Rob Malone

Best known as a Sound Effects Editor based on credits in that role in 5 films, with $1,191,658,950 worldwide aggregate box office (rank #99)

Best-known technical roles: Fantastic Beasts: The Crimes of Grindelwald (Sound Effects Editor), Paddington 2 (Sound Effects Editor), Adrift (Sound Effects Editor), Bridget Jones’s Baby (Sound Effects Editor), T2: Trainspotting (Sound Effects Editor)

Career Summary

		Movies	Domestic Box Office	International Box Office	Worldwide Box Office
In Technical Roles	Sound Effects Editor	5	$258,507,570	$933,151,380	$1,191,658,950

Record	Rank	Amount
Top Grossing Sound Effects Editor at the Domestic Box Office (Rank 201-300)	216	$258,507,570
Top Grossing Sound Effects Editor at the International Box Office	67	$925,850,818
Top Grossing Sound Effects Editor at the Worldwide Box Office	99	$1,184,358,388

See the Acting Credits tab for all Acting Box Office Records and the Technical Credits tab for all Technical Box Office Records.

Release Date	Title	Role	Domestic Box Office	International Box Office	Worldwide Box Office
Nov 16, 2018	Fantastic Beasts: The Crime…	Sound Effects Editor	$159,555,901	$496,200,000	$655,755,901
Jun 1, 2018	Adrift	Sound Effects Editor	$31,445,011	$26,452,180	$57,897,191
Jan 12, 2018	Paddington 2	Sound Effects Editor	$40,964,849	$187,612,510	$228,577,359
Mar 17, 2017	T2: Trainspotting	Sound Effects Editor	$2,402,004	$39,728,112	$42,130,116
Sep 16, 2016	Bridget Jones’s Baby	Sound Effects Editor	$24,139,805	$183,158,578	$207,298,383

Averages			$51,701,514	$186,630,276	$238,331,790
Totals	5		$258,507,570	$933,151,380	$1,191,658,950

Record	Rank	Amount
Top Grossing Sound Effects Editor at the Domestic Box Office (Rank 201-300)	216	$258,507,570
Top Grossing Sound Effects Editor at the International Box Office	67	$925,850,818
Top Grossing Sound Effects Editor at the Worldwide Box Office	99	$1,184,358,388