Box Office Star Records > International > Lifetime All Technical Roles > Top International Technical Roles
Top People in Technical Roles at the International Box Office (Rank 101-200)BETA
See also: Top Domestic Technical Roles - Top Worldwide Technical Roles
This list shows the highest grossing technical roles of all people based on the international box office of the movies they worked on.
Since we are still actively researching technical roles, we consider this chart to be in beta mode. The table includes data for movies in The Numbers database. While we make every effort to collect all available data, there are inevitably omissions and errors. Please help us by sending corrections to corrections@the-numbers.com.
| Rank | Name | International Box Office |
Movies | Average | Role |
|---|---|---|---|---|---|
| 101 | Kelly Port | $6,466,585,358 | 16 | $404,161,585 | Visual Effects Supervisor |
| 102 | James Cameron | $6,458,354,221 | 10 | $645,835,422 | Screenwriter |
| 103 | Robert Taylor | $6,408,631,326 | 14 | $457,759,380 | Associate Producer |
| 104 | Erik Aadahl | $6,378,576,815 | 23 | $277,329,427 | Supervising Sound Editor |
| 105 | James Cameron | $6,373,768,111 | 9 | $708,196,457 | Producer |
| 106 | Howard Shore | $6,341,101,360 | 48 | $132,106,278 | Composer |
| 107 | Shannon Mills | $6,275,672,608 | 19 | $330,298,558 | Sound Designer |
| 108 | Daniel Laurie | $6,265,197,718 | 10 | $626,519,772 | Supervising Sound Editor |
| 109 | Steve Orlando | $6,253,178,415 | 12 | $521,098,201 | Sound Effects Editor |
| 110 | Stephen McFeely | $6,111,589,249 | 11 | $555,599,023 | Screenwriter |
| 111 | Christopher Markus | $6,111,589,249 | 11 | $555,599,023 | Screenwriter |
| 112 | Stephen Rivkin | $6,100,641,912 | 14 | $435,760,137 | Editor |
| 113 | Harry Gregson-Williams | $6,084,484,368 | 48 | $126,760,091 | Composer |
| 114 | Jon Taylor | $6,074,207,683 | 33 | $184,066,899 | Re-recording Mixer |
| 115 | Steven Spielberg | $6,072,647,081 | 30 | $202,421,569 | Director |
| 116 | D.M. Hemphill | $6,070,216,186 | 45 | $134,893,693 | Re-recording Mixer |
| 117 | Matthew Wood | $6,059,163,434 | 22 | $275,416,520 | Supervising Sound Editor |
| 118 | Brian Smrz | $6,026,353,793 | 27 | $223,198,289 | Second Unit Director |
| 119 | Jed Loughran | $6,026,139,040 | 20 | $301,306,952 | Sound Effects Editor |
| 120 | Kenneth Karman | $6,012,835,941 | 57 | $105,488,350 | Music Editor |
| 121 | James Cameron | $6,007,753,468 | 10 | $600,775,347 | Director |
| 122 | Richard Brener | $5,962,100,575 | 68 | $87,677,950 | Executive Producer |
| 123 | Greg Powell | $5,958,858,778 | 17 | $350,521,105 | Stunt Coordinator |
| 124 | David Brenner | $5,950,613,348 | 15 | $396,707,557 | Editor |
| 125 | Simon Crane | $5,938,946,520 | 19 | $312,576,133 | Stunt Coordinator |
| 126 | John Knoll | $5,927,169,530 | 12 | $493,930,794 | Visual Effects Supervisor |
| 127 | Fiona Weir | $5,912,558,979 | 31 | $190,727,709 | Casting Director |
| 128 | Toby Emmerich | $5,863,007,414 | 61 | $96,114,876 | Executive Producer |
| 129 | Alexandre Desplat | $5,852,215,663 | 59 | $99,190,096 | Composer |
| 130 | Anna Behlmer | $5,850,731,089 | 55 | $106,376,929 | Re-recording Mixer |
| 131 | Richard King | $5,820,959,266 | 29 | $200,722,733 | Supervising Sound Editor |
| 132 | Natalie Lyon | $5,795,299,596 | 14 | $413,949,971 | Casting Director |
| 133 | Scott Millan | $5,764,797,326 | 42 | $137,257,079 | Re-recording Mixer |
| 134 | Lorenzo di Bonaventura | $5,750,751,105 | 35 | $164,307,174 | Producer |
| 135 | Lucy Bevan | $5,748,168,442 | 35 | $164,233,384 | Casting Director |
| 136 | Peter J. Devlin | $5,737,491,909 | 21 | $273,213,900 | Sound Mixer |
| 137 | Bill Brzeski | $5,729,480,224 | 16 | $358,092,514 | Production Designer |
| 138 | Sallie Hard | $5,710,385,048 | 39 | $146,420,129 | Assistant Director |
| 139 | Avi Arad | $5,651,793,673 | 25 | $226,071,747 | Producer |
| 140 | Charles Roven | $5,649,457,890 | 24 | $235,394,079 | Producer |
| 141 | Stuart Wilson | $5,648,216,031 | 14 | $403,444,002 | Sound Mixer |
| 142 | Heitor Pereira | $5,647,155,972 | 25 | $225,886,239 | Composer |
| 143 | Jon Landau | $5,641,409,494 | 5 | $1,128,281,899 | Producer |
| 144 | Ron Bartlett | $5,637,142,262 | 46 | $122,546,571 | Re-recording Mixer |
| 145 | Jon Favreau | $5,621,291,512 | 7 | $803,041,645 | Executive Producer |
| 146 | Neil Lamont | $5,569,545,082 | 11 | $506,322,280 | Supervising Art Director |
| 147 | Colleen Atwood | $5,561,431,966 | 35 | $158,898,056 | Costume Designer |
| 148 | Mike Stenson | $5,560,986,038 | 23 | $241,782,002 | Executive Producer |
| 149 | J.K. Rowling | $5,539,648,578 | 9 | $615,516,509 | Story Creator |
| 150 | Nia Hansen | $5,528,858,632 | 9 | $614,317,626 | Sound Designer |
| 151 | Thomas Newman | $5,462,782,098 | 48 | $113,807,960 | Composer |
| 152 | Anna Pinnock | $5,451,456,167 | 16 | $340,716,010 | Set Decorator |
| 153 | John Mahaffie | $5,409,616,871 | 13 | $416,124,375 | Second Unit Director |
| 154 | Steve Kloves | $5,405,205,487 | 10 | $540,520,549 | Screenwriter |
| 155 | Gary Rydstrom | $5,404,146,365 | 20 | $270,207,318 | Re-recording Mixer |
| 156 | Mary Vernieu | $5,389,982,765 | 113 | $47,698,963 | Casting Director |
| 157 | Richard Taylor | $5,388,975,857 | 6 | $898,162,643 | Costume Designer |
| 158 | Alexander Witt | $5,367,464,770 | 24 | $223,644,365 | Second Unit Director |
| 159 | Richard King | $5,365,756,397 | 25 | $214,630,256 | Sound Designer |
| 160 | Walter Hamada | $5,362,641,596 | 27 | $198,616,355 | Executive Producer |
| 161 | Steve Ditko | $5,332,000,990 | 9 | $592,444,554 | Story Creator |
| 162 | Matthew Schmidt | $5,254,056,109 | 7 | $750,579,444 | Editor |
| 163 | Tom MacDougall | $5,237,624,906 | 13 | $402,894,224 | Music Supervisor |
| 164 | Andrew Lesnie | $5,224,970,423 | 12 | $435,414,202 | Cinematographer |
| 165 | Chris Munro | $5,190,113,609 | 26 | $199,619,754 | Sound Mixer |
| 166 | Lindy Hemming | $5,161,417,760 | 18 | $286,745,431 | Costume Designer |
| 167 | John Hubbard | $5,114,232,744 | 24 | $213,093,031 | Casting Director |
| 168 | Shannon Mills | $5,092,037,096 | 15 | $339,469,140 | Sound Effects Editor |
| 169 | Samson Neslund | $5,081,836,516 | 13 | $390,910,501 | Sound Effects Editor |
| 170 | Mike Prestwood Smith | $5,078,095,970 | 30 | $169,269,866 | Re-recording Mixer |
| 171 | Dariusz Wolski | $5,067,065,175 | 24 | $211,127,716 | Cinematographer |
| 172 | Janet Healy | $5,050,947,338 | 12 | $420,912,278 | Producer |
| 173 | Robert Legato | $5,036,679,968 | 11 | $457,879,997 | Visual Effects Supervisor |
| 174 | Christian Wagner | $5,031,963,628 | 21 | $239,617,316 | Editor |
| 175 | Michael Lerman | $5,028,678,220 | 14 | $359,191,301 | Assistant Director |
| 176 | John Debney | $5,004,075,997 | 79 | $63,342,734 | Composer |
| 177 | Margery Simkin | $4,984,368,667 | 21 | $237,350,889 | Casting Director |
| 178 | Lee Smith | $4,943,386,014 | 21 | $235,399,334 | Editor |
| 179 | Paul Rubell | $4,935,571,778 | 19 | $259,766,936 | Editor |
| 180 | Ronna Kress | $4,926,544,529 | 53 | $92,953,670 | Casting Director |
| 181 | Dana Goldberg | $4,925,441,329 | 28 | $175,908,619 | Executive Producer |
| 182 | Stephen Woolfenden | $4,922,791,730 | 11 | $447,526,521 | Second Unit Director |
| 183 | Josh Robertson | $4,921,767,662 | 16 | $307,610,479 | Assistant Director |
| 184 | Lauren Shuler Donner | $4,909,604,913 | 28 | $175,343,033 | Producer |
| 185 | Chris Morgan | $4,894,894,476 | 12 | $407,907,873 | Screenwriter |
| 186 | Chris Lebenzon | $4,893,408,546 | 29 | $168,738,226 | Editor |
| 187 | Patricia Whitcher | $4,892,716,197 | 12 | $407,726,350 | Executive Producer |
| 188 | Ernie Avila | $4,858,607,833 | 21 | $231,362,278 | Set Designer |
| 189 | Peter Jackson | $4,853,285,819 | 16 | $303,330,364 | Producer |
| 190 | Cliff Lanning | $4,848,231,490 | 28 | $173,151,125 | Assistant Director |
| 191 | Alan Meyerson | $4,842,961,410 | 20 | $242,148,071 | Score Mixer |
| 192 | Stephen F. Windon | $4,834,151,765 | 11 | $439,468,342 | Cinematographer |
| 193 | Vin Diesel | $4,833,778,087 | 11 | $439,434,372 | Producer |
| 194 | Jack Cucci | $4,809,419,033 | 25 | $192,376,761 | Foley Mixer |
| 195 | Dan Lemmon | $4,799,427,073 | 7 | $685,632,439 | Visual Effects Supervisor |
| 196 | Chris Jenkins | $4,797,916,581 | 48 | $99,956,595 | Re-recording Mixer |
| 197 | Deborah Aquila | $4,793,358,699 | 69 | $69,468,967 | Casting Director |
| 198 | Trent Opaloch | $4,790,527,320 | 7 | $684,361,046 | Cinematographer |
| 199 | Kyle Gardiner | $4,788,985,841 | 15 | $319,265,723 | Stunt Coordinator |
| 200 | Lorne Balfe | $4,778,379,862 | 37 | $129,145,402 | Composer |
The International Market is defined as all territories excluding the United States, Canada, Puerto Rico and Guam.
This table is updated daily to reflect the latest studio reports.
Note: This chart is not adjusted for inflation.