|Best known as a Supporting Actor based on credits in that role in 6 films, with $79,763,577 worldwide aggregate box office (rank #27,764)|
|Best-Known Acting Roles: Beast / Prince (Beauty and the Beast), Sir Lancelot (Night at the Museum: Secret of the Tomb), Kenny Kristo (A Walk Among the Tombstones), Lorin Willis (Marshall), Bill Kavish (Norman: The Moderate Rise and Tragic Fall of a New York Fixer)|
|Best-Known Technical Roles: Summer in February (Producer)|
|Most productive collaborators: Emma Watson, David Hoberman, Luke Evans, Todd Lieberman, Kevin Kline|
October 26th, 2017
June 6th, 2017
There have been three previous adaptations in Disney’s recent streak of live-action adaptations. I’ve previously reviewed all of them and only really liked Maleficent. In fact, I like Maleficent more now than I did when it first came out, because it took the characters and made an original story with them, while the other two only had minor changes, but were mostly beat-for-beat remakes. I mention all of this before even mentioning Beauty and the Beast, because this is what I want in these movies. I want a reason to watch this version rather than the original. Does this film give me a reason?
March 19th, 2017
Beauty and the Beast set out this weekend to show that it’s not just super heroes who can deliver big openings at the box office, and it’s doing so in some style. Disney is projecting a $170 million opening weekend for the live action fairytale, and the film is setting records around the world. At home, it’ll have the biggest March weekend of all time, and the fourth-best Saturday of all time. The studio is projecting it will have the sixth-best Sunday in history, although my money would be on it slightly outperforming today, for the fifth-best Sunday, and that it will challenge Iron Man 3’s $174 million for the sixth-best opening of all time. Only Star Wars, super heroes, and dinosaur-themed movies have done better on opening weekend.
March 1st, 2017
February was an okay month. The films that missed expectations were mostly balanced by the films that were pleasant surprises. Unfortunately, last February was amazing as Deadpool dominated the chart, so 2017 has fallen further behind 2016 and 2016’s lead is now about $100 million. It is not so bad that a good March won’t help 2017 back into the lead. Will that happen? We have some good news and some bad news. Good news: Every week there is one movie that has at least a shot at $100 million. Two of them, Logan and Beauty and the Beast, could reach $200 million or a lot more. Bad News: last March, both Zootopia and Batman v Superman: Dawn of Justice earned more than $300 million. That’s a really powerful one-two punch and I don’t think we can replicate that this time around. On the other hand, last March, the third best film of the month was 10 Cloverfield Lane, while there were four films that were expected to open wide that earned less than $10 million at the box office. 2017 likely won’t be as good at the top, but I also don’t think it will have as many bombs either. If Beauty and the Beast reaches the very high end of expectations, then 2017 could even close the gap with 2016 entirely. I’ll be happy getting halfway there.
November 14th, 2016
November 12th, 2016
February 1st, 2016
As expected, January was dominated by holdovers with Star Wars: The Force Awakens and The Revenant leading the way. That's not to say there were no new releases that did well, as Ride Along 2 and Kung Fu Panda 3 were hits with moviegoers. Looking forward, there is only one film that looks like a sure hit, Deadpool. There's a slim chance it could be a surprise $200 million hit. There's a much better chance it will be the only $100 million hit. Conversely, last February started with a $100 million hit coming out, The SpongeBob Movie: Sponge Out of Water, while there were two other $100 million movies to come out that month, Fifty Shades of Grey and Kingsman: The Secret Service. Looks like 2016 is going to lose in the year-over-year comparison.
January 12th, 2015
A Walk Among the Tombstones opened in September, which is a bad sign. It did earn good reviews, but failed to find an audience in theaters. Granted, it was a September release, so perhaps that's the problem. Or perhaps Liam Neeson has done one too many similar roles and moviegoers have grown tired of these movies.
September 19th, 2014
It's an overly busy week for limited releases with nearly two-dozen films on this week's list. There are a number of films on this week's list that are earning outstanding reviews, like 20,000 Days on Earth, or strong buzz, like The Zero Theorem. But there are not a lot earning both. Films like Stop the Pounding Heart or The Guest will likely not live up to their Tomatometer Scores. Tracks is probably the film with the best chance at breakout success.
January 17th, 2014
It's the weekend after the Oscar nominations were announced and it is closing in on Sundance, so it is not a good time to release a film in limited release, as art house aficionados are focuses elsewhere. Unfortunately, there are lots of limited releases on this week's list, most of which are earning weak, or really weak reviews. There are a few that are earning good reviews, Big Bad Wolves, G.B.F., Like Father, Like Son, etc., but with the competition, I can practically guarantee that most of them will get lost in the crowd.
November 12th, 2012
Vamps was written and directed by Amy Heckerling and stars Alicia Silverstone. The pair previously worked together on Clueless, which is arguably the highlight of the careers of both women. This film won't be as big as Clueless was in theaters (although bizarrely, it did better in its second weekend than its first). But will it find an audience on the home market?
November 2nd, 2012
There are not a lot of new releases on this week's list, and even fewer that have a good shot at earning some measure of mainstream success. This Must Be the Place is probably the best bet in that regard, but fans of B-movies should try and see Miami Connection.
|11/22/2017||The Man Who Invented Christmas||Charles Dickens||$0||$0||$0|
|6/16/2017||Kill Switch||Will Porter||$0||$23,316||$23,316|
|4/14/2017||Norman: The Moderate Rise and Tragic …||Bill Kavish||$3,814,868||$1,910,367||$5,725,235|
|3/17/2017||Beauty and the Beast||Beast / Prince||$504,014,165||$753,509,711||$1,257,523,876|
|4/28/2015||Ghost Story: The Turn of the Screw||$0||$0||$0|
|12/19/2014||Night at the Museum: Secret of the Tomb||Sir Lancelot||$113,746,621||$242,800,000||$356,546,621|
|9/19/2014||A Walk Among the Tombstones||Kenny Kristo||$26,017,685||$36,090,902||$62,108,587|
|1/17/2014||Summer in February||Gilbert Evans||$1,624||$0||$1,624|
|10/18/2013||The Fifth Estate||Ian Katz||$3,254,172||$2,900,000||$6,154,172|
|11/2/2012||Vamps||Joey Van Helsing||$3,361||$91,451||$94,812|
|1/17/2014||Summer in February||Producer||$1,624||$0||$1,624|