Metrics
Movie Details
| Australia Releases: | January 27th, 2022 (Limited), released as I Am What I Am |
| Running Time: | 104 minutes |
| Production Method: | Digital Animation |
| Production Countries: | China |
| Languages: | Mandarin |
Australia Box Office for I Am What I Am (2021)
| Theatrical Performance (US$) | ||
| Australia Box Office | $11,844 | Details |
| Worldwide Box Office | $39,463,557 | Details |
| Further financial details... | ||
Because some of our sources provide box office data in their local currency, while we use USD in the graph above and table below, exchange rate fluctuations can have effect on the data causing stronger increases or even decreases of the cumulative box office.
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Screens | Per Screen | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| 2022/01/28 | - | $3,507 | 19 | $185 | $3,507 | 1 | |
| 2022/02/04 | - | $992 | -72% | 4 | $248 | $6,872 | 2 |
| 2022/02/25 | - | $69 | 1 | $69 | $7,322 | 5 | |
| 2022/11/11 | - | $309 | 1 | $309 | $6,862 | 42 | |
| 2022/12/02 | - | $759 | 1 | $759 | $8,859 | 45 | |
| 2023/02/03 | - | $1,074 | 1 | $1,074 | $10,788 | 54 | |
| 2023/06/23 | - | $461 | 1 | $461 | $11,844 | 74 |
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens |
Maximum Screens |
Theatrical Engagements |
Total Box Office |
Report Date |
|---|---|---|---|---|---|---|---|
| Australia | 1/27/2022 | $3,507 | 19 | 19 | 28 | $11,844 | 6/27/2023 |
| China | 12/17/2021 | $2,290,000 | 30267 | 90355 | 218714 | $39,450,000 | 2/18/2022 |
| Japan | 5/26/2023 | $0 | 0 | 0 | 0 | $0 | |
| Mexico | 9/14/2023 | $0 | 0 | 0 | 0 | $0 | |
| New Zealand | 1/27/2022 | $884 | 7 | 7 | 8 | $1,713 | 2/7/2022 |
| Spain | 1/27/2023 | $0 | 0 | 0 | 0 | $0 | |
| United Kingdom | 3/25/2022 | $0 | 0 | 0 | 0 | $0 | |
| Worldwide Total | $39,463,557 | 6/27/2023 | |||||
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Production and Technical Credits
| Haipeng Sun | Director |