Italy Box Office for The First Slam Dunk (2022)

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Eiga Slam Dunk
Theatrical Performance (US$)
Italy Box Office $590,335Details
Worldwide Box Office $278,599,737Details
Further financial details...

  1. Summary
  2. News
  3. Box Office
  4. Worldwide
  5. Full Financials
  6. Cast & Crew
  7. Trailer

Synopsis

Shohoku's “speedster” and point guard, Ryota Miyagi, always plays with brains and lightning speed, running circles around his opponents while feigning composure. Born and raised in Okinawa, Ryota had a brother who was three years older. Following in the footsteps of his older brother, who was a famous local player from a young age, Ryota also became addicted to basketball. In his second year of high school, Ryota plays with the Shohoku High School basketball team along with Sakuragi, Rukawa, Akagi, and Mitsui as they take the stage at the Inter-High School National Championship. And now, they are on the brink of challenging the reigning champions, Sannoh Kogyo High School.

Metrics

Movie Details

Italy Releases: May 11th, 2023 (Limited), released as The First Slam Dunk
MPAA Rating: PG-13 for language, violence and thematic elements.
(Rating bulletin 2785 (cert #54479), 5/31/2023)
Running Time: 124 minutes
Keywords: Sports Comedy, Anime, Basketball, High School, High School Sports, Romance, First Love, Novel or Other Work Adapted by Author
Source:Based on Comic/Graphic Novel
Genre:Comedy
Production Method:Digital Animation
Creative Type:Contemporary Fiction
Production Countries: Japan
Languages: Japanese

Weekend predictions: Barbie shooting for $80-million-plus second weekend

July 28th, 2023

Barbie

All eyes remain on Barbie this weekend as it attempts to follow up its opening weekend, the 20th-best of all time, with something in the top 20 second weekends of all time. Based on how it’s been doing during the week, that seems like a good bet. It’ll have a bit of competition from Haunted Mansion this time around though, and perhaps more people will choose to watch Barbie or Oppenheimer this weekend, rather than both together. Even at the low end though, we’re still looking ahead to a very good weekend in theaters. More...

Because some of our sources provide box office data in their local currency, while we use USD in the graph above and table below, exchange rate fluctuations can have effect on the data causing stronger increases or even decreases of the cumulative box office.

Weekend Box Office Performance

DateRankGross% ChangeScreensPer ScreenTotal GrossWeek
2023/05/12 3 $303,458   0     $397,034 1
2023/05/19 13 $52,720 -83% 0     $590,335 2

Box Office Summary Per Territory

$00$00$00$00
Territory Release
Date
Opening
Weekend
Opening
Weekend
Screens
Maximum
Screens
Theatrical
Engagements
Total
Box Office
Report
Date
Australia 8/24/2023 $151,236 58 58 126 $278,064 10/16/2023
Brazil 8/3/2023 00$0
China 4/20/2023 $39,380,000 204028 204028 315833 $90,671,291 8/22/2023
Finland 8/4/2023 $4,550 17 17 17 $7,154 8/11/2023
France 7/26/2023 00$0
Germany 12/5/2023 00$0
Hong Kong 1/12/2023 $0 0 0 0 $5,300,000 4/7/2023
Indonesia 2/22/2023 $0 0 0 0 $700,000 4/7/2023
Italy 5/11/2023 $303,458 0 0 0 $590,335 5/22/2023
Japan 12/3/2022 $0 0 0 0 $117,350,000 11/6/2023
Malaysia 2/23/2023 $0 0 0 0 $1,100,000 4/7/2023
Mexico 7/27/2023 $354,067 0 0 0 $354,067 8/2/2023
New Zealand 8/24/2023 $40,333 25 25 43 $70,784 10/2/2023
North America 7/28/2023 $662,211 581 581 713 $1,291,869
Philippines 2/1/2023 $0 0 0 0 $7,000,000 4/7/2023
Singapore 2/2/2023 $0 0 0 0 $900,000 4/7/2023
South Africa 9/15/2023 00$0
South Korea 1/4/2023 $2,603,233 1023 1058 14127 $37,022,224 4/24/2024
Spain 7/7/2023 $47,669 161 161 207 $119,712 7/20/2023
Taiwan 1/13/2023 $0 0 0 0 $14,900,000 4/7/2023
Thailand 2/23/2023 $0 0 0 0 $450,000 4/7/2023
Turkey 7/28/2023 $2,152 33 33 33 $2,152 8/3/2023
United Kingdom 9/1/2023 $170,513 154 154 154 $170,513 9/6/2023
Vietnam 4/23/2023 $0 0 0 0 $321,572 2/14/2024
 
Worldwide Total$278,599,737 4/24/2024

Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.

Production and Technical Credits

Takehiko Inoue    Director
Takehiko Inoue    Screenwriter
Takehiko Inoue    Story Creator