.jpg)
| Theatrical Performance (US$) | ||
| Australia Box Office | $1,360 | Details |
| Worldwide Box Office | $47,249 | Details |
| Further financial details... | ||
| Australia Releases: | March 29th, 2019 (Wide) |
| MPAA Rating: | Not Rated |
| Running Time: | 90 minutes |
| Keywords: | Biography, 1970s, Movie Business, Movie Maker, Movie Director, Sundance Film Festival 2018 |
| Source: | Based on Real Life Events |
| Genre: | Documentary |
| Production Method: | Live Action |
| Creative Type: | Factual |
| Production/Financing Companies: | Shark Pig |
| Production Countries: | United States |
| Languages: | English |
January 4th, 2019
The Producers Guild of America announced their nominations in the theatrical categories today and there are some trends building. However, there are also some questions generated after these nominations were announced.
More...
September 20th, 2018
-1-News.jpg)
It was a crowded week on the theater average chart with five films in the $10,000 club. This includes Museum, which led the way with $16,554 in its lone theater. Hal actually jumped into the $10,000 club with $12,150 in one theater during its second weekend of release. Lizzie was the widest release in the $10,000 club with an average of $11,895 in four theaters. Science Fair was next with $11,231 in one theater. Another documentary, The Dawn Wall, was next with an average of $10,829 in two theaters.
More...
September 13th, 2018
Kusama: Infinity led the way on the theater average chart with an impressive $15,499 in two theaters. This isn’t enough to think it will earn a real measure of mainstream success, but it is the latest success story in a year of documentary hits. The Nun was in second place with an average of $13,882. The Hows of Us had arguably the most impressive limited opening of the weekend, as it earned an average of $12,895, while playing in 38 theaters.
More...
September 7th, 2018
-1-News.jpg)
We are in an awkward time for limited releases, as summer is over, but it is still too early for Awards Season buzz. This explains why there are so few releases on this week’s list and why none of them will likely be hits. That said, there are two of them, I am Not a Witch and Nelly, that have 100% positive reviews.
More...
Because some of our sources provide box office data in their local currency, while we use USD in the graph above and table below, exchange rate fluctuations can have effect on the data causing stronger increases or even decreases of the cumulative box office.
| Date | Rank | Gross | % Change | Screens | Per Screen | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| 2019/03/29 | - | $1,360 | 3 | $453 | $1,360 | 1 |
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens |
Maximum Screens |
Theatrical Engagements |
Total Box Office |
Report Date |
|---|---|---|---|---|---|---|---|
| Australia | 3/29/2019 | $1,360 | 3 | 3 | 3 | $1,360 | 4/2/2019 |
| North America | 9/7/2018 | $5,150 | 1 | 10 | 14 | $45,889 | |
| Worldwide Total | $47,249 | 4/2/2019 | |||||
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
| Hal Ashby | Himself |
| Jon Voight | Himself | |
| Beau Bridges | Himself | |
| Alexander Payne | Himself | |
| David O. Russell | Himself | |
| Norman Jewison | Himself | |
| Haskell Wexler | Himself | |
| Louis Gossett Jr. | Himself | |
| Lee Grant | Himself | |
| Judd Apatow | Himself |
For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.
| Amy Scott | Director | |
| Christine Beebe | Producer | |
| Lisa Janssen | Producer | |
| Jonathan Lynch | Producer | |
| Brian Morrow | Producer | |
| Lenny Beckerman | Executive Producer | |
| Fred Beebe | Executive Producer | |
| Brian A. Miller | Executive Producer | |
| Amy Scott | Editor | |
| Sean Jarrett | Editor |
