|Best known as a Director based on credits in that role in 12 films, with $2,107,276,289 worldwide aggregate box office (rank #36)|
|Best-Known Technical Roles: Gone Girl (Director), The Curious Case of Benjamin Button (Director), The Girl with the Dragon Tattoo (Director), The Social Network (Director), Panic Room (Director)|
|Best-Known Acting Roles: Christopher Bing (Being John Malkovich), Himself (Hitchcock/Truffaut), Himself (Side by Side)|
|Most productive collaborators: Ben Affleck, Cean Chaffin, Brad Pitt, Rosamund Pike, Gillian Flynn|
December 17th, 2014
The Hobbit: The Battle of the Five Armies started its international run earning first place with $122.2 million on 15,395 screens in 37 markets. Not only did it earn the best opening of The Hobbit Trilogy, but it was often times the biggest opening in Peter Jackson's career, or even occasionally in Warner Bros' history. Its biggest opening came in Germany where it pulled in $20.5 million on 1,442 screens. Next up was the U.K. and France, which had nearly identical openings of $15.2 million on 1,489 screens and $15.1 million on 914 screens respectively. It earned $13.56 million on 2,390 screens in Russia. Brazil and Mexico were neck-and-neck with $6.8 million on 1,037 screens and $6.3 million on 2,775 screens respectively. It earned $2.4 million on 640 screens in Japan, which seems low compared to the other markets, but it is nearly double the debut The Desolation of Smaug earned.
December 11th, 2014
The Golden Globes nominations were announced this morning, at three in the morning, because the people at Golden Globes are under the delusion that news announced at 3:00 a.m. is somehow more important if it is announced before anyone is awake. As for the actual nominations, like with the Independent Spirit Awards and the SAG nominations, Birdman led the way. It earned seven nominations, while Boyhood and The Imitation Game tied for second with five apiece. Starting to notice a pattern here? This could be a really dull Awards Season with very few surprises. On the other hand, predictable means less work for me. Plus, predictable probably means the Awards Season voters are making the right choices, as surprises usually mean someone made the wrong choice.
November 27th, 2014
The Hunger Games: Mockingjay, Part 1 opened in first place on the international chart with $154.3 million in 85 markets for a worldwide opening of $276.2 million. Its international opening was about 4% higher than the previously entry in the franchise. The film managed $19.8 million in the U.K. and $13.8 million in Germany. This was 5% and 9% higher than the previous film's debut in those two markets. Mockingjay, Part 1 opened 19% higher in Russia with $11.9 million. The film also topped $10 million in Mexico ($12 million) and Australia ($10.3 million).
November 20th, 2014
Interstellar remained in first place with $107.9 million in 63 markets over the weekend for totals of $225.8 million internationally and $322.7 million worldwide. This might be enough to cover the film's production budget, but probably not. That said, by this time next week, its worldwide total will be close to $500 million, which should put the film in the black. This weekend the film opened in first place in China with $42.67 million during its five-day opening. Perhaps more impressively, the film grew by 6% in South Korea helping it remain in first place with $13.13 million on 1,410 screens over the weekend for a total of $35.24 million after two weeks of release. It didn't hold up quite as well in the U.K., but still remained in first place with $5.91 million on 576 screens over the weekend for a total of $19.11 million.
November 13th, 2014
As expected, Interstellar opened in first place on the international chart earning $82.90 million on 14,800 screens in 62 markets during its opening weekend. As you may or may not know, we introduced a new comprehensive look at the international numbers, so there's little more than needs to be said here. I will point out that the film's opening in South Korea was particularly strong at $12.46 million on 1,310 screens over the weekend, for a total opening of $14.21 million. The film also opened in first place in the U.K., with $8.53 million on 1,298 screens, which is about on par with its domestic opening, given the relative size of the two markets. Russia was close behind with $8.00 million on 1,800 screens. The film opened in China this week and those numbers should help the film remain in first place next weekend.
November 6th, 2014
Teenage Mutant Ninja Turtles roared into first place with $34.9 million in 31 markets over the weekend for a running tally of $244.2 million internationally and $434.7 million worldwide. This includes a first place, $26.52 million opening in China. This is the film's last major market opening until it debuts in Japan in February. The film is aiming for $500 million worldwide by that time, but it is hard to tell how long a film's legs in China will be.
November 2nd, 2014
Halloween weekend will be fought to the finish at the box office, with newcomer Nightcrawler and horror flick Ouija neck and neck, based on Sunday’s projections. Open Road’s 3-day projected number for Nightcrawler is $10,909,000, which technically gives it the edge over Universal’s $10,900,240 prediction for Ouija, but Ouija as of this morning, so it will all come down to whether Nightcrawler can win Sunday by a large enough margin to steal the race at the end. The tracking we’re seeing suggests that Ouija will just squeak out a win, but it could still go either way.
October 29th, 2014
Annabelle rose from fifth to first place on the international market with $26.5 million in 62 markets for an international total of $126.7 million after a month of release. Obviously there will be another installment in this franchise. This past weekend, the film dominated Latin America earning first place in Mexico with $7.61 million on 2,742 screens over the weekend for a total opening of $10.87 million. This was double the original film's opening in that market. The film also earned top spot in Argentina ($1.4 million on 202 screens) and in Peru ($1.3 million). The film was pushed into second place in Brazil, but still managed $2.13 million on 388 screens over the weekend for a three-week total of $11.35 million.
October 22nd, 2014
Not only did Guardians of the Galaxy return to top spot on the international chart this past weekend, it reached two major milestones along the way. Over the weekend, it pulled in $23.1 million in 22 markets for totals of $404.8 million internationally and $732.6 million worldwide. The film earned $37.97 million in China, but that was for the full week, giving it $69.04 million after ten days of release. The film has yet to open in Italy and it might have a shot at $800 million worldwide by the time it ends its run there.
October 16th, 2014
Dracula Untold rose to first place with $33.9 million in 42 markets for a two-week total of $62.6 million. This week's biggest new market was Russia, where it pulled in first place with $9.81 million on 1,068 screens. It opened in second place in South Korea with $2.65 million on 477 screens over the weekend for a total opening of $4.29 million. Mexico led the holdovers with $2.78 million on 1,624 screens over the weekend for a two-week total of $9.30 million in that market.
October 14th, 2014
There were four new releases in the top ten, plus another that just missed that mark. Despite the competition, Gone Girl remained in first place and it earned a little more than expected. The biggest surprise was Dracula Untold, which earned first place on Friday and nearly took first place over the weekend. Alexander and the Terrible, Horrible, No Good, Very Bad Day grabbed third place, while there were other reasons to celebrate lower on the chart as well. Overall, the box office was on par with last weekend at $147 million. It was technically higher, but by 0.2%. Compared to last year, the box office was 26% higher, which was much better than anticipated. 2014 is still well behind 2013 by more than $300 million at $7.87 billion to $8.18 million, but every little bit helps. At this point, we are more concerned about limiting the losses than we are worried about completing the comeback.
October 9th, 2014
This weekend there are four new wide releases; however, none of them are expected to be big hits. In fact, Gone Girl is widely expected to repeat in first place, while Annabelle might have a shot at second place. Three of the new releases will likely finish in the midteens with Alexander and the Terrible, Horrible, No Good, Very Bad Day currently on track to become the best of the bad bunch of new films. The Judge has taken a huge tumble as far as analysts are concerned. Dracula Untold is in the mix and might earn second place, but it might also earn fifth. Regardless, it won't do well enough for a film that cost $100 million to make. Then there's Addicted, a movie whose buzz is so quiet I forgot it was opening this week. This weekend last year, Gravity again led the way with $43.19 million, while Captain Phillips opened in second place with $25.72 million. There's no chance any film will match Gravity. In fact, the top film this week will very likely be behind Captain Phillips. On the other hand, last year only one other film earned more than $4 million, so the depth was terrible. I think the depth this week should be enough to eke out a win.
October 7th, 2014
As expected, Gone Girl won the race for top spot on the box office chart this weekend. However, while it earned more than expected, Annabelle still managed to make it a really close race. These two films, as well as the rest of the top five, all beat predictions and this lead to the overall box office growing 38% to $147 million. More impressively, this was 16% better than the same weekend last year. I was not expected 2014 to come out ahead on the year-over-year comparison, which makes this win so much more spectacular. Year-to-date, 2014 is still behind 2013 by a substantial margin of $370 million or 4.6% at $8.05 billion to $7.68 billion.
October 2nd, 2014
The first weekend in October promises to be better than the average weekend in September was, but then again, it would practically have to. Gone Girl is aiming for first place and most analysts think it will get there. On the other, Annabelle has an outside shot at top spot over the weekend. That seems unlikely, but thanks to its genre, it has a better shot at earning first place on Friday's daily chart. The final wide release of the week is Left Behind, which as it turns out isn't opening truly wide. The buzz is so bad that some expect the film to open below the Mendoza Line. This weekend last year, Gravity opened in first place with $55.79 million. No film is going to open with that much money. In fact, all three wide releases combined might not make that much. 2014 is going to lose in the year-over-year comparison, but frankly we should all be used to that by now.
September 30th, 2014
September is over and while it got off to a bad start, a really, really, truly terrible start, it actually ended on a bit of a strong note. Granted, no film has yet to reach $100 million, but The Maze Runner and The Equalizer both could get there in the end. As for October, we might go another month without a $100 million hit. There are a couple of films that have the potential to reach the century mark, Gone Girl and Fury. Hopefully they will get there, but given the recent box office woes, it is probably best to keep expectations low. Last October, there were two films that earned more than $100 million. Bad Grandpa just made it passed that mark. On the other hand, Gravity was a monster hit earning nearly $275 million. It you compare its run to this year's batch of films, it only ranks behind Guardians of the Galaxy. ... There's no way any film opening this month is going to match that. ... There no way the top two films will match that. ... The top three films might not match that. ... 2014 is going to get crushed in the year-over-year comparison and by the end of the month, it will be safe to say its chances of ever catching up to 2013 will be over. It is going to be a depressing month.
|8/17/2012||Side by Side||Himself||$58,825||$8,229||$67,054|
|10/29/1999||Being John Malkovich||Christopher Bing||$22,858,926||$9,523,455||$32,382,381|
|12/31/2017||Strangers on a Train||Director||$0||$0||$0|
|12/20/2011||The Girl with the Dragon Tattoo||Director||$102,515,793||$136,858,177||$239,373,970|
|10/1/2010||The Social Network||Director||$96,962,694||$127,959,441||$224,922,135|
|12/25/2008||The Curious Case of Benjamin Bu…||Director||$127,509,326||$202,300,000||$329,809,326|