| Theatrical Performance (US$) | ||
| Portugal Box Office | $9,338 | Details |
| Worldwide Box Office | $87,885 | Details |
| Further financial details... | ||
| Portugal Releases: | October 2nd, 2020 (Wide) |
| MPAA Rating: | R for disturbing racial violence and epithets throughout, pervasive language and some crude sexual material (Rating bulletin 2588 (Cert #52315), 7/24/2019) |
| Running Time: | 107 minutes |
| Source: | Based on Real Life Events |
| Genre: | Drama |
| Production Method: | Live Action |
| Creative Type: | Dramatization |
| Production/Financing Companies: | MetalWork Pictures |
| Production Countries: | United Kingdom |
| Languages: | English |
Because some of our sources provide box office data in their local currency, while we use USD in the graph above and table below, exchange rate fluctuations can have effect on the data causing stronger increases or even decreases of the cumulative box office.
| Date | Rank | Gross | % Change | Screens | Per Screen | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| 2020/10/02 | 14 | $3,837 | 12 | $320 | $3,837 | 1 | |
| 2020/10/09 | - | $886 | -77% | 9 | $98 | $7,784 | 2 |
| 2020/10/16 | - | $374 | -58% | 4 | $94 | $9,338 | 3 |
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens |
Maximum Screens |
Theatrical Engagements |
Total Box Office |
Report Date |
|---|---|---|---|---|---|---|---|
| Australia | 11/1/2019 | $988 | 18 | 25 | 67 | $18,478 | 12/3/2019 |
| New Zealand | 11/21/2019 | $272 | 7 | 8 | 18 | $1,480 | 1/28/2020 |
| Portugal | 10/2/2020 | $3,837 | 12 | 12 | 25 | $9,338 | 10/20/2020 |
| United Kingdom | 10/11/2019 | $27,937 | 36 | 36 | 55 | $58,589 | 12/12/2019 |
| Worldwide Total | $87,885 | 10/20/2020 | |||||
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
| Kate Beckinsale | ||
| Gugu Mbatha-Raw |
For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.
| Adewale Akinnuoye-Agbaje | Director |
