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Storks (2016)

Storks
Theatrical Performance
Domestic Box Office $71,261,642Details
International Box Office $101,660,261Details
Worldwide Box Office $172,921,903
Further financial details...

  1. Summary
  2. News
  3. Box Office
  4. International
  5. Video Sales
  6. Full Financials
  7. Cast & Crew
  8. Trailer

Synopsis

Storks deliver babies…or at least they used to. Now they deliver packages for global internet giant Cornerstore. Junior, the company’s top delivery stork, is about to be promoted when he accidentally activates the Baby Making Machine, producing an adorable and wholly unauthorized baby girl. Desperate to deliver this bundle of trouble before the boss gets wise, Junior and his friend Tulip, the only human on Stork Mountain, race to make their first-ever baby drop — in a wild and revealing journey that could make more than one family whole and restore the storks’ true mission in the world.

Metrics

Latest Ranking on Cumulative Box Office Lists


Movie Details

Production Budget:$70,000,000
Domestic Releases: September 23rd, 2016 (Wide) by Warner Bros.
International Releases: September 22nd, 2016 (Wide) (Brazil)
September 23rd, 2016 (Wide) (Australia)
September 23rd, 2016 (Wide), released as Щъркели (Bulgaria)
September 23rd, 2016 (Wide) (China)
September 23rd, 2016 (Wide), released as Čapí dobrodružství (Czech Republic)
... Show all releases
Video Release: December 6th, 2016 by Warner Home Video
MPAA Rating: PG for mild action and some thematic elements.
(Rating bulletin 2431 (Cert #50351), 6/29/2016)
Running Time: 100 minutes
Comparisons: vs. The Secret Life of Pets
Create your own comparison chart…
Keywords: Animal Lead, Talking Animals, Unexpected Families
Source:Original Screenplay
Genre:Adventure
Production Method:Digital Animation
Creative Type:Kids Fiction
Production Companies: RatPac Entertainment, Dune Entertainment, Warner Bros. Animation
Production Countries: United States

Ranking on other Records and Milestones

RecordRankRevenueChart
Date
Days In
Release
Biggest 10th Weekend at the Domestic Box Office 1,747 $137,533 Nov 25, 2016 66
Biggest 9th Weekend at the Domestic Box Office 1,736 $191,718 Nov 18, 2016 59
Biggest 8th Weekend at the Domestic Box Office 1,268 $481,179 Nov 11, 2016 52
Biggest 7th Weekend at the Domestic Box Office 1,149 $1,000,558 Nov 4, 2016 45
Biggest 6th Weekend at the Domestic Box Office 680 $2,851,140 Oct 28, 2016 38
Biggest 5th Weekend at the Domestic Box Office 746 $4,003,270 Oct 21, 2016 31
Biggest 4th Weekend at the Domestic Box Office 755 $5,685,078 Oct 14, 2016 24
Fastest Movies to Earn $50 Million at the Domestic Box Office 878 $51,635,457 Oct 7, 2016 18
Biggest 3rd Weekend at the Domestic Box Office 744 $8,294,309 Oct 7, 2016 17
Biggest 2nd Weekend at the Domestic Box Office 668 $13,476,141 Sep 30, 2016 10
Biggest October Day at the Domestic Box Office 230 $6,432,066 Oct 1, 2016 9
Biggest Sunday at the Domestic Box Office 1,035 $6,129,631 Sep 25, 2016 3
Biggest Opening Weekend at the Domestic Box Office 781 $21,311,407 Sep 23, 2016 3
Biggest September Weekend at the Domestic Box Office 38 $21,311,407 Sep 23, 2016 3
Biggest Weekends at the Domestic Box Office 1,234 $21,311,407 Sep 23, 2016 3
Widest Opening Weekend 110 3,922 Sep 23, 2016 3
Biggest Saturday at the Domestic Box Office 965 $9,415,563 Sep 24, 2016 2
Biggest September Day at the Domestic Box Office 52 $9,415,563 Sep 24, 2016 2
Biggest Friday at the Domestic Box Office 1,524 $5,766,213 Sep 23, 2016 1

Cast

   Junior
   Hunter
   Tulip
   Alpha Wolf
   Beta Wolf
   Sarah Gardner
   Henry Gardner
   Jasper
   Nate Gardner
   Pigeon Toady/Additional Voice
Chris Smith    Dougland
Nora Lum    Quail
Ike Barinholtz    Miscellaneous Stork
Jorma Taccone    Miscellaneous Stork
Amanda Lund    Miscellaneous Stork
Doug Sweetland    Additional Voice
John Venzon    Additional Voice
Craig Berry    Additional Voice
Rossana Bee    Additional Voice
Charlie Flynn    Additional Voice
Matt Flynn    Additional Voice
Jess Fulton    Additional Voice
Brad Lewis    Additional Voice
Douglas Schwartz    Additional Voice
Justin Shelton    Additional Voice
Frederica Stoller    Additional Voice

Production and Technical Credits

Director   
Director   
Screenwriter    Nicholas Stoller
Producer    Nicholas Stoller
Producer    Brad Lewis
Executive Producer    Glen Ficcara
Executive Producer    Phil Lord
Executive Producer    Chris Miller
Executive Producer    John Requa
Executive Producer    Jared Stern
Executive Producer    Steven Mnuchin
Composer    Jeff Danna
Composer    Mychael Danna
Editor    John Venzon
Head of Story    Craig Berry
Head of Story    Matt Flynn
Production Designer    Paul Lasaine
Photography Director    Simon Dunsdon
Visual Effects Supervisor    David Alexander Smith
Animation Supervisor    Joshua Beveridge
Associate Producer    John Kreidman
Casting Director    Ruth Lambert
Supervising Sound Editor    Michael Babcock
Sound Designer    Michael Babcock
Story Artist    Jurgen Gross
Story Artist    Delia Gosman
Story Artist    Yoriaki Mochizuki
Associate Editor    Steven Liu
Associate Editor    Chris Cartagena
First Assistant Editor    Noelleen Westcombe
First Assistant Editor    Jess Fulton
First Assistant Editor    Stephen Meek
3-D and Digital Image Producer    Julie M Groll
Supervising Animator    Alan Camilo
Supervising Animator    Martin Esnaola Scotto
Supervising Animator    Robin George
Supervising Animator    Valerie Morrison
Supervising Animator    Jeff Panko
Supervising Animator    Philip Rudolph
Crowds Animation Lead    William Moten
Post-Production Supervisor    Randall James Bol
Re-recording Mixer    Michael Babcock
Re-recording Mixer    Tim LeBlanc
Sound Designer    Jeremy Peirson
Dialogue Editor    Vanessa Lapato
Sound Effects Editor    Jeff Sawyer
Sound Effects Editor    Jamey Scott
Sound Effects Editor    Chris Diebold
Additional Music    John Fee
Additional Music    Nicholas Skalba
Supervising Music Editor    Erich Stratmann
Music Editor    Brett Pierce

Weekend Estimates: Doctor Strange’s $85 Million Gives Industry a Much-Needed Boost

November 6th, 2016

Doctor Strange

After a couple of months of weak box office, and some very disappointing openings, Doctor Strange, Trolls and Hacksaw Ridge are each, in their own way, putting things back on track. Doctor Strange is grabbing the headlines of course, with an impressive $84,989,000 opening projected by Disney on Sunday morning. That’s almost identical to the opening weekend enjoyed by Thor: The Dark World on this weekend back in 2013, and comes without the benefit of being part of an established franchise (putting aside its place in the Marvel Cinematic Universe). More...

Weekend Wrap-Up: Only Girl isn’t a Train Wreck earning $24.54 million

October 11th, 2016

The Girl on the Train

Over the weekend was Columbus Day, or as it is known in more and more places, Indigenous People’s Day. It’s also Thanksgiving Day up here in Canada and it would make more sense for Americans to celebrate Canadian Thanksgiving than Columbus Day. Canadian Thanksgiving is where you give thanks to all the Canadians that make your life better. For example, both Ryan Gosling and Ryan Reynolds are Canadian. Anyhoo... The weekend box office numbers were not buoyed by the semi-holiday on Monday as none of the new releases matched expectations. The Girl on the Train led the way by a wide margin with $24.54 million compared to $15.14 million for Miss Peregrine’s Home for Peculiar Children. Neither The Birth of a Nation nor Middle School: The Worst Years of My Life made it into the top five. The overall box office fell 9.5% from last weekend dropping to $103 million. That was 13% lower than the same weekend last year. Year-to-date, 2016 has earned $8.64 billion, putting it 4.4% / $370 million ahead of 2015. A couple of more weeks like this and we will have reason to hit the panic button. More...

Weekend Predictions: Will Girl be the Rebirth of the Box Office?

October 6th, 2016

The Girl on the Train

October begins with a trio of wide releases, led by The Girl on the Train. The film’s reviews are mixed, which is not ideal, but also not fatal. The Birth of a Nation was looking to become an Awards Season player, but its reviews are not quite at that level. Finally there’s Middle School: The Worst Years of My Life. There are still no reviews and the buzz is as quiet as you can get for a wide release. This weekend last year, the only wide release was Pan and it bombed hard. However, The Martian remained on top with $37.01 million over the weekend. There’s almost no way The Girl on the Train will match that and last year had better depth as well. 2016’s slump will continue. More...

Weekend Wrap-Up: Miss Peregrine finds a Home at the top with $28.87 million

October 4th, 2016

Miss Peregrine’s Home for Peculiar Children

The overall box office was about as strong as expected, as Miss Peregrine’s Home for Peculiar Children beat expectations by the same amount as Deepwater Horizon missed expectations. This helped the overall box office grow 10% from last weekend to $114 million. However, this is still 24% lower than this weekend last year. Year-to-date, 2016 still has a lead over 2015, but that lead has shrunk to 4.9% or $390 million at $8.50 billion to $8.10 billion. If 2016’s lead falls below $325 million, then we will need to panic. Remember, last year ended with Star Wars: The Force Awakens, which earned $650 million before the end of the year. Rogue One isn’t expected to earn half of that, so 2016 is going to need a $325 million lead or it will need better depth in order to come out ahead. I would prefer the former. More...

Weekend Predictions: Will September end on a Disastrous Note?

September 29th, 2016

Deepwater Horizon

Three wide releases come out this week: Deepwater Horizon, Miss Peregrine’s Home for Peculiar Children, and Masterminds. Deepwater Horizon’s reviews are better than expected and that should help it at the box office. Miss Peregrine’s reviews are on the razor’s edge of the overall positive level. Meanwhile, there are not enough reviews to really judge Masterminds, but the early signs don’t look good. This weekend last year was the first weekend of October. The Martian nearly broke the record for biggest October weekend. There’s a chance all three wide releases this week won’t match The Martian’s opening weekend. Add in last year’s depth and there’s almost no chance 2016 will come out ahead on the year-over-year comparison. More...

International Box Office: Bridget Jones Celebrates Second Weekend on Top with $22.1 million

September 29th, 2016

Bridget Jones’s Baby

Bridget Jones’s Baby remained in first place with $22.1 million on 5,092 screens in 47 markets for totals of $67.42 million internationally and $84.01 million worldwide. At this pace, the film will have no trouble getting to $100 million internationally and perhaps $150 million worldwide. That's enough to pay for its $35 million production budget and perhaps all of its advertising budget as well. The film’s best new opening of the week was Italy, where it managed second place with $1.9 million on 421 screens. Its biggest market overall was the U.K. where it remained in first place with $8.39 million in 648 theaters for a two-week total of $27.59 million. It is now the biggest September release of all time in that market, topping Calendar Girls’ 13-year old record. More...

Weekend Wrap-Up: Magnificent Wins Weekend with $34.70 million, but Box Office Slump Continues

September 27th, 2016

The Magnificent Seven

Is it time to panic? Not yet, but we are definitely getting concerned. The overall box office was soft due to the weaker than expected openings of The Magnificent Seven and Storks. Neither bombed exactly, but they weren’t particular strong either. The overall box office rose 16% from last weekend, but was down 25% from this weekend last year. Ouch. You usually only see that large a change in the year-over-year comparison when there is a misalignment in holidays. Year-to-date, 2016’s lead over 2015 dropped to 6.3% or $490 million at $8.35 billion to $7.86 billion. More...

Weekend Estimates: Magnificent Seven Rides to $35 Million Opening

September 25th, 2016

Sully

The Magnificent Seven will almost exactly match Sully’s debut two weeks ago by posting a $35 million opening, according to Sony’s Sunday projection. To us, it looks as though the film will fall fractionally short of that number, but it should still have the sixth-best September opening of all time (not adjusted for inflation). Those two films alone have given the box office enough of a boost that the industry will wrap up the month in fairly healthy condition. More...

Thursday Night Previews: Magnificent Can’t Live Up to Name, but still Starts well with $1.75 million - Updated with Storks' Start

September 23rd, 2016

The Magnificent Seven

The Magnificent Seven earned $1.75 million during Thursday’s previews. This is not terrible; it is better than the $1.5 million The Equalizer made in 2014 and the $1.35 million Sully made two weeks ago. However, it is not as strong as most were expecting. Perhaps it will still match predictions, if the audience reaction is significantly better than its reviews. I wouldn’t bet on it. It will still likely earn first place, but now just under $40 million looks more likely than $50 million. More...

Weekend Predictions: Will the New Releases be Magnificent?

September 22nd, 2016

The Magnificent Seven

It is a perfect weekend at the box office, as there are only two wide releases and there are almost no crossover audiences between them. The Magnificent Seven is a remake of a remake and its solid, but not spectacular. Storks is a digitally animated kids movie that is earning mixed reviews, but that’s fine for a kids movie. Those two movies will likely earn more than the rest of the box office combined pulls in. This is both good news and bad news, as it is a combination of their strength and the rest of the box office’s weakness that is the cause. This weekend last year, Hotel Transylvania 2 debuted with $48 million, which is the record for a September weekend. I think The Magnificent Seven will top that, while Storks will double the second place film, The Intern. Unfortunately, last year there were three other films that earned more than $10 million, while this year there will be only one. 2016 is better on top, but 2015 had better depth. Perhaps 2016 will still come out ahead in the year-over-year comparison, but I don't think it will quite make it. More...

Contest: Magnificent Prizes

September 16th, 2016

Twin Peaks

There are a pair of wide releases coming out next week, The Magnificent Seven and Storks. Both films have a shot at $100 million domestically, but because Storks is a family film, The Magnificent Seven should get off to a faster start. Therefore, The Magnificent Seven is the better choice for the target film in this week's Box Office Prediction contest. In order to win, one must simply predict the opening weekend box office number for The Magnificent Seven.


Whoever comes the closest to predicting the film's opening 3-day weekend box office (Friday to Sunday), without going over, will win a copy of Twin Peaks: The Original Series, Fire Walk With Me & The Missing Pieces on Blu-ray. Whoever comes the closest to predicting the film's opening 3-day weekend box office (Friday to Sunday), without going under, will win a previously reviewed TV on DVD release. Finally, we will be choosing an entrant from the group of people who haven't won, or haven't won recently, and they will also win a previously reviewed TV on DVD release.

Entries must be received by 10 a.m., Pacific Time on Friday to be eligible, so don't delay! More...

2016 Preview: September

September 1st, 2016

The Magnificent Seven

August continued to pad 2016’s lead over 2015 in the year-over-year comparison. It managed this feat almost entirely due to Suicide Squad, which is on pace to hit $300 million. The next best film was Sausage Party, which might make $100 million, if it gets a push over the top. September won’t be as strong as that. This is no surprise, as the month is one of the biggest dumping grounds on the calendar. That said, studios have been working to make the end of the month a lot more productive and there are a few potential hits. The biggest of these is The Magnificent Seven, which is expected to crack $100 million, maybe even $150 million. Meanwhile, Sully and Storks both have a limited chance at $100 million. Last September, the biggest release of the month was Hotel Transylvania 2 with pulled in $169.70 million. I don’t think The Magnificent Seven will match that, so we might need a surprise $100 million hit for 2016 to come out on top. More...

The shaded area represents the expected performance range for a film, based on its opening weekend box office. 95% of films fall within the shaded area. If a film trends towards the top end of the shaded area, it has good legs compared to the average film; if it trends towards the bottom end of the shaded area, it has poor legs. The predictive area is based on movies from the past 5 years.

Compare this performance with other movies…

Weekend Box Office Performance

DateRankGross% ChangeTheatersPer TheaterTotal GrossDays
2016/09/23 2 $21,311,407   3,922 $5,434   $21,311,407 3
2016/09/30 4 $13,476,141 -37% 3,922 $3,436   $38,487,415 10
2016/10/07 5 $8,294,309 -38% 3,608 $2,299   $49,962,803 17
2016/10/14 6 $5,685,078 -31% 3,066 $1,854   $59,229,124 24
2016/10/21 9 $4,003,270 -30% 2,145 $1,866   $64,632,798 31
2016/10/28 9 $2,851,140 -29% 1,901 $1,500   $68,310,752 38
2016/11/04 13 $1,000,558 -65% 1,155 $866   $69,968,062 45
2016/11/11 17 $481,179 -52% 428 $1,124   $70,756,913 52
2016/11/18 25 $191,718 -60% 222 $864   $71,012,253 59
2016/11/25 30 $137,533 -28% 174 $790   $71,239,902 66

Daily Box Office Performance

DateRankGross% ChangeTheatersPer TheaterTotal GrossDays
2016/09/23 2 $5,766,213   3,922 $1,470   $5,766,213 1
2016/09/24 2 $9,415,563 +63% 3,922 $2,401   $15,181,776 2
2016/09/25 2 $6,129,631 -35% 3,922 $1,563   $21,311,407 3
2016/09/26 3 $921,314 -85% 3,922 $235   $22,232,721 4
2016/09/27 3 $1,276,889 +39% 3,922 $326   $23,509,610 5
2016/09/28 3 $801,371 -37% 3,922 $204   $24,310,981 6
2016/09/29 3 $700,293 -13% 3,922 $179   $25,011,274 7
2016/09/30 4 $3,116,360 +345% 3,922 $795   $28,127,634 8
2016/10/01 4 $6,432,066 +106% 3,922 $1,640   $34,559,700 9
2016/10/02 4 $3,927,715 -39% 3,922 $1,001   $38,487,415 10
2016/10/03 4 $1,120,049 -71% 3,922 $286   $39,607,464 11
2016/10/04 4 $970,811 -13% 3,922 $248   $40,578,275 12
2016/10/05 5 $510,173 -47% 3,922 $130   $41,088,448 13
2016/10/06 5 $580,046 +14% 3,922 $148   $41,668,494 14
2016/10/07 6 $2,053,898 +254% 3,608 $569   $43,722,392 15
2016/10/08 5 $3,682,169 +79% 3,608 $1,021   $47,404,561 16
2016/10/09 4 $2,558,242 -31% 3,608 $709   $49,962,803 17
2016/10/10 3 $1,672,654 -35% 3,608 $464   $51,635,457 18
2016/10/11 5 $692,257 -59% 3,608 $192   $52,327,714 19
2016/10/12 5 $751,131 +9% 3,608 $208   $53,078,845 20
2016/10/13 5 $465,201 -38% 3,608 $129   $53,544,046 21
2016/10/14 7 $1,397,836 +200% 3,066 $456   $54,941,882 22
2016/10/15 6 $2,519,231 +80% 3,066 $822   $57,461,113 23
2016/10/16 5 $1,768,011 -30% 3,066 $577   $59,229,124 24
2016/10/17 7 $331,656 -81% 3,066 $108   $59,560,780 25
2016/10/18 7 $377,361 +14% 3,066 $123   $59,938,141 26
2016/10/19 7 $288,602 -24% 3,066 $94   $60,226,743 27
2016/10/20 7 $402,785 +40% 3,066 $131   $60,629,528 28
2016/10/21 10 $1,033,917 +157% 2,145 $482   $61,663,445 29
2016/10/22 8 $1,853,493 +79% 2,145 $864   $63,516,938 30
2016/10/23 8 $1,115,860 -40% 2,145 $520   $64,632,798 31
2016/10/24 10 $209,830 -81% 2,145 $98   $64,842,628 32
2016/10/25 11 $232,322 +11% 2,145 $108   $65,074,950 33
2016/10/26 12 $172,712 -26% 2,145 $81   $65,247,662 34
2016/10/27 10 $211,950 +23% 2,145 $99   $65,459,612 35
2016/10/28 10 $662,095 +212% 1,901 $348   $66,121,707 36
2016/10/29 9 $1,283,302 +94% 1,901 $675   $67,405,009 37
2016/10/30 8 $905,743 -29% 1,901 $476   $68,310,752 38
2016/10/31 10 $208,443 -77% 1,901 $110   $68,519,195 39
2016/11/01 11 $210,121 +1% 1,901 $111   $68,729,316 40
2016/11/02 12 $138,006 -34% 1,901 $73   $68,867,322 41
2016/11/03 13 $100,182 -27% 1,901 $53   $68,967,504 42
2016/11/04 15 $204,573 +104% 1,155 $177   $69,172,077 43
2016/11/05 13 $474,437 +132% 1,155 $411   $69,646,514 44
2016/11/06 12 $321,548 -32% 1,155 $278   $69,968,062 45
2016/11/07 14 $61,170 -81% 1,155 $53   $70,029,232 46
2016/11/08 11 $134,103 +119% 1,155 $116   $70,163,335 47
2016/11/09 15 $45,827 -66% 1,155 $40   $70,209,162 48
2016/11/10 13 $66,572 +45% 1,155 $58   $70,275,734 49
2016/11/11 - $165,414 +148% 428 $386   $70,441,148 50
2016/11/12 - $194,150 +17% 428 $454   $70,635,298 51
2016/11/13 - $121,615 -37% 428 $284   $70,756,913 52
2016/11/14 - $18,977 -84% 428 $44   $70,775,890 53
2016/11/15 - $16,869 -11% 428 $39   $70,792,759 54
2016/11/16 - $13,269 -21% 428 $31   $70,806,028 55
2016/11/17 - $14,507 +9% 428 $34   $70,820,535 56
2016/11/18 - $49,023 +238% 222 $221   $70,869,558 57
2016/11/19 - $85,877 +75% 222 $387   $70,955,435 58
2016/11/20 - $56,818 -34% 222 $256   $71,012,253 59
2016/11/21 - $24,804 -56% 222 $112   $71,037,057 60
2016/11/22 - $25,876 +4% 222 $117   $71,062,933 61
2016/11/23 - $27,845 +8% 174 $160   $71,090,778 62
2016/11/24 - $11,591 -58% 174 $67   $71,102,369 63
2016/11/25 - $47,614 +311% 174 $274   $71,149,983 64
2016/11/26 - $57,069 +20% 174 $328   $71,207,052 65
2016/11/27 - $32,850 -42% 174 $189   $71,239,902 66
2016/11/28 - $5,341 -84% 174 $31   $71,245,243 67
2016/11/29 - $5,961 +12% 174 $34   $71,251,204 68
2016/11/30 - $4,947 -17% 174 $28   $71,256,151 69
2016/12/01 - $5,491 +11% 174 $32   $71,261,642 70

Weekly Box Office Performance

DateRankGross% ChangeTheatersPer TheaterTotal GrossDays
2016/09/23 2 $25,011,274   3,922 $6,377   $25,011,274 7
2016/09/30 4 $16,657,220 -33% 3,922 $4,247   $41,668,494 14
2016/10/07 5 $11,875,552 -29% 3,608 $3,291   $53,544,046 21
2016/10/14 7 $7,085,482 -40% 3,066 $2,311   $60,629,528 28
2016/10/21 9 $4,830,084 -32% 2,145 $2,252   $65,459,612 35
2016/10/28 9 $3,507,892 -27% 1,901 $1,845   $68,967,504 42
2016/11/04 13 $1,308,230 -63% 1,155 $1,133   $70,275,734 49
2016/11/11 17 $544,801 -58% 428 $1,273   $70,820,535 56
2016/11/18 32 $281,834 -48% 174 $1,620   $71,102,369 63
2016/11/25 31 $159,273 -43% 174 $915   $71,261,642 70

Box Office Summary Per Territory

Territory Release
Date
Opening
Weekend
Opening
Weekend
Theaters
Maximum
Theaters
Theatrical
Engagements
Total
Box Office
Report
Date
Australia 9/23/2016 $1,012,197 251 270 1729 $6,162,847 11/28/2016
Brazil 9/22/2016 $0 0 0 0 $4,800,000 10/17/2016
Bulgaria 9/23/2016 $71,236 0 0 0 $276,542 12/1/2016
China 9/23/2016 $5,220,000 37672 37672 49111 $11,400,000 10/17/2016
Czech Republic 9/23/2016 $87,441 115 115 428 $375,271 11/24/2016
France 10/14/2016 $1,100,000 487 487 487 $4,100,000 11/7/2016
Germany 10/28/2016 $513,000 470 470 470 $513,000 11/7/2016
Italy 10/21/2016 $699,537 0 0 0 $1,411,429 11/9/2016
Lithuania 9/23/2016 $63,030 214 214 779 $241,475 11/30/2016
Mexico 9/23/2016 $2,429,101 0 0 0 $7,965,868 11/2/2016
Netherlands 9/28/2016 $267,333 125 125 1038 $1,505,107 11/29/2016
New Zealand 9/23/2016 $96,205 100 100 667 $1,018,530 11/28/2016
Portugal 9/30/2016 $144,200 67 81 436 $747,577 12/1/2016
Russia (CIS) 9/23/2016 $1,679,341 1141 1141 4371 $4,918,217 11/3/2016
Slovakia 9/23/2016 $83,319 63 63 324 $393,241 12/1/2016
Slovenia 9/30/2016 $22,151 20 20 106 $104,650 11/23/2016
South Korea 11/24/2016 $0 0 0 0 $25,570 12/2/2016
Spain 9/30/2016 $1,431,321 405 405 2511 $6,651,273 12/2/2016
Turkey 9/23/2016 $229,787 263 268 1171 $872,463 11/30/2016
United Kingdom 10/13/2016 $2,738,954 528 555 3390 $8,212,561 11/30/2016
 
Rest of World $39,964,640
 
International Total$101,660,261 12/2/2016

Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.