|As an Actor||Leading||11||$2,110,809,867||$4,730,532,030||$6,841,341,897|
|Lead Ensemble Member||3||$827,435,447||$1,417,251,291||$2,244,686,738|
|Best known as a Leading Actress based on credits in that role in 11 films, with $6,841,341,897 worldwide aggregate box office (rank #5)|
|Best-Known Acting Roles: Belle (Beauty and the Beast), Hermione Granger (Harry Potter and the Deathly Hallows: Part II), Hermione Granger (Harry Potter and the Deathly Hallows: Part I), Hermione Granger (Harry Potter and the Half-Blood Prince), Hermione Granger (Harry Potter and the Order of the Phoenix)|
|Most productive collaborators: David Hoberman, Dan Stevens, Luke Evans, Todd Lieberman, Kevin Kline|
|Born: April 15th, 1990 (27 years old)|
October 19th, 2017
The Numbers celebrates is 20th anniversary this week and we have previously looked at the history of the site and its present size and scope. We wrap things up with a look at the future. The future will involve a lot more new features and this week we introduce two of the most recent two: Box Office Records for people and Weekly Breakdowns in the Annual Summaries.
June 6th, 2017
There have been three previous adaptations in Disney’s recent streak of live-action adaptations. I’ve previously reviewed all of them and only really liked Maleficent. In fact, I like Maleficent more now than I did when it first came out, because it took the characters and made an original story with them, while the other two only had minor changes, but were mostly beat-for-beat remakes. I mention all of this before even mentioning Beauty and the Beast, because this is what I want in these movies. I want a reason to watch this version rather than the original. Does this film give me a reason?
April 27th, 2017
April comes to end with two wide releases that have modest ambitions at the box office. The Circle opens in 3,163 theaters for STX Entertainment, who will be happy if it beats The Bye Bye Man’s $13.5 million opening weekend and becomes their second-best opening to date (Bad Moms holds the record for the studio, with $23.8 million—a number they would be thrilled with). Speaking of records, The Circle holds a very unusual one…
April 27th, 2017
The last weekend in April is usually a terrible weekend and this year is no different. There is only one truly wide release this week, The Circle, although How to be a Latin Lover has a shot at the top five. There are also two films opening in approximately 500 theaters hoping to sneak into the top ten: Sleight and Baahubali 2: The Conclusion. However, while it seems like a busy week for new releases, The Fate of the Furious will easily remain in first place. In fact, the top five this week could be nearly identical to the top five last week, with The Circle being the only nearly guaranteed new addition. This weekend last year, The Jungle Book led the way with $44 million, while the biggest new release was Keanu with just under $10 million. The new releases might be stronger this time around, but there’s almost no way 2017 will be able to compete with The Jungle Book.
April 1st, 2017
March was a month of extremes, led by two strong performances: Beauty and the Beast breaking records and Logan cracking $200 million with ease. There were also two other $100 million hits and another potential $100 million hit that we don’t have significant box office numbers for yet. This is fantastic. On the opposite end, there were three films on last month’s list that didn’t even open truly wide. This month won’t be as lucrative at the top, as The Fate of the Furious is the only film expected to top $100 million. Fortunately, it is expected to open with over $100 million. On the other extreme, there are many, many films on this list that I’m not sure will open wide. Fortunately, last April wasn’t any better. The Jungle Book made nearly $1 billion worldwide, but the other nine films combined made less than half of that. To emphasize: the other nine films that opened last April averaged less than $50 million worldwide each. If The Fate of the Furious can just come close to the previous installment of the franchise, then 2017 has a solid shot at topping 2016.
March 19th, 2017
Beauty and the Beast set out this weekend to show that it’s not just super heroes who can deliver big openings at the box office, and it’s doing so in some style. Disney is projecting a $170 million opening weekend for the live action fairytale, and the film is setting records around the world. At home, it’ll have the biggest March weekend of all time, and the fourth-best Saturday of all time. The studio is projecting it will have the sixth-best Sunday in history, although my money would be on it slightly outperforming today, for the fifth-best Sunday, and that it will challenge Iron Man 3’s $174 million for the sixth-best opening of all time. Only Star Wars, super heroes, and dinosaur-themed movies have done better on opening weekend.
March 1st, 2017
February was an okay month. The films that missed expectations were mostly balanced by the films that were pleasant surprises. Unfortunately, last February was amazing as Deadpool dominated the chart, so 2017 has fallen further behind 2016 and 2016’s lead is now about $100 million. It is not so bad that a good March won’t help 2017 back into the lead. Will that happen? We have some good news and some bad news. Good news: Every week there is one movie that has at least a shot at $100 million. Two of them, Logan and Beauty and the Beast, could reach $200 million or a lot more. Bad News: last March, both Zootopia and Batman v Superman: Dawn of Justice earned more than $300 million. That’s a really powerful one-two punch and I don’t think we can replicate that this time around. On the other hand, last March, the third best film of the month was 10 Cloverfield Lane, while there were four films that were expected to open wide that earned less than $10 million at the box office. 2017 likely won’t be as good at the top, but I also don’t think it will have as many bombs either. If Beauty and the Beast reaches the very high end of expectations, then 2017 could even close the gap with 2016 entirely. I’ll be happy getting halfway there.
February 9th, 2017
November 14th, 2016
November 12th, 2016
October 13th, 2016
Last weekend, Finding Dory became the 27th film to earn $1 billion worldwide. In doing so, it created a lot of interesting tidbits worth talking about. But first, the history of $1 billion movies.
April 15th, 2016
There are not a lot of new releases on this week's list, but four of the seven of of them are earning overwhelmingly positive reviews. Additionally, one of the other three, Fan, doesn't have enough reviews for a Tomatometer Score, but the first two reviews are positive. Of the best films, Sing Street is the one I expect to do the best at the box office.
October 30th, 2015
It is a short week for limited releases with nothing that looks particularly promising at the box office. Freaks of Nature might get a boost from Halloween, but I seriously doubt it. On the other hand, The Armor Of Light, Flowers, and The Wonders all are earning great reviews and have a shot at doing well in art house theaters. None of them will expand wide enough to earn a significant measure of mainstream success. It is likely none of them will crack $10,000 on the per theater average.
June 30th, 2014
With the recent weak performance of films such as Transcendence and Edge of Tomorrow at the box office, there’s been a lot of talk recently about how much actors and actresses are really worth to a film. The poor performance of these films hasn’t come as a huge surprise to followers of the Bankability Index, which produces valuations considerably below the $20 million that Johnny Depp reportedly earned from his lead role in Transcendence, and we thought this is a good opportunity to look at what the Index says about the most valuable actors and actresses in the business.
With Angelina Jolie making headlines for all the right reasons for her starring role in Maleficent, it seemed only fitting to start with an analysis of the most valuable actresses in Hollywood. For this chart, we’ve taken each star’s worldwide Bankability Index and divided it by the number of films they make each year to get an estimate of the average value they bring to a film, as of June, 2014.
March 1st, 2014
2014 continued its strong run in February with The Lego Movie beating even the high end expectations and will become the first film released in 2014 to reach $200 million. March doesn't look as strong, as no film is on track to hit $200 million, but there are five films that have a chance at $100 million. Granted, not all of them will get there; in fact, there's a chance only one of them will get there. Divergent is the film I think has the best shot at the century club, but it could be joined by Mr. Peabody and Sherman, for instance, which is earning surprisingly strong reviews. Noah is a big-budget Bible epic and the studio has to be hoping for at least $100 million, but the buzz is quite negative and there have been reports of troubles behind-the-scenes. Last March was led by Oz The Great and Powerful, which pulled in more than $200 million domestically. I don't think any film opening this March will match that figure. In addition, The Croods and G.I. Joe: Retaliation also hit the $100 million milestone, while Olympus Has Fallen came very close. Granted, there were also some big bombs last March, like The Host, but even so, I think 2014 will lose ground in the year-over-year comparison.
November 13th, 2013
On Tuesday we launched The Numbers Bankability Index, a new service to help assess the value that different people bring to the industry, from actors and actresses to directors, screenwriters, producers, and anyone else involved in the creative process of making a movie. In this article, I'll look more deeply into how the Index is compiled, and how we use the tools behind it to analyze questions about people in movies.
If you haven't already, now's a good time to look at our announcement video, and the November Edition of the Worldwide Bankability Index.
June 14th, 2013
This week's list of limited releases is dominated by horror films and documentaries, which is not a good sign, as neither genre tends to do well at the box office. Documentaries tend to have a better shot at thriving in the art house circuit, but rarely expand wide enough to earn any of mainstream success. On the other hand, one film is opening that has a lot of buzz: The Bling Ring. Given its pedigree, it should open well. But given its reviews, it likely won't last very long.
|4/28/2017||The Circle||Mae Holland||$20,497,844||$20,154,020||$40,651,864|
|3/17/2017||Beauty and the Beast||Belle||$504,014,165||$753,509,711||$1,257,523,876|
|6/14/2013||The Bling Ring||Nicki||$5,845,732||$6,561,759||$12,407,491|
|6/12/2013||This is the End||Emma Watson||$101,470,202||$25,068,915||$126,539,117|
|9/21/2012||The Perks of Being a Wallflower||Sam||$17,742,948||$15,326,355||$33,069,303|
|11/23/2011||My Week with Marilyn||Lucy||$14,597,405||$19,643,167||$34,240,572|
|7/15/2011||Harry Potter and the Deathly Hallows:…||Hermione Granger||$381,011,219||$960,500,000||$1,341,511,219|
|11/19/2010||Harry Potter and the Deathly Hallows:…||Hermione Granger||$295,983,305||$664,300,000||$960,283,305|
|7/15/2009||Harry Potter and the Half-Blood Prince||Hermione Granger||$301,959,197||$633,124,489||$935,083,686|
|12/19/2008||The Tale of Despereaux||Princess Pea||$50,877,145||$39,605,172||$90,482,317|
|7/11/2007||Harry Potter and the Order of the Pho…||Hermione Granger||$292,004,738||$650,939,197||$942,943,935|
|11/18/2005||Harry Potter and the Goblet of Fire||Hermione Granger||$290,013,036||$606,898,042||$896,911,078|
|6/4/2004||Harry Potter and the Prisoner of Azkaban||Hermione Granger||$249,538,952||$547,149,597||$796,688,549|
|11/15/2002||Harry Potter and the Chamber of Secrets||Hermione Granger||$261,987,880||$616,991,754||$878,979,634|
|11/16/2001||Harry Potter and the Sorcerer’s Stone||Hermione Granger||$317,575,550||$657,179,821||$974,755,371|