United Kingdom Box Office for News of the World (2020)

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News of the World
Theatrical Performance (US$)
United Kingdom Box Office $0Details
Worldwide Box Office $12,668,325Details
Home Market Performance
North America DVD Sales $7,548,731 Details
North America Blu-ray Sales $5,778,567 Details
Total North America Video Sales $13,327,298
Further financial details...

  1. Summary
  2. News
  3. Box Office
  4. Worldwide
  5. Full Financials
  6. Cast & Crew
  7. Trailer

Synopsis

Five years after the end of the Civil War, Captain Jefferson Kyle Kidd, a widower and veteran of three wars, now moves from town to town as a non-fiction storyteller, sharing the news of presidents and queens, glorious feuds, devastating catastrophes, and gripping adventures from the far reaches of the globe. In the plains of Texas, he crosses paths with Johanna, a 10-year-old taken in by the Kiowa tribe six years earlier and raised as one of their own. Johanna, hostile to a world she’s never experienced, is being returned to her biological aunt and uncle against her will. Kidd agrees to deliver the child where the law says she belongs. As they travel hundreds of miles into the unforgiving wilderness, the two will face tremendous challenges of both human and natural forces as they search for a place that either can call home.

Metrics

Movie Details

Production Budget:$38,000,000
United Kingdom Releases: January 1st, 2021 (Canceled)
Video Release: January 15th, 2021 by Universal Home Entertainment
February 10th, 2021 by Netflix UK
MPAA Rating: PG-13 for violence, disturbing images, thematic material and some language.
(Rating bulletin 2654 (cert #52818), 11/4/2020)
Running Time: 118 minutes
Keywords: 1870s, Civil War, Returning Soldiers, Native Americans, Adopted Family, Western Drama
Source:Based on Fiction Book/Short Story
Genre:Western
Production Method:Live Action
Creative Type:Historical Fiction
Production/Financing Companies: Playtone, Pretty Pictures, Universal Pictures
Production Countries: United States
Languages: English

Weekend predictions: The Little Things should easily win the weekend

January 29th, 2021

The Little Things

This weekend’s release of The Little Things continues Warner Bros.’ strategy of launching major films simultaneously in theaters and on HBO Max, following the Christmastime launch of Wonder Woman 1984. The studio can argue that its experiment has paid off so far, with Wonder Woman posting a decent opening, given the state of the pandemic, and also driving new subscribers to the service. Little Things will be more of test though, since it’s not a major franchise release and isn’t high on the list of most-anticipated movies of the year.

It does, however, come with an impeccable pedigree, and our model is quite enthusiastic about its chances.

More...

Weekend estimates: Marksman topples Wonder Woman

January 17th, 2021

The Marksman

The Marksman will win the battle at the top of the box office chart this weekend, according to studio estimates released on Sunday. The action thriller is projected to earn $3.225 million over the three-day part of the weekend, and Open Road expects it to add another $480,000 tomorrow for a four-day opening of $3,705,000. Its debut is comfortably ahead of our Friday prediction, but a little behind Honest Thief, which earned $3.6 million over its three-day opening weekend back in October. The decline is most likely a reflection of the worsening pandemic conditions over the past few months, but Open Road shared some interesting demographic details that shed more light on how the market is evolving at the moment. More...

Weekend predictions: Marksman and Wonder Woman in head-to-head battle

January 15th, 2021

The Marksman

MLK Weekend could have a close race at the box office as new release The Marksman goes head-to-head with Wonder Woman 1984. Our model thinks Wonder Woman has the edge, but it’s likely to be a close-run thing. Liam Neeson has an impeccable pedigree when it comes to action thrillers—this isn’t even his first outing in such a film during the pandemic—and Honest Thief beat expectations with a $3.6-million opening weekend back in October. Here’s what the model thinks about Marksman

More...

Weekend estimates: Wonder Woman stays top over New Year’s Weekend

January 3rd, 2021

Wonder Woman 1984

Wonder Woman 1984 will remain top at the box office this weekend, according to studio estimates released on Sunday morning, but it’ll do so in spite of a sharp fall from its opening weekend. Warner Bros. projects a $5.5-million weekend for the super hero pic, down 67% from last weekend. That’s not a huge fall for a film like this by historical standards, but it is a surprisingly-sharp decline for the New Year weekend, and considerably worse than any other film reporting, many of which increased their box office from Christmas weekend. More...

Weekend predictions: Wonder Woman to dominate Christmas weekend on screen and at home

December 24th, 2020

Wonder Woman 1984

Wonder Woman will take us back to the 1980s, and possibly forward to the mid-2020s this weekend with an unprecedented release wide in theaters and simultaneously on the HBO Max streaming platform. What that means for its box office is, honestly, a mystery. While its performance will be very closely watched, there are so many additional confounding factors—the Christmas weekend, rising cases of COVID-19 around the country, theater closures and seating restrictions—that it would be unwise to draw too many conclusions from its performance. This week’s run of our box office model at least gives us a baseline to work from.

More...

December preview: Wonder Woman heralds the end of the theatrical window (for now?)

December 1st, 2020

Wonder Woman 1984

The worst year for the movie theatrical industry in a century will end with a series of releases that might define the business for the next decade. Only three of the major studios are daring to release films in theaters during what is shaping up to be the height of the COVID-19 pandemic. Sony Pictures is going the traditional route with Monster Hunter getting an exclusive theatrical release on Christmas Day. Universal’s deals with AMC and Cinemark to allow shortened theatrical windows in return for sharing PVOD revenue have prompted it and its specialty division Focus Features to release four films this holiday season. But all eyes (or many of them, anyway) will be on Warner Bros.’ release of Wonder Woman 1984 simultaneously in theaters and on HBO Max.

When the studio announced this release strategy back on November 18 there was speculation that, if it worked out well, they might do the same thing with some of their other upcoming films. Today they threw caution to the wind and announced that all of the studio’s 2021 films will be released in theaters and on HBO Max at the same time (in territories where HBO Max is available). While we’re still digesting the news, here are three quick takes on the rationale for Warner Bros. to make this bold leap. More...

News of the World trailer

October 27th, 2020

Historical drama starring Tom Hanks and Helena Zengel is scheduled to open in theaters on December 25 ... Full Movie Details.

Five years after the end of the Civil War, Captain Jefferson Kyle Kidd, a widower and veteran of three wars, now moves from town to town as a non-fiction storyteller, sharing the news of presidents and queens, glorious feuds, devastating catastrophes, and gripping adventures from the far reaches of the globe. In the plains of Texas, he crosses paths with Johanna, a 10-year-old taken in by the Kiowa tribe six years earlier and raised as one of their own. Johanna, hostile to a world she’s never experienced, is being returned to her biological aunt and uncle against her will. Kidd agrees to deliver the child where the law says she belongs. As they travel hundreds of miles into the unforgiving wilderness, the two will face tremendous challenges of both human and natural forces as they search for a place that either can call home. More...

Weekend Box Office Performance

Box Office Summary Per Territory

$00$00$00
Territory Release
Date
Opening
Weekend
Opening
Weekend
Screens
Maximum
Screens
Theatrical
Engagements
Total
Box Office
Report
Date
Australia 1/28/2021 00$0
Germany 1/7/2021 00$0
North America 12/25/2020 $2,250,430 1,900 1,986 19,649 $12,668,325
United Kingdom 1/1/2021 00$0
 
Worldwide Total$12,668,325

Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.

Leading Cast

Tom Hanks    Captain Jefferson Kyle Kidd
Helena Zengel    Johanna Leonberger

Supporting Cast

Mare Winningham    Doris Boudlin
Steve Boyles    Freighter
Tom Astor    Cavalry Lieutenant
John Travis Johnson    Cavalry Rider
Andy Kastelic    Union Duty Officer
Ray McKinnon    Simon Boudlin
Jeff Ware    Red River Heckler
Chris Bylsma    Red River Heckler
Justin Tade    Red River Heckler
Darrin Giossi    Federal Soldier
Brenden Wedner    Young Progressive Speaker
Elizabeth Marvel    Mrs. Gannett
Michael Covino    Ron Avalon
James Clay    Almay’s Man
Cash Lilley    Almay’s Man
Stafford Douglas    Dallas Federal Officer
Robert G. Knowlton    Dallas Federal Officer
Jared Berry    Dallas Federal Soldier
Gabriel Ebert    Benjamin Farley
Fred Hechinger    Thomas Kidd
Clint Obenchain    Tom Farley
Thomas Francis Murphy    Mr. Farley
Truman Hanks    German Rider
Neil Sandilands    Wilhelm Leonberger
Winsome Brown    Anna Leonberger
Bill Camp    Mr. Branholme
Michael Toby Sanchez    San Antonian

For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.

Production and Technical Credits

Paul Greengrass    Director
Paul Greengrass    Screenwriter
Luke Davies    Screenwriter
Paulette Jiles    Story based on the novel by
Gary Goetzman    Producer
Gail Mutrux    Producer
Gregory Goodman    Producer
Steven Shareshian    Executive Producer
Tore Schmidt    Executive Producer
Dariusz Wolski    Director of Photography
David Crank    Production Designer
Mark Bridges    Costume Designer
William Goldenberg    Editor
James Newton Howard    Composer
Eric Heffron    Co-Producer
Amy Lord    Co-Producer
Scott Thaler    Unit Production Manager
Eric Heffron    First Assistant Director
Craig Comstock    Second Assistant Director
Emily Evans-Thirlwell    Associate Producer
Dayaliyah Lopez    Visual Effects Producer
Peter Dudgeon    Additional Editor
Billy W. Ray    Supervising Art Director
Natasha Gerasimova    Supervising Art Director
Lauren Slatten    Art Director
Elizabeth Keenan    Set Decorator
Amahl Lovato    Set Designer
John Pritchett    Sound Mixer
Tammy Williamson    Costume Supervisor
Jean Black    Make up
Kelvin R. Trahan    Hairstylist
Rebecca Adams    Post-Production Supervisor
Pani Scott    Supervising Assistant Editor
Jun B. Kim    First Assistant Editor
Holly Burn    Assistant Editor
Arabella Winter    Music Editor
Oliver Tarney    Supervising Sound Editor
Oliver Tarney    Sound Designer
Michael Fentum    Sound Designer
Rachael Tate    Supervising Dialogue and ADR Editor
Kevin Penney    Sound Effects Editor
Dawn Gough    Sound Effects Editor
Mike Prestwood Smith    Re-recording Mixer
William Miller    Re-recording Mixer
Adam Mendez    Foley Mixer
Becky Boyle*    Script Supervisor
Perez Hilton    Location Manager
Jeff Dashnaw    Second Unit Director
Gordon Davidson    Score Recordist
Roni Rodrigues    Visual Effects Supervisor
Ian Fellows    Visual Effects Supervisor

The bold credits above the line are the "above-the-line" credits, the other the "below-the-line" credits.