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Misconduct (2016)

Misconduct poster
Theatrical Performance
Domestic Box Office $0Details
International Box Office $2,352,511Details
Worldwide Box Office $2,352,511
Home Market Performance
Est. Domestic DVD Sales $551,139 Details
Est. Domestic Blu-ray Sales $1,095,005 Details
Total Est. Domestic Video Sales $1,646,144
Further financial details...

  1. Summary
  2. News
  3. Box Office
  4. International
  5. Video Sales
  6. Full Financials
  7. Cast & Crew
  8. Trailer

Synopsis

An ambitious lawyer finds himself caught in a power struggle between a corrupt pharmaceutical executive and his firm’s senior partner. When the case takes a deadly turn, he must race to uncover the truth before he loses everything.

Metrics

Latest Ranking on Cumulative Box Office Lists

RecordRankAmount
All Time International Box Office (Rank 5,301-5,400) 5,384 $2,352,511
All Time Worldwide Box Office (Rank 9,201-9,300) 9,258 $2,352,511
All Time International Box Office for R Movies (Rank 1,501-1,600) 1,588 $2,352,511
All Time Worldwide Box Office for R Movies (Rank 2,701-2,800) 2,751 $2,352,511

See the Box Office tab (Domestic) and International tab (International and Worldwide) for more Cumulative Box Office Records.


Movie Details

Production Budget:$11,000,000
Domestic Releases: February 5th, 2016 (Limited) by Lionsgate
International Releases: February 26th, 2016 (Wide) (Turkey)
March 3rd, 2016 (Wide) (Oman)
March 3rd, 2016 (Wide) (United Arab Emirates)
March 4th, 2016 (Wide) (Lithuania)
March 30th, 2016 (Wide) (South Korea)
... Show all releases
Video Release: April 19th, 2016 by Lionsgate Home Entertainment
MPAA Rating: R for language, violence and some sexuality/nudity.
(Rating bulletin 2395, 10/14/2015)
Running Time: 106 minutes
Comparisons: Create your own comparison chart…
Keywords: Lawyers, Blackmail, Voyeurism
Source:Original Screenplay
Genre:Thriller/Suspense
Production Method:Live Action
Creative Type:Contemporary Fiction
Production Companies: Mike and Marty Productions, Lionsgate Premiere, Grindstone Entertainment Group, Film Bridge International
Production Countries: United States

Leading Cast

   Ben Cahill
   Arthur Denning
   Charles Abrams

Supporting Cast

Alice Eve    Charlotte Cahill
Malin Akerman    Emily Hynes
Byung-hun Lee    The Accountant
Julia Stiles    Jane Clemente
Glen Powell    Doug Fields
Marcus Lyle Brown    Joe Bilson
Leah McKendrick    Amy
Chris Marquette    Giffords
Skye Marshall    Hatty
Gregory Alan Williams    Richard Hill
Jason Gibson    Graham
Chris Fanguy    Cop #2
Jaiden Kaine    Doctor Hughes
Milla Bjorn    Susie
Nicholas Parsons    Paramedic
Alex Fatovich    Elizabeth
Jeffrey Galpin    Sergeant
Rio Hackford    Guy
Clay Chamberlin    ER Cop
Catherine Poon    ER Nurse #2
Sara Fletcher    911 Operator

For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.

Production and Technical Credits

   Director
Adam Mason    Screenwriter
Simon Boyes    Screenwriter
Ellan Wander    Producer
Barry Brooker    Executive Producer
Stan Wertlieb    Executive Producer
Chris Brown    Executive Producer
Matthew Milam    Executive Producer
Eric Brenner    Executive Producer
Tony Buzbee    Executive Producer
Darrel Casalino    Executive Producer
Michael T Covell    Executive Producer
Gary Preisier    Executive Producer
Tomas Eskilsson    Executive Producer
Frank Bonn    Executive Producer
Amanda Seward    Executive Producer
Fredrik Zander    Executive Producer
Ryan Black    Co-Producer
William DeLaney    Co-Producer
Michael Fimognari    Director of Photography
Lizz Wolf    Costume Designer
Federico Jusid    Music Composed and Conducted by
Laura Katz    Music Supervisor
Chris Piccaro    Music Supervisor
Bernardo Trujillo    Production Designer
Lori Mathison    Associate Producer

Limited and VOD Releases: Regression and Regret

February 5th, 2016

Regression

It is a bad week for limited releases. Not only are there not a lot of films on this week's list, but most of them are earning reviews that suggest they will struggle in limited release. The biggest film, Regression, is also the worst film, while Rams is at the opposite end when it comes to reviews and theater count. More...

Weekend Box Office Performance

Daily Box Office Performance

Weekly Box Office Performance

Box Office Summary Per Territory

Territory Release
Date
Opening
Weekend
Opening
Weekend
Theaters
Maximum
Theaters
Theatrical
Engagements
Total
Box Office
Report
Date
Italy 6/16/2016 $344,746 0 0 0 $699,131 7/6/2016
Lebanon 3/31/2016 $4,464 4 4 5 $28,541 4/12/2016
Lithuania 3/4/2016 $0 0 3 7 $3,219 6/9/2016
Oman 3/3/2016 $0 0 5 5 $5,114 4/5/2016
Portugal 9/16/2016 $12,339 9 9 24 $29,187 10/13/2016
Russia (CIS) 12/9/2016 $35,706 140 140 140 $35,706 12/14/2016
South Korea 3/30/2016 $512,248 470 470 661 $986,457 6/9/2016
Turkey 2/26/2016 $42,008 69 69 109 $74,609 3/29/2016
United Arab Emirates 3/3/2016 $0 0 16 26 $261,900 4/12/2016
United Kingdom 6/3/2016 $141 5 5 5 $141 6/8/2016
 
Rest of World $228,506
 
International Total$2,352,511 12/14/2016

International Cumulative Box Office Records


Worldwide Cumulative Box Office Records


Weekly US Blu-ray Sales

DateRankUnits this Week% ChangeTotal UnitsSpending this WeekTotal SpendingWeeks in Release
4/24/20161011,267 11,267$184,895$184,8951

Our DVD and Blu-ray sales estimates are based on weekly retail surveys, which we use to build a weekly market share estimate for each title we are tracking. The market share is converted into a weekly sales estimate based on industry reports on the overall size of the market, including reports published in Home Media Magazine.

For example, if our weekly retail survey estimates that a particular title sold 1% of all units that week, and the industry reports sales of 1,500,000 units in total, we will estimate 15,000 units were sold of that title. The consumer spending estimate is based on the average sales price for the title in the retailers we survey.

We refine our estimates from week to week as more data becomes available. In particular, we adjust weekly sales figures for the quarter once the total market estimates are published by the Digital Entertainment Group. Figures will therefore fluctuate each week, and totals for individual titles can go up or down as we update our estimates.

Because sales figures are estimated based on sampling, they will be more accurate for higher-selling titles.

Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.


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