Synopsis
Fierce gang boss Jang Dong-su is violently attacked after a fender bender on a rainy night. After fighting back, he barely escapes, however his reputation as a feared leader is damaged beyond repair. The only way to restore his image is to find his attacker and exact revenge. Jang teams up with Detective Jung Tae-seok to find the assailant, but soon discovers the attacker is actually a serial killer. With no support from the police department, Detective Jung is forced to use gang boss Jang’s resources in order to track down the killer. The two men must work together to find a man simply known as “K”.
Metrics
Movie Details
June 13th, 2019
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2019 set a new record on the theater average chart, as Late Night got off to the fastest start for a limited release so far earning an average of $61,576 in four theaters during its opening weekend. This is better than Echo in the Canyon managed just two weeks ago, although Avengers: Endgame still owns the overall record with an average of $76,601. The Last Black Man in San Francisco also did incredibly well with an average of $33,610 in seven theaters. This Ones for the Ladies was well back with an opening of $13,688 in one theater. Meanwhile, the overall number one film, The Secret Life of Pets 2, was the final film in the $10,000 club with an average of $10,229.
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June 7th, 2019
Late Night should be the biggest box office hit of the week with an already scheduled wide expansion next weekend. However, it isn’t the only film that has a chance to do well. The Last Black Man in San Francisco is also earning some strong buzz, while there are a number of documentaries vying for audiences this week.
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May 29th, 2019
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Aladdin opened with $121.0 million in 54 markets earning first place on the international chart. Add in its three-day domestic debut and it had a global opening of $212.5 million at the end of business on Sunday. The film’s biggest market was China, where it managed $18.92 million over the weekend, earning first place along the way. It was also number one in the U.K. with $8.97 million and it topped the chart in Mexico with $8.78 million. The latter is more impressive, given the relative size of the two markets. On the downside, the film was expensive to make and it only has one major market left to debut in (Japan), so it will need long legs to break even in a timely fashion.
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Because some of our sources provide box office data in their local currency, while we use USD in the graph above and table below, exchange rate fluctuations can have effect on the data causing stronger increases or even decreases of the cumulative box office.
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Screens | Per Screen | Total Gross | Week |
|---|
| 2019/05/17 |
1 |
$8,476,958 |
|
1,307 |
$6,486 |
$11,022,383 |
1 |
| 2019/05/24 |
2 |
$5,611,162 |
-34% |
1,132 |
$4,957 |
$20,469,966 |
2 |
| 2019/05/31 |
4 |
$1,211,198 |
-78% |
620 |
$1,954 |
$24,147,332 |
3 |
| 2019/06/07 |
7 |
$109,528 |
-91% |
128 |
$856 |
$24,509,572 |
4 |
| 2019/06/14 |
12 |
$29,453 |
-73% |
54 |
$545 |
$24,720,220 |
5 |
| 2019/06/21 |
24 |
$4,089 |
-86% |
13 |
$315 |
$25,154,330 |
6 |
| 2019/06/28 |
- |
$2,274 |
-44% |
8 |
$284 |
$24,876,816 |
7 |
| 2019/07/05 |
- |
$2,212 |
-3% |
6 |
$369 |
$24,807,330 |
8 |
| 2019/07/12 |
- |
$2,103 |
-5% |
6 |
$351 |
$24,658,578 |
9 |
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue
are available through our research services. For more information, please contact us at research@the-numbers.com.
For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.
Production and Technical Credits
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