Spain Box Office for Una cita en el parque (2017)

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Hampstead
Theatrical Performance (US$)
Spain Box Office $386,141Details
Worldwide Box Office $6,223,958Details
Further financial details...

  1. Summary
  2. News
  3. Box Office
  4. Worldwide
  5. Full Financials
  6. Cast & Crew
  7. Trailer

Synopsis

Though Emily and Donald live in the same idyllic London neighborhood of Hampstead, the worlds they inhabit could not be more different. She is an American widow occupying a posh apartment she can no longer afford and filling her time with charity work as she struggles to figure out a next step. He is a gruff Irish loner who lives off the land in a makeshift cabin and wants nothing more than to be left in peace. When his home is threatened by greedy real estate developers, Emily believes she has found her new cause—but gets more than she bargained for when unexpected romance blossoms.

Metrics

Movie Details

Spain Releases: August 25th, 2017 (Wide), released as Una cita en el parque
Video Release: June 14th, 2019 by IFC Video
MPAA Rating: PG-13 for some suggestive material and language.
(Rating bulletin 2577 (Cert #52194), 5/8/2019)
Running Time: 102 minutes
Keywords: Land Developer, Betrayal, Courtroom / Legal Drama, Evicted, Romance, Set in England
Source:Based on Real Life Events
Genre:Drama
Production Method:Live Action
Creative Type:Dramatization
Production/Financing Companies: Ecosse Films, Motion Picture Capital, Silver Reel Entertainment
Production Countries: United Kingdom
Languages: English

Theater Averages: Nothing New to Report

June 20th, 2019

Paris is Burning

There were no new releases in the $10,000 club this past weekend. That’s not to say there were no films that reached that mark, but neither of them were new. Paris is Burning is a re-release of a 1991 documentary and it earned $10,839 in its lone theater. Meanwhile, The Last Black Man in San Francisco spent a second weekend in the $10,000 club with an average of $10,581 in 36 theaters. More...

Limited and VOD Releases: One Plus One

June 14th, 2019

Plus One

It’s a terrible week for limited releases. Half the films on this week’s list are playing on VOD, while most of the rest have very limited box office chances either due to weak reviews, or because they are foreign-language films. Rolling Thunder Revue: A Bob Dylan Story by Martin Scorsese and Plus One are among the two biggest / best releases of the week, but both are playing on VOD, so I don’t think either will find an audience in theaters. In fact, I suspect none of the films on this week’s list will find an audience in theaters. More...

Because some of our sources provide box office data in their local currency, while we use USD in the graph above and table below, exchange rate fluctuations can have effect on the data causing stronger increases or even decreases of the cumulative box office.

Weekend Box Office Performance

DateRankGross% ChangeScreensPer ScreenTotal GrossWeek
2017/08/25 11 $133,851   95 $1,409   $133,851 1
2017/09/01 15 $63,094 -53% 98 $644   $308,970 2
2017/09/08 19 $30,663 -51% 56 $548   $386,141 3

Box Office Summary Per Territory

Territory Release
Date
Opening
Weekend
Opening
Weekend
Screens
Maximum
Screens
Theatrical
Engagements
Total
Box Office
Report
Date
Australia 8/4/2017 $1,645 2 236 1212 $2,297,280 1/25/2018
Italy 9/14/2017 $212,521 0 0 0 $348,226 9/27/2017
Lithuania 8/25/2017 $6,882 49 49 64 $12,969 10/10/2017
Netherlands 8/18/2017 $69,652 22 34 141 $271,689 9/18/2017
New Zealand 7/28/2017 $89,900 57 77 516 $538,199 9/25/2017
North America 6/14/2019 $17,141 12 18 104 $148,636
Portugal 8/18/2017 $15,294 11 11 31 $51,142 9/20/2017
South Korea 6/26/2018 $0 0 34 66 $62,374 8/21/2018
Spain 8/25/2017 $133,851 95 98 249 $386,141 9/14/2017
United Kingdom 6/23/2017 $577,220 485 485 1216 $2,107,302 10/25/2017
 
Worldwide Total$6,223,958 8/21/2018

Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.

Leading Cast

Diane Keaton    Emily
Brendan Gleeson    Donald

Supporting Cast

Lesley Manville    Fiona
Jason Watkins    James Smythe
James Norton    Philip
Phil Davis    Sid Fife
Peter Singh    Xavier
Hugh Skinner    Erik
Lace Akpojaro    Café Manager
Elizabeth Conboy    Posh Woman

For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.

Production and Technical Credits

Joel Hopkins    Director
Robert Festinger    Screenwriter
Robert Bernstein    Producer
Douglas Rae    Producer
Leon Clarance    Executive Producer
Mark Woolley    Executive Producer
Laure Vaysse    Executive Producer
Jo Monk    Executive Producer
Deepak Nayar    Executive Producer
Alison Thompson    Executive Producer
Mark Gooder    Executive Producer
Claudia Bluemhuber    Executive Producer
Ian Hutchinson    Executive Producer
Bob Weinstein    Executive Producer
Harvey Weinstein    Executive Producer
David Glasser    Executive Producer
Paul Ritchie    Co-Producer
Matt Delargy    Co-Producer
James Saynor    Co-Producer
Genevieve Lemal    Co-Producer
Nicky Stean    Co-Producer
Felix Wiedemann    Director of Photography
Sarah Kane    Production Designer
Robin Sales    Editor
Liza Bracey    Costume Designer
Stephen Warbeck    Composer
Mark Lo    Music Supervisor
Elaine Grainger    Casting Director