France Box Office for Les Éternels (2021)

← Go to main Eternals page

Eternals
Theatrical Performance (US$)
France Box Office $16,241,326Details
Worldwide Box Office $401,731,759Details
Home Market Performance
North America DVD Sales $1,741,263 Details
North America Blu-ray Sales $4,251,910 Details
Total North America Video Sales $5,993,173
Further financial details...

  1. Summary
  2. News
  3. Box Office
  4. Worldwide
  5. Full Financials
  6. Cast & Crew
  7. Trailer

Synopsis

Ancient aliens who have been living on Earth in secret for thousands of years. Following the events of Avengers: Endgame, an unexpected tragedy forces them out of the shadows to reunite against mankind’s most ancient enemy, the Deviants.

Metrics

Movie Details

Production Budget:$200,000,000
France Releases: November 3rd, 2021 (Wide), released as Les Éternels
Video Release: January 11th, 2022 by Walt Disney Home Entertainment
MPAA Rating: PG-13 for fantasy violence and action, some language and brief sexuality.
(Rating bulletin 2699 (cert #53410), 9/22/2021)
Running Time: 156 minutes
Franchise: Marvel Cinematic Universe
Keywords: IMAX: DMR, Disrupted by 2020 COVID-19 pandemic, Action Adventure, Friendly Alien on Earth
Source:Based on Comic/Graphic Novel
Genre:Action
Production Method:Live Action
Creative Type:Super Hero
Production/Financing Companies: Marvel Studios
Production Countries: United States
Languages: English

Weekend estimates: Spider-Man rewrites pandemic rulebook with $253-million opening

December 19th, 2021

Spider-Man: No Way Home

After two dismal years for the theatrical business, Spider-Man has returned to change the rules of the game. Again. Back in 2002, the first Spider-Man movie set an all-time record by opening with $114.8 million—becoming the first film to top $100 million at the box office in a single weekend. That was arguably the beginning of the modern era at the box office.

This weekend, Spider-Man: No Way Home may be kicking off the post-pandemic era with a gargantuan $253-million opening. That’s not just the best result of the pandemic. It’s the best by a huge margin, more than doubling the opening of Venom: Let There Be Carnage, which itself significantly outperformed expectations. Even more impressively, it’s the third-best weekend of all time, behind only Avengers: Endgame ($357 million) and Avengers: Infinity War ($258 million). In fact, a good Sunday number would take it into second place on that list.

Oh, and it’s already the highest-grossing film of 2021. More...

Weekend estimates: Encanto leads modest Thanksgiving weekend

November 28th, 2021

Encanto

The first Thanksgiving with a full slate of new releases during the pandemic was full of uncertainty for theater owners. Family audiences have been returning to theaters but remain at about half their usual level, while the older crowd is mostly on the sidelines and at around 30% of its pre-pandemic size. A holiday weekend dominated by family fair like Encanto and Ghostbusters: Afterlife, with a side dish of the older-skewing House of Gucci is a welcome sight, but the big question was who would show. As it turns out, we’re looking at a modest weekend, with audiences hovering around their long term trend rather than rushing back to theaters. More...

Weekend estimates: Ghostbusters comes to life with $44-million weekend

November 21st, 2021

Ghostbusters: Afterlife

Ghostbusters: Afterlife is tearing into theaters this weekend with a strong $44-million opening, according to Sony’s Sunday-morning projection. That’s well ahead of our model’s pre-release prediction of $25 million, and comfortably exceeds the model’s prediction based on Thursday previews of $36.2 million. It’s also the studio’s second legitimate hit of the year after Venom: Let There Be Carnage and evidence that their theatrical-only strategy is paying off (even if the total dollars involved are modest compared to the pre-pandemic market). More...

Weekend estimates: Eternals’ good hold keeps it on top

November 14th, 2021

Eternals

Eternals will, as expected, come out on top at the box office this weekend, but it’ll do so by a healthier margin than expected thanks to a decent hold, and a very slight under-performance by Clifford the Big Red Dog through the weekend. Eternals is set to earn $27.5 million, according to Disney’s Sunday-morning projection, which will take it to $118.8 million domestically. That makes it one of the top 10 films of 2021 already, with quite a way to run. More...

Weekend predictions: Eternals favorite to win weekend, Clifford could be close behind

November 12th, 2021

Eternals

Eternals should stay top at the box office this weekend, based on our model’s Friday-morning run. But Clifford the Big Red Dog has been putting in very respectable numbers so far and could be surprisingly close to the Marvel if it holds on well through the weekend. Here’s how things stack up this morning… More...

Weekend estimates: Eternals out the gate with a strong $71 million

November 7th, 2021

Eternals

The Marvel Cinematic Universe’s 26th outing is opening this weekend very much in line with similar releases in the franchise. Eternals will land with $71 million domestically, according to Disney’s Sunday-morning estimate. That’s about $4 million less than Shang-Chi earned in September, which was in turn about $5 million less than Black Widow’s $80-million opening in July. But it’s also very much in line with what Doctor Strange opened with before the pandemic. In short, the MCU looks to be doing fine. More...

Weekend predictions: Eternals’ $9.5 million in previews points to weekend in the mid-70s

November 5th, 2021

Eternals

Disney’s Eternals, the latest outing for the MCU, got off to a strong start on Thursday evening, with $9.5 million in preview earnings, according to the studio. That’s a bit more than Shang-Chi’s $8.8 million, but somewhat less than the $13.2 million earned by Black Widow. That points to an opening weekend in the mid-$70 millions. More...

Weekend estimates: top three stay the same as bevy of new releases fight over the scraps

October 31st, 2021

Dune

There was something for everyone in movie theaters this weekend, but the combination of Halloween falling on the weekend and too much competition made going tough for the six films either opening, expanding, or being re-issued in wide release. The competition hit Dune a touch harder than our model expected, but it will easily remain the top film at the box office, with $15.53 million taking it to $69.4 million in total after 10 days. With another $21.4 million from international markets, it now has $292.1 million worldwide so far. More...

Eternals trailer

May 27th, 2021

MCU super hero movie, directed by Chloé Zhao opens in theaters on November 5. Full movie details…

Ancient aliens who have been living on Earth in secret for thousands of years. Following the events of Avengers: Endgame, an unexpected tragedy forces them out of the shadows to reunite against mankind’s most ancient enemy, the Deviants. More...

Because some of our sources provide box office data in their local currency, while we use USD in the graph above and table below, exchange rate fluctuations can have effect on the data causing stronger increases or even decreases of the cumulative box office.

Weekend Box Office Performance

DateRankGross% ChangeScreensPer ScreenTotal GrossWeek
2021/11/05 - $6,921,174   0     $6,921,174 1
2021/11/12 - $4,174,667 -40% 0     $11,714,345 2
2021/11/19 - $1,715,436 -59% 0     $13,756,486 3
2021/11/26 - $964,773 -44% 0     $14,960,306 4
2021/12/03 - $475,394 -51% 0     $15,566,464 5
2021/12/10 - $282,324 -41% 0     $15,923,425 6
2021/12/17 - $118,201 -58% 0     $16,077,564 7
2021/12/24 - $37,178 -69% 0     $16,169,730 8
2021/12/31 - $18,789 -49% 0     $16,217,005 9
2022/01/07 - $7,361 -61% 0     $16,225,906 10
2022/01/14 - $6,056 -18% 0     $16,234,271 11
2022/01/21 - $3,886 -36% 0     $16,238,463 12
2022/01/28 - $1,807 -53% 0     $16,240,763 13
2022/02/04 - $369 -80% 0     $16,241,326 14

Box Office Summary Per Territory

$00$00$00$00$00
Territory Release
Date
Opening
Weekend
Opening
Weekend
Screens
Maximum
Screens
Theatrical
Engagements
Total
Box Office
Report
Date
Argentina 11/4/2021 $986,823 0 0 0 $2,758,073 10/20/2022
Australia 11/4/2021 $4,388,014 695 695 2264 $10,487,286 10/20/2022
Austria 11/3/2021 $615,404 0 0 0 $1,204,627 10/20/2022
Belgium 11/3/2021 $746,984 0 0 0 $1,841,518 10/20/2022
Brazil 11/4/2021 $4,168,216 0 0 0 $12,807,230 10/20/2022
Chile 11/4/2021 $897,554 0 0 0 $2,486,481 10/20/2022
Colombia 11/4/2021 $1,209,533 0 0 0 $3,375,149 10/20/2022
Croatia 11/4/2021 00$0
Czech Republic 11/4/2021 $397,107 184 184 578 $1,102,633 10/20/2022
Denmark 11/3/2021 $258,232 0 0 0 $674,573 10/20/2022
Finland 11/3/2021 $219,882 80 80 281 $677,689 10/20/2022
France 11/3/2021 $6,921,174 0 0 0 $16,241,326 10/20/2022
Germany 11/3/2021 $4,046,322 0 0 0 $9,402,775 10/20/2022
Greece 11/4/2021 00$0
Hong Kong 11/3/2021 $3,481,871 0 0 0 $6,740,900 10/20/2022
Hungary 11/4/2021 00$0
India 11/5/2021 $2,724,513 0 0 0 $5,559,655 10/20/2022
Indonesia 11/10/2021 $3,400,843 0 0 0 $7,101,480 10/20/2022
Israel 11/4/2021 00$0
Italy 11/3/2021 $3,748,320 0 0 0 $9,766,392 10/20/2022
Japan 11/5/2021 $3,663,548 0 0 0 $10,537,338 12/28/2021
Lithuania 11/5/2021 $79,555 15 15 50 $192,584 10/20/2022
Malaysia 11/4/2021 $1,251,980 0 0 0 $2,678,278 10/20/2022
Mexico 11/4/2021 $5,669,523 0 0 0 $15,296,100 10/20/2022
Netherlands 11/3/2021 $763,668 111 250 718 $2,390,490 10/20/2022
New Zealand 11/4/2021 $330,717 73 94 574 $1,258,896 10/20/2022
North America 11/5/2021 $71,297,219 4,090 4,090 24,370 $164,870,264
Norway 11/3/2021 $445,835 0 0 0 $930,403 10/20/2022
Philippines 12/1/2021 $606,188 0 0 0 $1,263,440 10/20/2022
Poland 11/5/2021 $709,379 0 0 0 $2,164,144 10/20/2022
Portugal 11/4/2021 $395,709 117 117 531 $1,177,907 10/20/2022
Romania 11/5/2021 $186,483 127 130 591 $628,360 10/20/2022
Russia (CIS) 11/8/2021 $2,950,930 1810 1814 5456 $10,758,366 10/20/2022
Singapore 11/4/2021 $1,359,272 0 0 0 $3,176,389 12/28/2021
Slovakia 11/4/2021 $173,085 71 71 172 $352,279 1/21/2022
South Korea 11/3/2021 $12,641,556 2646 2646 7453 $26,639,114 1/19/2022
Spain 11/5/2021 $2,987,963 369 369 1915 $8,591,970 10/20/2022
Sweden 11/3/2021 $1,219,977 0 0 0 $2,299,311 10/20/2022
Switzerland 11/3/2021 $543,590 0 0 0 $1,410,778 10/20/2022
Taiwan 11/3/2021 $3,706,854 0 0 0 $9,240,010 10/20/2022
Thailand 11/4/2021 $1,598,657 0 0 0 $3,265,159 10/20/2022
Turkey 11/5/2021 $301,540 762 762 2176 $1,606,135 10/20/2022
Ukraine 11/4/2021 00$0
United Kingdom 11/5/2021 $7,361,815 642 649 3300 $19,956,029 10/20/2022
Venezuela 11/4/2021 $78,575 0 0 0 $78,575 10/20/2022
Vietnam 12/3/2021 $200,000 0 0 0 $200,000 10/20/2022
 
Rest of World $18,541,653
 
Worldwide Total$401,731,759 10/20/2022

Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.

Lead Ensemble Members

Kumail Nanjiani    Kingo
Angelina Jolie    Thena
Richard Madden    Ikaris
Salma Hayek    Ajak
Brian Tyree Henry    Phastos
Lauren Ridloff    Makkari
Barry Keoghan    Druig
Gemma Chan    Sersi
Lia McHugh    Sprite
Don Lee    Gilgamesh

Supporting Cast

Harish Patel    Karun
Kit Harington    Dane Whitman
Bill Skarsgård    Deviant Kro
Patton Oswalt    Pip
David Kaye    Arishem the Judge
Zain Al Rafeea    Young Boy
Haaz Sleiman    Ben
Esai Daniel Cross    Jack

For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.

Production and Technical Credits

Chloé Zhao    Director
Chloé Zhao    Screenwriter
Patrick Burleigh    Screenwriter
Ryan Firpo    Screenwriter
Matthew K. Firpo    Screenwriter
Ryan Firpo    Story by
Kaz Firpo    Story by
Kevin Feige    Producer
Nate Moore    Producer
Victoria Alonso    Executive Producer
Louis D’Esposito    Executive Producer
Kevin De La Noy    Executive Producer
Dylan Tichenor    Editor
Craig Wood    Editor
Ramin Djawadi    Composer
Ben Davis    Director of Photography
Mitch Bell    Co-Producer
Samson Neslund    Sound Effects Editor
Josh Gold    Sound Effects Editor
Jacob Riehle    Dialogue Editor
Juan Peralta    Re-recording Mixer
Neil Corbould    Special Effects Supervisor

The bold credits above the line are the "above-the-line" credits, the other the "below-the-line" credits.