Synopsis
1967-1976 As one of history’s greatest fashion designers entered a decade of freedom, neither came out of it in one piece.
Metrics
Movie Details
May 12th, 2015
The Avengers: Age of Ultron remained in first place on the per theater chart with an average of $18,182. It wasn't the only film in the $10,000 chart this week. Pather Panchali was close behind with $16,333 in its lone theater. I Am Big Bird: The Caroll Spinney Story earned $10,150 over the weekend for a total of $13,053 from Wednesday through Sunday.
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May 10th, 2015
Hot Pursuit is utterly failing to live up to its name this weekend, with an anaemic $13.3 million opening—the worst for Reese Witherspoon since Cruel Intentions in 1999, and her worst ever for a wide-release movie, when adjusted for inflation. The Avengers: Age of Ultron wasn't really expected to be threatened in first place, and is actually doing quite well for a movie that opened with close to $200 million. It will be down about 60% this weekend to $77.2 million, per Disney, the second-best second weekend ever, just ahead of Avatar, and some way behind The Avengers.
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May 8th, 2015
This week's list of limited releases isn't exactly short, but it is short on potential hits. Maggie and 5 Flights Up both have strong casts, but are playing in potentially too many theaters and also on Video on Demand. Noble is earning some of the best reviews, but its high theater count and lack of star power could hurt it. I Am Big Bird: The Caroll Spinney Story is also earning great reviews, but it is one of the rare documentaries that is taking the Video on Demand route.
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Because some of our sources provide box office data in their local currency, while we use USD in the graph above and table below, exchange rate fluctuations can have effect on the data causing stronger increases or even decreases of the cumulative box office.
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Screens | Per Screen | Total Gross | Week |
|---|
| 2022/02/04 |
- |
$457 |
|
1 |
$457 |
$7,017 |
378 |
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue
are available through our research services. For more information, please contact us at research@the-numbers.com.
For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.
Production and Technical Credits
