Brazil Box Office for O telefono preto 2 (2025)
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Synopsis
As Finn, now 17, struggles with life after his captivity, the headstrong 15-year-old Gwen begins receiving calls in her dreams from the black phone and seeing disturbing visions of three boys being stalked at a winter camp known as Alpine Lake. Determined to solve the mystery and end the torment for both her and her brother, Gwen persuades Finn to visit the camp during a winter storm. There, she uncovers a shattering intersection between The Grabber and her own family’s history. Together, she and Finn must confront a killer who has grown more powerful in death and more significant to them than either could imagine.
Metrics
Movie Details
| Production Budget: | $30,000,000 |
| Brazil Releases: |
October 16th, 2025 (Wide), released as O telefono preto 2 |
| Video Release: |
November 4th, 2025 by Universal Home Entertainment |
| MPAA Rating: |
R for strong violent content, gore, teen drug use, and language.
(Rating bulletin 2897 (cert #55619), 8/6/2025) |
| Running Time: |
114 minutes |
| Franchise: |
The Black Phone |
| Keywords: |
Filmed in Canada, Psychological Horror, Serial Killer, Supernatural Horror, 1980s, 1950s, Dream Sequence, Young Child Dealing with the Death of a Parent, Faked Suicide, Camping, Extreme Weather, PTSD, Addiction |
| Source: | Based on Fiction Book/Short Story |
| Genre: | Horror |
| Production Method: | Live Action |
| Creative Type: | Historical Fiction |
| Production/Financing Companies: |
Blumhouse, Crooked Highway Productions |
| Production Countries: |
United States |
| Languages: |
English |
Because some of our sources provide box office data in their local currency, while we use USD in the graph above and table below, exchange rate fluctuations can have effect on the data causing stronger increases or even decreases of the cumulative box office.
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Screens | Per Screen | Total Gross | Week |
|---|
| 2025/10/17 |
- |
$1,161,000 |
|
734 |
$1,582 |
$1,161,000 |
1 |
| 2025/10/24 |
- |
$740,000 |
-36% |
733 |
$1,010 |
$2,269,000 |
2 |
| 2025/10/31 |
- |
$544,000 |
-26% |
578 |
$941 |
$3,053,000 |
3 |
| 2025/11/07 |
- |
$347,000 |
-36% |
555 |
$625 |
$3,571,000 |
4 |
| 2025/11/14 |
- |
$129,000 |
-63% |
384 |
$336 |
$3,789,000 |
5 |
Box Office Summary Per Territory
| Territory |
Release
Date |
Opening
Weekend |
Opening
Weekend
Screens |
Maximum
Screens |
Theatrical
Engagements |
Total
Box Office |
Report
Date |
| Argentina |
10/16/2025 |
$299,000 |
232 |
232 |
583 |
$1,157,000 |
11/17/2025 |
| Australia |
10/16/2025 |
$908,780 |
0 |
0 |
0 |
$2,990,440 |
11/24/2025 |
| Austria |
10/16/2025 |
$0 |
0 |
50 |
95 |
$374,000 |
11/10/2025 |
| Belgium |
10/15/2025 |
$0 |
0 |
51 |
89 |
$638,000 |
11/10/2025 |
| Brazil |
10/16/2025 |
$1,161,000 |
734 |
734 |
2984 |
$3,789,000 |
11/17/2025 |
| Central America |
10/16/2025 |
$348,000 |
149 |
149 |
294 |
$948,000 |
11/10/2025 |
| Chile |
10/16/2025 |
$195,000 |
80 |
80 |
225 |
$857,000 |
11/10/2025 |
| Colombia |
10/16/2025 |
$419,000 |
222 |
222 |
525 |
$1,372,000 |
11/10/2025 |
| Croatia |
10/16/2025 |
$40,749 |
32 |
32 |
106 |
$155,641 |
11/21/2025 |
| Czech Republic |
10/16/2025 |
$122,478 |
124 |
124 |
324 |
$479,343 |
11/25/2025 |
| Denmark |
10/16/2025 |
| $0 | 00 | 0 | $0 | |
| Ecuador |
10/16/2025 |
$0 |
0 |
51 |
51 |
$334,000 |
10/27/2025 |
| Finland |
10/17/2025 |
$104,170 |
75 |
75 |
258 |
$313,930 |
11/17/2025 |
| France |
10/15/2025 |
$591,000 |
261 |
261 |
835 |
$1,940,000 |
11/10/2025 |
| Germany |
10/23/2025 |
$781,000 |
340 |
354 |
1270 |
$2,225,000 |
11/17/2025 |
| Greece |
10/16/2025 |
$0 |
0 |
47 |
47 |
$289,000 |
10/27/2025 |
| Hong Kong |
10/16/2025 |
| $0 | 00 | 0 | $0 | |
| Hungary |
10/16/2025 |
$0 |
0 |
65 |
65 |
$288,000 |
10/27/2025 |
| India |
10/30/2025 |
$41,000 |
124 |
124 |
124 |
$41,000 |
11/3/2025 |
| Israel |
10/16/2025 |
$0 |
0 |
30 |
57 |
$479,000 |
11/10/2025 |
| Italy |
10/16/2025 |
$510,686 |
0 |
0 |
0 |
$1,361,311 |
11/3/2025 |
| Japan |
11/21/2025 |
| $0 | 00 | 0 | $0 | |
| Kazakhstan |
10/16/2025 |
$0 |
0 |
88 |
88 |
$216,000 |
10/27/2025 |
| Mexico |
10/16/2025 |
$4,416,784 |
0 |
0 |
0 |
$12,365,883 |
11/27/2025 |
| Netherlands |
10/16/2025 |
$193,018 |
91 |
96 |
345 |
$711,814 |
11/10/2025 |
| New Zealand |
10/16/2025 |
$64,712 |
0 |
0 |
0 |
$206,008 |
11/24/2025 |
| North America |
10/17/2025 |
$27,332,040 |
3,411 |
3,460 |
16,765 |
$76,729,235 |
11/20/2025 |
| Norway |
10/17/2025 |
$0 |
0 |
64 |
64 |
$282,000 |
10/27/2025 |
| Others Middle East |
10/16/2025 |
$300,000 |
80 |
89 |
169 |
$478,000 |
10/27/2025 |
| Peru |
10/16/2025 |
$303,000 |
109 |
109 |
256 |
$946,000 |
11/10/2025 |
| Poland |
10/17/2025 |
$341,000 |
157 |
157 |
378 |
$1,045,000 |
11/10/2025 |
| Portugal |
10/16/2025 |
$90,399 |
0 |
0 |
0 |
$368,626 |
11/25/2025 |
| Romania |
10/17/2025 |
$117,093 |
0 |
0 |
0 |
$437,420 |
11/27/2025 |
| Russia (CIS) |
10/16/2025 |
$165,011 |
150 |
150 |
412 |
$379,650 |
11/5/2025 |
| Saudi Arabia |
10/16/2025 |
$355,000 |
68 |
68 |
162 |
$788,000 |
11/10/2025 |
| Slovakia |
10/16/2025 |
$43,020 |
61 |
61 |
149 |
$112,199 |
11/11/2025 |
| South Africa |
10/17/2025 |
| $0 | 00 | 0 | $0 | |
| South Korea |
10/29/2025 |
$30,250 |
0 |
0 |
0 |
$50,983 |
11/5/2025 |
| Spain |
10/24/2025 |
$763,744 |
295 |
302 |
1078 |
$2,569,288 |
11/20/2025 |
| Sweden |
10/17/2025 |
$0 |
0 |
73 |
73 |
$349,000 |
10/27/2025 |
| Switzerland |
10/16/2025 |
| $0 | 00 | 0 | $0 | |
| Switzerland (German Speaking) |
10/16/2025 |
$0 |
0 |
0 |
0 |
$165,000 |
10/27/2025 |
| Turkey |
10/17/2025 |
$68,517 |
170 |
170 |
410 |
$200,858 |
11/20/2025 |
| Ukraine |
10/16/2025 |
$0 |
0 |
117 |
117 |
$211,000 |
10/27/2025 |
| United Arab Emirates |
10/16/2025 |
$425,000 |
63 |
63 |
117 |
$695,000 |
10/27/2025 |
| United Kingdom |
10/17/2025 |
$1,469,930 |
552 |
552 |
1901 |
$4,777,771 |
11/12/2025 |
| Vietnam |
10/31/2025 |
$95,000 |
187 |
187 |
187 |
$95,000 |
11/3/2025 |
| |
| Rest of World |
$6,233,051 |
|
| |
| Worldwide Total | $130,444,451 |
11/27/2025 |
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue
are available through our research services at a cost. For more information, please contact us at research@the-numbers.com.
For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.
Production and Technical Credits
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