| Theatrical Performance (US$) | ||
| New Zealand Box Office | $7,624 | Details |
| Worldwide Box Office | $12,093,455 | Details |
| Further financial details... | ||
| New Zealand Releases: | October 9th, 2025 (Limited) |
| Running Time: | 132 minutes |
| Keywords: | Action Thriller, Hong Kong, Ensemble, Dysfunctional Family, Inheritance, Pharmaceuticals, Narcotics, Organized Crime, Cannes Film Festival 2025 |
| Source: | Original Screenplay |
| Genre: | Thriller/Suspense |
| Production Method: | Live Action |
| Creative Type: | Contemporary Fiction |
Because some of our sources provide box office data in their local currency, while we use USD in the graph above and table below, exchange rate fluctuations can have effect on the data causing stronger increases or even decreases of the cumulative box office.
| Date | Rank | Gross | % Change | Screens | Per Screen | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| 2025/10/10 | 20 | $3,921 | 0 | $3,921 | 1 | ||
| 2025/10/17 | 31 | $1,186 | -70% | 0 | $6,278 | 2 | |
| 2025/10/24 | 39 | $732 | -38% | 0 | $7,624 | 3 |
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens |
Maximum Screens |
Theatrical Engagements |
Total Box Office |
Report Date |
|---|---|---|---|---|---|---|---|
| Australia | 10/2/2025 | $36,064 | 0 | 0 | 0 | $77,659 | 11/17/2025 |
| China | 10/1/2025 | $2,916,854 | 0 | 0 | 0 | $12,008,172 | 11/14/2025 |
| Hong Kong | 10/1/2025 | $0 | 0 | 0 | 0 | $0 | |
| New Zealand | 10/9/2025 | $3,921 | 0 | 0 | 0 | $7,624 | 10/28/2025 |
| Worldwide Total | $12,093,455 | 11/17/2025 | |||||
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services at a cost. For more information, please contact us at research@the-numbers.com.
| Takeshi Kaneshiro | Lee Mo-tung | |
| Sean Lau | Wong Chi-tat | |
| Tony Leung Ka Fai | Dik Man-kit | |
| Louis Koo | Ching Man-sing | |
| Yuanyuan Gao | Lau Sze-yan |
For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.
| Juno Mak | Director | |
| Juno Mak | Screenwriter | |
| Man-Yu Chou | Screenwriter | |
| Catherine Hun | Producer | |
| Sion Michel | Director of Photography | |
| Richard Bluck | Director of Photography | |
| William Chang | Editor | |
| Ryuichi Sakamoto | Composer |
