Portugal Box Office for Bullet Train: Comboio Bala (2022)

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Bullet Train
Theatrical Performance (US$)
Portugal Box Office $998,432Details
Worldwide Box Office $238,534,963Details
Home Market Performance
North America DVD Sales $2,672,736 Details
North America Blu-ray Sales $5,846,889 Details
Total North America Video Sales $8,519,625
Further financial details...

  1. Summary
  2. News
  3. Box Office
  4. Worldwide
  5. Full Financials
  6. Cast & Crew
  7. Trailer

Synopsis

Ladybug is an unlucky assassin determined to do his job peacefully after one too many gigs gone off the rails. Fate, however, may have other plans, as Ladybug’s latest mission puts him on a collision course with lethal adversaries from around the globe—all with connected, yet conflicting, objectives—on the world's fastest train… and he’s got to figure out how to get off.

Metrics

Movie Details

Production Budget:$85,900,000
Portugal Releases: August 4th, 2022 (Wide), released as Bullet Train: Comboio Bala
Video Release: September 27th, 2022 by Sony Pictures Home Entertainment
MPAA Rating: R for strong and bloody violence, pervasive language, and brief sexuality.
(Rating bulletin 2741 (Cert #53043), 7/20/2022)
Running Time: 126 minutes
Keywords: Action Thriller, Hitmen, One Last Job, Set in Japan, Trains, Filmed in Los Angeles, CA
Source:Based on Comic/Graphic Novel
Genre:Thriller/Suspense
Production Method:Live Action
Creative Type:Contemporary Fiction
Production/Financing Companies: 87North, Columbia Pictures
Production Countries: United States
Languages: English

Weekend predictions: will Don't Worry, Darling’s strong previews translate into a great opening weekend?

September 23rd, 2022

Don’t Worry Darling

After a months-long (social) media frenzy, Don’t Worry, Darling finally hits theaters this weekend, and Warner Bros. and theater owners had enough confidence in the film to book it in 4,113 movie houses, the widest opening since Bullet Train at the beginning of August. That film earned $4.6 million in previews on its way to a $30-million opening weekend. Now, Don’t Worry, Darling is off to a promising start itself, with $3.1 million in previews, which includes special event IMAX screenings on Monday. Will that translate into a big opening weekend? Here’s what our model thinks… More...

Weekend predictions: The Woman King kicks off Fall Season with a $20-million opening in its sights

September 16th, 2022

The Woman King

After a long end-of-Summer lull, The Woman King is kicking off the Fall Season in movie theaters this weekend, and Sony will be hoping that it becomes the first film to hit $50 million at the box office since Bullet Train, which was released by the same studio all the way back on August 5. Woman King doesn’t look like it will be challenged at the top of the chart, but an incredible nine new releases have some sort of shot at opening in the top ten. More...

Weekend predictions: Barbarian the favorite going into brutally slow weekend

September 9th, 2022

Barbarian

The weekend after Labor Day is traditionally the slowest one of the year at the box office. But, to get the good news out of the way, there’s a good chance that won’t be the case this year, with the weekend of January 28 looking like it will hold on to that crown. The fact we’ll probably top the $34.8 million earned at the box office on the last weekend of January is down to three new wide releases, albeit ones that probably won’t set records at the box office. More...

Weekend predictions: a wide-open race for number one

September 2nd, 2022

Spider-Man: No Way Home

This weekend at the box office is a forecaster’s nightmare, with a two new wide releases that are only playing in 1,880 and 1,184 theaters, a classic re-release that’s opening in 1,246 locations, and a recent blockbuster getting a re-release in 3,935 theaters. Making things even harder to predict is that tickets will only be $3 each at thousands of theaters on National Cinema Day on Saturday (see the Regal, Cinemark, and Marcus Theatres sites, and check your local listings—and note that the UK has National Cinema Day on Saturday too). There are four films that have a realistic chance of winning the weekend: Spider-Man: No Way Home, Bullet Train, Top Gun: Maverick, and (even though it’s a rank outsider) DC League of Super Pets. Any one of them would be a highly unusual box office winner, given how long all of them have been in theaters, but that’s mainly the result of a highly unusual lack of major new releases. More...

Weekend predictions: The Invitation favorite for narrow weekend win

August 26th, 2022

The Invitation

The theatrical market officially hits the doldrums this weekend, with no films looking likely to top $10 million, and a combined weekend for all films hovering somewhere around the $50 million–$60 million mark—the lowest figure since February. Hopes ride on The Invitation and Three Thousand Years of Longing, both of which look like they will appeal to niche audiences that are too small to propel them to big debuts. The Invitation has the edge as we go into the weekend. More...

Weekend predictions: Bullet Train favorite to top slow weekend

August 12th, 2022

Bullet Train

The dog days of Summer are upon us. While there are three new wide releases this weekend, none of them are likely to challenge Bullet Train at the top of the chart. In fact, there’s a decent chance that the top seven will be identical to last week, with the new releases struggling to break into the top 10. There’s quite a bit of uncertainty though, and the new films could surprise, particularly given the lack of competition and their potential to reach niche audiences. More...

Weekend predictions: Bullet Train shooting for $30-million opening

August 5th, 2022

Bullet Train

Two new wide releases hit theaters this weekend, each looking to find what might be described as a “big niche” audience. Bullet Train is looking to draw in fans of high-speed action, while Easter Sunday is the kind of family comedy that we’ve hardly seen in the last couple of years. With this Summer’s blockbusters beginning to play out, both of the new entrants could find a decent crowd, although Bullet Train will end up topping the chart and has already booked $4.6 million from Thursday previews. More...

Because some of our sources provide box office data in their local currency, while we use USD in the graph above and table below, exchange rate fluctuations can have effect on the data causing stronger increases or even decreases of the cumulative box office.

Weekend Box Office Performance

DateRankGross% ChangeScreensPer ScreenTotal GrossWeek
2022/08/05 1 $181,543   96 $1,891   $181,543 1
2022/08/12 2 $124,752 -31% 96 $1,300   $418,827 2
2022/08/19 2 $81,514 -35% 71 $1,148   $597,899 3
2022/08/26 3 $67,790 -17% 58 $1,169   $712,285 4
2022/09/02 5 $53,917 -20% 56 $963   $803,930 5
2022/09/09 6 $42,055 -22% 45 $935   $877,584 6
2022/09/16 5 $24,297 -42% 32 $759   $922,245 7
2022/09/23 7 $17,453 -28% 23 $759   $919,694 8
2022/09/30 8 $16,616 -5% 19 $875   $951,284 9
2022/10/07 14 $10,811 -35% 13 $832   $967,986 10
2022/10/14 15 $7,146 -34% 11 $650   $973,028 11
2022/10/21 19 $3,083 -57% 8 $385   $989,638 12
2022/10/28 - $854 -72% 4 $214   $999,297 13
2022/11/04 - $604 -29% 1 $604   $998,432 14

Box Office Summary Per Territory

$00$00$00$00$00$00
Territory Release
Date
Opening
Weekend
Opening
Weekend
Screens
Maximum
Screens
Theatrical
Engagements
Total
Box Office
Report
Date
Australia 8/4/2022 $2,205,666 605 605 3275 $8,522,977 3/20/2023
Brazil 8/4/2022 00$0
Croatia 8/4/2022 $40,609 53 53 262 $235,307 10/21/2022
Czech Republic 8/5/2022 $155,914 160 160 644 $818,164 11/15/2022
Denmark 7/14/2022 00$0
Finland 8/5/2022 $127,807 101 101 446 $692,493 10/21/2022
France 8/3/2022 $0 0 0 0 $5,800,000 8/14/2022
Germany 8/4/2022 00$0
Italy 8/25/2022 $709,628 0 0 0 $2,716,148 10/22/2022
Japan 9/1/2022 $3,000,000 0 0 0 $3,000,000 9/5/2022
Malaysia 7/14/2022 00$0
Mexico 8/4/2022 $0 0 0 0 $9,967,288 9/27/2022
Netherlands 8/3/2022 $518,254 154 155 1317 $3,021,596 10/22/2022
New Zealand 8/4/2022 $253,838 113 114 668 $917,393 10/22/2022
North America 8/5/2022 $30,030,156 4,357 4,357 30,143 $103,368,602
Poland 7/15/2022 00$0
Portugal 8/4/2022 $181,543 96 96 533 $998,432 11/8/2022
Romania 8/5/2022 $124,165 100 100 604 $952,168 12/14/2022
Russia (CIS) 8/5/2022 $243,241 118 122 432 $1,169,949 9/8/2022
Saudi Arabia 8/4/2022 $0 0 0 0 $3,600,000 8/14/2022
Slovakia 8/5/2022 $62,075 73 73 238 $261,509 11/22/2022
South Korea 8/24/2022 $443,173 767 767 1107 $1,135,999 11/9/2022
Spain 8/5/2022 $1,419,709 408 409 3084 $8,203,885 11/4/2022
Sweden 7/15/2022 00$0
Turkey 8/5/2022 $128,310 420 420 2142 $774,650 10/13/2022
United Kingdom 8/3/2022 $3,447,349 669 677 4230 $12,216,992 10/22/2022
 
Rest of World $70,161,411
 
Worldwide Total$238,534,963 3/20/2023

Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.

Lead Ensemble Members

Brad Pitt    Ladybug
Joey King    Prince
Aaron Taylor-Johnson    Tangerine
Brian Tyree Henry    Lemon
Andrew Koji    Kimura
Hiroyuki Sanada    The Elder
Michael Shannon    The White Death
Benito Antonio Martinez Ocasio    The Wolf

Supporting Cast

Sandra Bullock    Maria Beetle
Pasha Lychnikoff   

For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.

Production and Technical Credits

David Leitch    Director
Zak Olkewitz    Screenwriter
Isaka Kotaro    Based on the book by
David Leitch    Producer
Kelly McCormick    Producer
Antoine Fuqua    Producer
Kat Samick    Executive Producer
Brent O’Connor    Executive Producer
Ryosuke Saegusa    Executive Producer
Yuma Terada    Executive Producer
David Scheunemann    Production Designer
Elísabet Ronaldsdóttir    Editor
Sarah Evelyn    Costume Designer
Dominic Lewis    Composer
Season Kent    Music Supervisor
Paul Barry    First Assistant Director
Michael Brazelton    Visual Effects Supervisor

The bold credits above the line are the "above-the-line" credits, the other the "below-the-line" credits.