for an opening weekend of $34 million, which is more than it cost to make and advertise. If the film can match this during the rest of its run, then it will break even on its domestic numbers alone. More...

Weekend Predictions: Will Xander’s Return Result in Box Office Dominance?

January 19th, 2017

Split

It is a deceptively busy week with five films opening or expanding wide. At least that’s what the dsitributors are saying. In reality, there are only two truly wide releases, xXx: Return of Xander Cage and Split. There is also one semi-wide release, The Resurrection of Gavin Stone, as well as two semi-wide expansions, The Founder and 20th Century Women. Return of Xander Cage and Split are the only two of the films that have a shot at the top ten and they could be in a close race for first place. This weekend last year, there were three wide releases, but none of them made significantly more than $10 million at the box office. The biggest film of the weekend, The Revenant, earned just $16.01 million. 2017 could finally win in the year-over-year comparison. More...

Contest: Return to Sender

January 13th, 2017

xXx: Return of Xander Cage

Next weekend is busier that we were expecting. We thought there would be three films opening or expanding wide, but we have an additional film opening semi-wide and another expanding semi-wide. That said, xXx: Return of Xander Cage is still the only film that has a real shot at first place and it is therefore the only logical choice for the target film in this week’s box office prediction contest.In order to win, one must simply predict the opening weekend box office number for xXx: Return of Xander Cage.

Whoever comes the closest to predicting the film's opening 3-day weekend box office (Friday to Sunday), without going over, will win a Frankenprise consisting of their choice of either one TV on DVD release, two movies, or a kids package (could be a theatrical release, a couple of single-disc TV on DVD releases, or a full season TV on DVD release). Whoever comes the closest to predicting the film's opening 3-day weekend box office (Friday to Sunday), without going under, will also win a Frankenprize, as described above. Finally, we will be choosing an entrant from the group of people who haven't won, or haven't won recently, and they will win the final Frankenprize, as described above.

Entries must be received by 10 a.m., Pacific Time on Friday to be eligible, so don't delay! More...


  1. Summary
  2. News
  3. Box Office
  4. International
  5. Video Sales
  6. Full Financials
  7. Cast & Crew
  8. Trailer

Synopsis

Gavin Stone, a washed-up former child star is forced to do community service at a local mega- church and pretends to be Christian so he can land the part of Jesus in their annual Passion Play only to discover that the most important role of his life is far from Hollywood.

Metrics

Opening Weekend:$1,206,771 (52.4% of total gross)
Legs:1.91 (domestic box office/biggest weekend)
Domestic Share:100.0% (domestic box office/worldwide)
Production Budget:$2,000,000 (worldwide box office is 1.2 times production budget)
Theater counts:890 opening theaters/890 max. theaters, 2.1 weeks average run per theater
Infl. Adj. Dom. BO $2,768,649

Latest Ranking on Cumulative Box Office Lists

RecordRankAmount
All Time Domestic Box Office (Rank 7,701-7,800) 7,731 $2,303,792
All Time Worldwide Box Office (Rank 12,401-12,500) 12,456 $2,303,792
All Time Domestic Box Office for Comedy Movies (Rank 1,501-1,600) 1,527 $2,303,792
All Time Worldwide Box Office for Comedy Movies (Rank 2,501-2,600) 2,535 $2,303,792

See the Box Office tab (Domestic) and International tab (International and Worldwide) for more Cumulative Box Office Records.


Watch Now On

Amazon VOD:Amazon
Vudu:Vudu
Netflix:Netflix

Movie Details

Domestic Releases: January 20th, 2017 (Wide) by High Top Releasing
Video Release: May 2nd, 2017 by Universal Home Entertainment
MPAA Rating: PG for thematic elements including a crucifixion image.
(Rating bulletin 2452 (Cert #50278), 11/23/2016)
Running Time: 92 minutes
Comparisons: vs. War Room
Create your own comparison chart…
Keywords: Child Star, Christians, Pastor, Easter
Source:Original Screenplay
Genre:Comedy
Production Method:Live Action
Creative Type:Contemporary Fiction
Production/Financing Companies: WWE Studios, BH Tilt, Walden Media, Vertical Church Films, Power in Faith, Blumhouse
Production Countries: United States
Languages: English

Lead Ensemble Members

Brett Dalton    Gavin Stone
Anjelah Johnson-Reyes    Kelly Richardson
Neil Flynn    Waylon Stone
Shawn Michaels    Doug
D.B. Sweeney    Pastor Allen Richardson

Supporting Cast

Kirk B.R. Woller    Jack Roth
Liam Matthews    Charles
Tim Frank    John Mark
Chris Maleki    Mike Meara
Nicole Astra    Parishioner
Emily Eruraviel    Barista

For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.

Production and Technical Credits

Dallas Jenkins    Director
Andrea Nasfell    Screenwriter
Michael J. Luisi    Producer
Fred Adams    Producer
Alix Taylor    Executive Producer
James MacDonald    Executive Producer
John Bolin    Co-Producer
Larry Douglas    Co-Producer
Jamie Elliott    Co-Producer
Lyn Moncrief    Director of Photography
James Richard Cunningham    Production Designer
Howard E. Smith    Editor
Kenneth Marsten    Editor
Jeehun Hwang    Composer
Doug Bernheim    Music Supervisor
Lauren Morelli    Costume Designer
Terri Taylor    Casting Director

Home Market Releases for May 2nd, 2017

May 2nd, 2017

The Red Turtle

We are officially in the worst time of year on the home market. The last of the major Awards Season players have already come out, but it is still too early for the Spring hits to be released. The competition from May Sweeps and the start of the Summer Blockbuster Season means there’s not a lot here that’s going to do well in DVD / Blu-ray sales. Ironically, the lack of a major release means there are a lot of smaller releases that are competing for Pick of the Week, many of which would be lost in the crowd during a busier time of year. This includes I Am Not Your Negro, The Salesman, Real Genius, and Seven Days in May. In the end, I went with The Red Turtle on DVD or Blu-ray as the Pick of the Week. In the meanwhile, Spacehunter: Adventures in the Forbidden Zone on Blu-ray gets the Puck of the Week honor, as the “best” Canadian release of the week. I just wish it were coming out in 3D. More...

Weekend Wrap-Up: Split Outnumbers the Competition with $25.66 million

January 31st, 2017

Split

It was a surprisingly strong weekend at the box office, no thanks to the new releases. Split easily won with $25.66 million over the weekend, well ahead of A Dog’s Purpose, which earned second place with $18.22 million. Resident Evil: The Final Chapter got off to a fast start, but collapsed over the rest of the weekend. Finally, the less said about Gold the better. Overall, the box office was really strong with $141 million. Granted, this was 2.5% lower than last week, but it was 1.3% better than the same weekend last year. This growth is entirely due to Split’s hold plus the Oscar bounce a number of films got. Year-to-date, 2017 has earned $929 million, which is 4.7% lower than last year’s pace of $975 million. It is still too soon to make any real predictions for 2017’s long term success. That said, 2017 did cut into 2016’s lead and it is now down by $46 million or 4.7%. More...

Theater Averages: Split Separates Itself from the Pack with $13,170

January 25th, 2017

Split

The overall number one film, Split, was also the only film in the $10,000 club, earning an average of $13,170. The closest competition was Tanpopo, which earned $7,677 in one theater during its 13th week of re-release. More...

Weekend Wrap-Up: Split’s $40.01 million Helps Box Office Soar

January 24th, 2017

Split

Split dominated the weekend box office earning $40.01 million, which is nearly double predictions and nearly double its nearest competition, xXx: Return of Xander Cage. The overall box office still shrunk from last weekend, but it was down just 3.2%, which is excellent for a post-holiday weekend. Compared to this weekend last year, 2017 was 27% stronger. Year-to-date, 2017 is still behind 2016, but that gap has closed to 9.4% at $736 million to $812 million. More...

Weekend Estimates: Split Stuns with $40 Million Debut

January 22nd, 2017

Split

2017 has its first surprise hit. Split is set for a weekend just north of $40 million, according to Sunday morning’s projection from Universal. That’s not just the biggest weekend of the year so far, but it almost doubles the $22.8 million earned by Hidden Figures a couple of weeks ago, and moves the studio ahead of Fox as the leading distributor for the year so far. It also marks, of course, a return to form for M. Night Shyamalan. It basically ties the debut of The Last Airbender back in 2010, and his last movie to do significantly better on opening weekend was The Village, which started out with $50.7 million in the Summer of 2004. More...

Friday Estimates: In a Surprise Twist, Split’s a Hit with $14.6 million

January 21st, 2017

Split

Split easily won on Friday, doubling its nearest competition, and earning $14.6 million. This is the best opening day for M. Night Shyamalan since The Last Airbender opened in 2010. Its reviews are 76% positive, and it earned a B+ from CinemaScore, which is good for a horror film. This puts it on pace for an opening weekend of $34 million, which is more than it cost to make and advertise. If the film can match this during the rest of its run, then it will break even on its domestic numbers alone. More...

Weekend Predictions: Will Xander’s Return Result in Box Office Dominance?

January 19th, 2017

Split

It is a deceptively busy week with five films opening or expanding wide. At least that’s what the dsitributors are saying. In reality, there are only two truly wide releases, xXx: Return of Xander Cage and Split. There is also one semi-wide release, The Resurrection of Gavin Stone, as well as two semi-wide expansions, The Founder and 20th Century Women. Return of Xander Cage and Split are the only two of the films that have a shot at the top ten and they could be in a close race for first place. This weekend last year, there were three wide releases, but none of them made significantly more than $10 million at the box office. The biggest film of the weekend, The Revenant, earned just $16.01 million. 2017 could finally win in the year-over-year comparison. More...

Contest: Return to Sender

January 13th, 2017

xXx: Return of Xander Cage

Next weekend is busier that we were expecting. We thought there would be three films opening or expanding wide, but we have an additional film opening semi-wide and another expanding semi-wide. That said, xXx: Return of Xander Cage is still the only film that has a real shot at first place and it is therefore the only logical choice for the target film in this week’s box office prediction contest.In order to win, one must simply predict the opening weekend box office number for xXx: Return of Xander Cage.

Whoever comes the closest to predicting the film's opening 3-day weekend box office (Friday to Sunday), without going over, will win a Frankenprise consisting of their choice of either one TV on DVD release, two movies, or a kids package (could be a theatrical release, a couple of single-disc TV on DVD releases, or a full season TV on DVD release). Whoever comes the closest to predicting the film's opening 3-day weekend box office (Friday to Sunday), without going under, will also win a Frankenprize, as described above. Finally, we will be choosing an entrant from the group of people who haven't won, or haven't won recently, and they will win the final Frankenprize, as described above.

Entries must be received by 10 a.m., Pacific Time on Friday to be eligible, so don't delay! More...

Compare this performance with other movies…

Domestic Cumulative Box Office Records

Weekend Box Office Performance

DateRankGross% ChangeTheatersPer TheaterTotal GrossWeek
Jan 20, 2017 19 $1,206,771   890 $1,356   $1,206,771 1
Jan 27, 2017 28 $465,233 -61% 879 $529   $2,042,286 2
Feb 3, 2017 41 $71,763 -85% 118 $608   $2,277,776 3

Daily Box Office Performance

DateRankGross%YD%LWTheatersPer TheaterTotal GrossDays
Jan 20, 2017 - $380,212     890 $427   $380,212 1
Jan 21, 2017 - $559,051 +47%   890 $628   $939,263 2
Jan 22, 2017 - $267,508 -52%   890 $301   $1,206,771 3
Jan 23, 2017 - $85,775 -68%   890 $96   $1,292,546 4
Jan 24, 2017 - $131,796 +54%   890 $148   $1,424,342 5
Jan 25, 2017 - $75,664 -43%   890 $85   $1,500,006 6
Jan 26, 2017 - $77,047 +2%   890 $87   $1,577,053 7
Jan 27, 2017 - $130,987 +70% -66% 879 $149   $1,708,040 8
Jan 28, 2017 - $207,976 +59% -63% 879 $237   $1,916,016 9
Jan 29, 2017 - $126,270 -39% -53% 879 $144   $2,042,286 10
Jan 30, 2017 - $36,637 -71% -57% 879 $42   $2,078,923 11
Jan 31, 2017 - $54,284 +48% -59% 879 $62   $2,133,207 12
Feb 1, 2017 - $36,036 -34% -52% 879 $41   $2,169,243 13
Feb 2, 2017 - $36,770 +2% -52% 879 $42   $2,206,013 14
Feb 3, 2017 - $22,264 -39% -83% 118 $189   $2,228,277 15
Feb 4, 2017 - $36,347 +63% -83% 118 $308   $2,264,624 16
Feb 5, 2017 - $13,152 -64% -90% 118 $111   $2,277,776 17
Feb 6, 2017 - $6,276 -52% -83% 118 $53   $2,284,052 18
Feb 7, 2017 - $7,350 +17% -86% 118 $62   $2,291,402 19
Feb 8, 2017 - $6,505 -11% -82% 118 $55   $2,297,907 20
Feb 9, 2017 - $5,885 -10% -84% 118 $50   $2,303,792 21

Weekly Box Office Performance

DateRankGross% ChangeTheatersPer TheaterTotal GrossWeek
Jan 20, 2017 20 $1,577,053   890 $1,772   $1,577,053 1
Jan 27, 2017 27 $628,960 -60% 879 $716   $2,206,013 2
Feb 3, 2017 42 $97,779 -84% 118 $829   $2,303,792 3

Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.