|As an Actor||Leading||14||$632,430,259||$803,581,615||$1,436,011,874|
|Lead Ensemble Member||4||$310,920,480||$410,911,581||$721,832,061|
|Best known as a Leading Actress based on credits in that role in 14 films, with $1,436,011,874 worldwide aggregate box office (rank #146)|
|Best-Known Acting Roles: Velma Kelly (Chicago), Isabel Lahiri (Ocean's Twelve), Helena Ayala (Traffic), Katja Petrokovich (RED 2), Gwen Harrison (America's Sweethearts)|
|Most productive collaborators: Rob Marshall, Renée Zellweger, Steven Spielberg, Tom Hanks, Richard Gere|
|Born: September 25th, 1969 (48 years old)|
May 5th, 2014
The Terminal came out in 2004, just after Tom Hanks' record-breaking run of seven $100 million hits in a row came to an end. The streak ended with The Ladykillers, but many thought The Terminal would start a new streak. It didn't. Now that it has been ten years since it came out, does it feel like it underperformed at the box office. Or was this never going to be a big hit with moviegoers?
February 15th, 2014
Chicago came out in 2002 and was a surprise hit earning more than $300 million worldwide on a $30 million production budget. It was a surprise hit, in part because movie musicals had not been able to find an audience like that in a long, long time. Musicals have been around for as long as movies have had sound. The first film with spoken dialogue, The Jazz Singer, was also the first movie musical. But the heyday of movie musicals ended about forty years before Chicago hit theaters. Unfortunately for a lot of studios, Chicago wasn't able to reinvigorate the movie musical genre. Has the decline in the genre meant Chicago hasn't aged well? Or have more recent musicals failed to match it at the box office, because they have also failed to match its quality?
November 23rd, 2013
Red opened in the fall of 2010 and became a surprise hit. When you think of action films, you generally don't think of retirees. The combined age of the four actors who played the retired secrets agents was 250 years old when the movie came out. But because the film was something different, it won over critics and moviegoers. Needless to say, they started working on a sequel soon after. However, when Red 2 came out, it wasn't as successful at the box office or with critics. Is it really weaker? Is it so weak that it isn't worth checking out if you liked the first one?
July 1st, 2013
For the most part, June was a really strong month at the box office with nearly every film either matching expectations, or at least coming close enough to call it a victory. Looking forward, there are a dozen films opening wide in July, more or less. One of them, The Smurfs 2, is opening on a Wednesday, so I'm going to hold off talking about that movie till the August preview. Kevin Hart: Let Me Explain is opening in less than 1000 theaters, but it has a shot at reaching the top ten during its opening weekend. If we include both of them, there are twelve films, but I think it is better to stick with the ten truly wide, truly July openings. Of these, Despicable Me 2 is clearly going to be the biggest hit at the box office. It could become the second biggest hit of the year so far. It is not the only film that could be a $100 million hit. In fact, there are six films opening in July that I think have a better than 50% chance of reaching that level. There is currently only one film that I think won't at least become a midlevel hit. By comparison in 2012, there were three $100 million movies, led by The Dark Knight Rises, but the rest of the new releases struggled. There's no chance any movie opening this month will top $400 million, in fact, it is quite possible no film will get to $300 million. That said, 2013 has a lot better depth, so it might come out on top in the end.
March 2nd, 2013
Lay the Favorite opened last November in limited release, but despite boasting an impressive cast and an Oscar nominated director, it never found an audience in theaters. It was also playing in Video on Demand, which usually kills a film's box office chances. Will it find a more receptive audience on the home market? Or was it destined to struggle no matter what?
February 1st, 2013
For the most part, January was a really good month and 2013 got off to a really good start. I'm not so sure about February, on the other hand. There's only one film that has a statistically significant shot at $100 million, A Good Day to Die Hard, but I'm a little concerned that it won't live up to expectations. The franchise has been around a long time and it is possible that the target audience has either moved on or are too young to remember when these films were huge at the box office. The film I'm most looking forward to seeing is Warm Bodies, which is earning amazing early reviews (the keyword there is "early"), but it is too high-concept to be a major hit. Last February, there were a couple of films that topped $100 million, plus a few other midlevel hits. I would like to think that would also be the case this year, but I have to be more cautious than that. The evidence points to a weak month ahead, for the most part.
January 1st, 2013
December ended on a positive note with 2012 topping 2011 with a week to spare. Hopefully this will translate into strong box office numbers going forward. There are several January releases that actually look very interesting, but you always have to ask, if the films are as good as they look, why are they opening in January? The biggest hit on this list will likely not be a January release, but a limited release from December that is expanding wide in January. Zero Dark Thirty opened in limited release the Wednesday before Christmas and right away it got off to an incredible start. If it can turn some of its Awards Season nominations into wins, which seems very likely at this point, it should be the biggest hit of January. If it can earn some major Oscars, then it might crack $100 million. Unfortunately, no other film on this release list is likely to come close to the $100 million mark. Last January was unseasonably strong with three films opening with $20 million or more and four films finishing with $50 million or more. It is possible that none of the new releases will reach those relatively weak standards.
December 7th, 2012
It is a really, really busy week for limited releases. However, of the more than a dozen films on this week's list, only one of them is earning overwhelmingly positive reviews, Wagner and Me. That film is a documentary, so even if it does perform well during its opening weekend, it likely won't find any mainstream success. All of the rest are either earning too few reviews to have a Tomatometer Score, or have overall negative reviews. Combined with the previously released Awards Season hopefuls, and there's too much competition for such weak films.
December 1st, 2012
November was a strong month and left 2012 with a very easy path to a new all time record. There was only one major miss the entire month, Rise of the Guardians, while The Silver Linings Playbook was pulled from wide release at the last minute, so it is a little hard to judge its box office performance. On the positive side, Skyfall might top original expectations by $100 million. All this December has to do is maintain pace with last December to ensure 2012 sets the new record. I would like to say that will be easy to do, but I really don't know. Last year, there was only one $200 million hit, Mission: Impossible - Ghost Protocol, plus a few others that reached $100 million, so the bar isn't set too high. This year, The Hobbit: An Unexpected Journey is expected to at least come close to $300 million. Some think it will earn more than $400 million. However, it could also be the last film to make $100 million till February. December is normally a very good month to release a film, but the release schedule is so messed up that it makes it very hard to predict what will happen. There appears to be just ten films opening truly wide this month (I'm getting mixed signals on a few of them). That's a really light schedule for a month and a light schedule tends to help maximize the box office potential for individual films. However, eight of these films open wide within a seven-day period. That's insane. There's no way all of those films will find an audience and there's a chance that due to the competition, none of them will. Let's hope the situation isn't as bad as that, but there are some serious reasons to be concerned for most new releases coming out this month.
|7/19/2013||RED 2||Katja Petrokovich||$53,262,560||$83,900,000||$137,162,560|
|2/8/2013||Side Effects||Dr. Victoria Siebert||$32,172,757||$34,569,381||$66,742,138|
|1/18/2013||Broken City||Cathleen Hostetler||$19,701,164||$14,778,881||$34,480,045|
|12/7/2012||Playing for Keeps||Denise||$13,103,272||$14,702,360||$27,805,632|
|12/7/2012||Lay the Favorite||Tulip||$20,998||$1,073,522||$1,094,520|
|6/15/2012||Rock of Ages||Patricia Whitmore||$38,518,613||$22,513,319||$61,031,932|
|12/31/2011||Dali & I: The Surreal Story||$0||$0||$0|
|7/11/2008||Death Defying Acts||Mary Mc Gregor||$3,561||$0||$3,561|
|10/28/2005||The Legend of Zorro||Elena||$45,575,336||$95,900,000||$141,475,336|
|12/10/2004||Ocean's Twelve||Isabel Lahiri||$125,531,634||$237,457,442||$362,989,076|
|10/10/2003||Intolerable Cruelty||Marylin Rexroth||$35,327,628||$86,000,000||$121,327,628|
|7/2/2003||Sinbad: Legend of the Seven Seas||Marina||$26,483,452||$54,284,432||$80,767,884|
|7/20/2001||America's Sweethearts||Gwen Harrison||$93,607,673||$67,040,820||$160,648,493|
|7/17/1998||The Mask of Zorro||Elena||$93,828,745||$139,871,255||$233,700,000|
|8/21/1992||Christopher Columbus: The Discovery||Beatriz||$8,251,071||$0||$8,251,071|