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Nicholas Stoller

Best known as a Screenwriter based on credits in that role in 12 films, with $1,635,873,670 worldwide aggregate box office (rank #77)
Best-Known Technical Roles: Neighbors (Director), Captain Underpants: The First Epic Movie (Screenwriter), Storks (Director), Storks (Screenwriter), Storks (Producer)
Most productive collaborators: Seth Rogen, Jason Segel, Andy Samberg, Zac Efron, Andrew Jay Cohen

  1. Summary
  2. News
  3. Acting Credits
  4. Technical Credits
  MoviesDomestic
Box Office
International
Box Office
Worldwide
Box Office
In Technical RolesScreenwriter12$749,994,043$885,879,627$1,635,873,670
Director6$431,133,082$380,924,884$812,057,966
Producer3$162,533,089$164,648,886$327,181,975
Executive Producer2$139,804,815$100,479,408$240,284,223
Story Creator1$110,550,000$92,468,919$203,018,919

2017 Preview: June

June 1st, 2017

Despicable Me 3

May was a really soft month with only one unqualified hit, Guardians of the Galaxy, Vol. 2, which is climbing towards $375 million domestically. The second biggest hit of the month will be Pirates of the Caribbean: Dead Men Tell No Tales and I would be surprised if it tops $150 million by any serious margin. June looks a lot more profitable. There are five weeks and every week there is at least one film with a great shot at $100 million or more. In fact, there are four films with at least a decent shot at $200 million and we could double the number of $300 million hits released so far this year. Wonder Woman is widely expected to start the month with an explosive debut and pulling in more than $100 million during its opening weekend is more and more likely. That said, Despicable Me 3 will probably end up being the biggest hit overall with over $300 million. Meanwhile, Cars 3 and Transformers: The Last Knight are both aiming for $200 million. Last June was not particularly strong, outside of one hit. Finding Dory earned nearly $500 million domestically, while the second best film, Central Intelligence, barely earned a quarter of that. I don’t think any film will come close to Finding Dory, but there’s a lot more depth this time around and I have high hopes 2017 will extend its lead. More...

2016 Preview: September

September 1st, 2016

The Magnificent Seven

August continued to pad 2016’s lead over 2015 in the year-over-year comparison. It managed this feat almost entirely due to Suicide Squad, which is on pace to hit $300 million. The next best film was Sausage Party, which might make $100 million, if it gets a push over the top. September won’t be as strong as that. This is no surprise, as the month is one of the biggest dumping grounds on the calendar. That said, studios have been working to make the end of the month a lot more productive and there are a few potential hits. The biggest of these is The Magnificent Seven, which is expected to crack $100 million, maybe even $150 million. Meanwhile, Sully and Storks both have a limited chance at $100 million. Last September, the biggest release of the month was Hotel Transylvania 2 with pulled in $169.70 million. I don’t think The Magnificent Seven will match that, so we might need a surprise $100 million hit for 2016 to come out on top. More...

2016 Preview: May

May 1st, 2016

Captain America: Civil War

April started on a soft note and ended weak, but thanks to The Jungle Book, overall the month was actually really good. That's what happens when you get a surprise $300 million hit. This bodes well for May, which is both a slow month and a fantastic month. There are only four weekends and only eight movies coming out, but of those eight films, five have a shot at $100 million. The potential blockbusters are led by Captain America: Civil War, which is not only going to be the biggest hit of the month, but according to a Fandango survey, it is the most anticipated film of the summer. (On a side note, Finding Dory is the most anticipated family film of the summer and Ghostbusters is the most anticipated comedy of the summer. I was surprised by the last result.) Both Alice Through the Looking Glass and X-Men: Apocalypse have real shots at $200 million. One of them could get to $300 million, if they weren't opening against each other. Overall, the month looks excellent. Even better, last May there was only one monster hit, The Avengers: Age of Ultron, and most analysts think Captain America: Civil War will beat it at the box office. (There's also the issue of the misalignment in the weekends, which hurt April, but will really help May.) More...

2014 Preview: May

May 1st, 2014

The Amazing Spider-Man 2 poster

It has been a great year so far and April was again a strong month. The box office was led by Captain America: The Winter Soldier, as it became the second film of the year to reach $200 million, while Rio 2 is on pace to become the seventh $100 million hit of the year. Big picture, 2014 has already hit $3 billion, which isn't a record for this time of the year, but it is $250 million ahead of 2013. That streak ends in May. Don't get me wrong. There are six films opening this month that at least have a shot at $100 million and two of those should earn more than $200 million and there are two others that at least have a shot at that milestone. Leading the way is The Amazing Spider-Man 2, which is looking to top The Winter Soldier and become the second biggest hit of the year so far. Its main competition this month is X-men: Days of Future Past, while Godzilla also has a shot at $200 million. Unfortunately, this month last year, Iron Man 3 earned more than $400 million, while two other films took in $200 million and seven films in total reached the century mark. That is going to be really hard to replicate this year and 2014 will likely lose some of its lead over 2013. Fortunately, 2014 has such a big lead that unless the box office really slumps, it will end the month with at least a small lead over 2013. More...

2014 Preview: March

March 1st, 2014

Divergent poster

2014 continued its strong run in February with The Lego Movie beating even the high end expectations and will become the first film released in 2014 to reach $200 million. March doesn't look as strong, as no film is on track to hit $200 million, but there are five films that have a chance at $100 million. Granted, not all of them will get there; in fact, there's a chance only one of them will get there. Divergent is the film I think has the best shot at the century club, but it could be joined by Mr. Peabody and Sherman, for instance, which is earning surprisingly strong reviews. Noah is a big-budget Bible epic and the studio has to be hoping for at least $100 million, but the buzz is quite negative and there have been reports of troubles behind-the-scenes. Last March was led by Oz The Great and Powerful, which pulled in more than $200 million domestically. I don't think any film opening this March will match that figure. In addition, The Croods and G.I. Joe: Retaliation also hit the $100 million milestone, while Olympus Has Fallen came very close. Granted, there were also some big bombs last March, like The Host, but even so, I think 2014 will lose ground in the year-over-year comparison. More...

Release
Date
TitleRoleDomestic
Box Office
International
Box Office
Worldwide
Box Office
6/2/2017 Captain Underpants: The First E… Screenwriter $73,903,006 $43,300,000 $117,203,006
9/23/2016 Storks Director,
Screenwriter,
Producer 
$72,679,278 $101,423,003 $174,102,281
5/20/2016 Neighbors 2: Sorority Rising Director,
Screenwriter 
$55,340,730 $53,417,791 $108,758,521
2/12/2016 Zoolander 2 Screenwriter $28,848,693 $26,500,000 $55,348,693
7/18/2014 Sex Tape Screenwriter $38,543,473 $87,526,036 $126,069,509
5/9/2014 Neighbors Director $150,086,800 $120,857,628 $270,944,428
3/21/2014 Muppets Most Wanted Screenwriter,
Executive Producer 
$51,178,893 $28,133,408 $79,312,301
4/27/2012 The Five-Year Engagement Director,
Screenwriter,
Producer 
$28,700,285 $32,923,534 $61,623,819
11/23/2011 The Muppets Screenwriter,
Executive Producer 
$88,625,922 $72,346,000 $160,971,922
12/25/2010 Gulliver's Travels Screenwriter $42,779,261 $189,238,587 $232,017,848
6/4/2010 Get Him to the Greek Screenwriter,
Director,
Producer 
$61,153,526 $30,302,349 $91,455,875
12/19/2008 Yes Man Screenwriter $97,690,976 $128,300,000 $225,990,976
4/18/2008 Forgetting Sarah Marshall Director $63,172,463 $42,000,579 $105,173,042
12/21/2005 Fun With Dick And Jane Screenwriter,
Story Creator 
$110,550,000 $92,468,919 $203,018,919
Movies: 14Totals:$963,253,306$1,048,737,834$2,011,991,140
  Averages:$68,803,808$74,909,845$143,713,653